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lcc liberal arts studies / 2010 volume iii - LCC International University

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GERI HENDERSON / PRAXIS IN PRESERVING NATIONAL IDENTITIES IN LITERATURE<br />

Universities are generally presumed to be the locus for the greatest<br />

exposure to literature and discussions of it, certainly to the kind of Weltliteratur<br />

envisioned by Goethe. However, the reality of time restrictions, restrictions that are<br />

being defined in the Liberal Arts ever more narrowly, translates into one, or perhaps<br />

two, classes in literature for most students. Can anyone say what the irreducible<br />

minimum might be? Even attempts to deal with the most important works of<br />

Anglophone literature cannot be completely successful in such environments. In<br />

the Utopian world of curricular choice students would be in school for ten years.<br />

But the Dystopian world of reality dictates a 3-4-year course of study for the <strong>liberal</strong><br />

<strong>arts</strong> undergraduate and within that constraint, some very tough choices have to be<br />

made. In a discussion with administrators about the inclusion of a mandatory<br />

Literature class and the works covered in it, we acknowledged the need for greater<br />

inclusiveness in the list of readings but acceptance of the fact that such lists can<br />

never be prescriptive. They will necessarily be based on professorial choices that<br />

are based on interest and study. It is pointless to include more with less time for<br />

each without the interest or background to present them evenhandedly.<br />

Reconciling praxis with theory is grist for the mill of administrators who<br />

must also include practical considerations of economy, time, and graduate needs<br />

beyond the BA, in addition to the <strong>liberal</strong> <strong>arts</strong> education that is the promise of many<br />

schools in the United States and a number of schools elsewhere. While it is<br />

difficult to imagine a native-English speaker who does not know Shakespeare,<br />

Chaucer, or Faulkner much less the likes of Milton, Pope, or Thoreau, it is possible<br />

to imagine that students in the world of the international all-English university,<br />

having never read them, are quipped with the tools and perhaps even the<br />

motivation to find and read these and other authors someday for the beauty of their<br />

language or for the thoughts expressed in their works. Exposure to world literature<br />

will insure that at least there will be an awareness of literatures of non-English<br />

cultures. More often than not, at least in English-speaking environments, World<br />

Literature reading lists will sacrifice works of the time-honored English canon<br />

resulting in a global acquaintance with literature worldwide that cannot have depth<br />

nationally, but may approach something like Goethe's conception of Weltliteratur.<br />

National Identities and Global Reading<br />

Not everyone is concerned about what might be considered by some to be a<br />

general drift toward global literature. Some writers seem almost complacent about<br />

the homogenizing effect of globalization on literature. Cooppan teaches at Yale<br />

<strong>LCC</strong> / LIBERAL ARTS STUDIES / <strong>2010</strong><br />

41

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