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Time-Lapse Photography Art and Techniques by Mark Higgins

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L<br />

length of your video 128<br />

lenses<br />

50mm prime lens 41–43<br />

Constant aperture lenses 47<br />

fisheye lenses 48–49<br />

fixed <strong>and</strong> prime lenses 45<br />

focal length 40<br />

macro lenses 49<br />

perspective control 49–51<br />

teleconverters 46<br />

telephoto lenses 45–46<br />

tilt <strong>and</strong> shift lenses 49–51<br />

variable aperture lenses 47<br />

wide-angle lenses 42 , 46–47<br />

zoom lenses 44–45<br />

light, the importance of 57<br />

location 100–101<br />

M–N<br />

man-made light, the colour of 87–88<br />

manual mode 68 , 70<br />

maps 52<br />

megapixels 23–25<br />

memory cards 39<br />

metadata 44<br />

metering 69–73<br />

metering patterns 73<br />

microphones 132<br />

middle grey 71–73<br />

mobile phones <strong>and</strong> tablets 33–34<br />

movements, camera<br />

dolly shot 127<br />

jib shot 127<br />

panning 126<br />

tilting 126<br />

tracking shot 127<br />

zoom 127<br />

movement <strong>and</strong> time 13–14<br />

music

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