08.03.2017 Views

QUILTsocial | Issue 08

Here it is, the new issue of QUILTsocial Magazine! We're extremely excited to release this FREE issue featuring a full 88 pages packed with free tutorials, patterns, and product reviews. This is a very exciting issue! (I know, I say that about all of them...) But I'm very excited that we're taking a close look at 3 different sewing machine brands, highlighting their special features and exploring them with cool projects. This issue also has the very fun and diverse quilting projects you've come to expect from QUILTsocial. You don't want to miss our many tutorials, like reducing bulk in your seams, threads that enhance Sashiko work, and bringing together stenciling fabric and machine embroidery to create a one of kind quilt block, to name a few. Enjoy the issue, and happy quilting!

Here it is, the new issue of QUILTsocial Magazine! We're extremely excited to release this FREE issue featuring a full 88 pages packed with free tutorials, patterns, and product reviews.

This is a very exciting issue! (I know, I say that about all of them...) But I'm very excited that we're taking a close look at 3 different sewing machine brands, highlighting their special features and exploring them with cool projects.

This issue also has the very fun and diverse quilting projects you've come to expect from QUILTsocial. You don't want to miss our many tutorials, like reducing bulk in your seams, threads that enhance Sashiko work, and bringing together stenciling fabric and machine embroidery to create a one of kind quilt block, to name a few. Enjoy the issue, and happy quilting!

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Chalk pencil: The chalk tends to brush<br />

away, so it’s best to mark as you go with<br />

these pencils.<br />

Wash-out pen, pencil or graphite<br />

marker: These markers maintain a<br />

point and are easy to see. Refer to the<br />

manufacturer’s instructions to remove<br />

the markings and test them first on the<br />

fabric scraps to make sure the marks will<br />

wash out. Note: Humidity may make the<br />

marks disappear, and applying heat to<br />

them may make them permanent.<br />

Chalk roller and chalk wheel: Powdered<br />

chalk in this wheel makes a simple, fine<br />

line. These work fine if you’re going to<br />

quilt the object right away. The chalk is<br />

easy to see, comes in different colors,<br />

and brushes right off.<br />

Hera markers: Use a Hera marker on<br />

black quilts that have simple quilting<br />

patterns. You don’t have to wash the<br />

quilt when finished. They work very well<br />

if you’re going to quilt immediately.<br />

Frixion pens: come in a variety of colors<br />

and leave a nice sharp line. The lines are<br />

removed by applying friction or heat BUT<br />

the lines may reappear in extreme cold.<br />

Marking embroidery lines on fabric<br />

Oftentimes the best technique to<br />

transfer a design onto fabric depends on<br />

the color and thickness or weight of the<br />

fabric. Many of the marking tools that I<br />

mentioned above can be used with the<br />

following techniques.<br />

Tracing<br />

To transfer a design on paper to a light<br />

weight, and light-colored fabric you can<br />

place the design under the fabric and<br />

using your preferred marking tool copy<br />

the design by tracing it directly onto the<br />

fabric. If you have problems seeing the<br />

design through the fabric you can use<br />

a light box or tape the paper and fabric<br />

onto a sunny window. Here’s a little video<br />

that I found on YouTube that explains<br />

how to do this. If I decide to use a white<br />

fabric to do some sashiko embroidery<br />

with my Eleganza threads, I’ll probably<br />

use this method to trace my design.<br />

Watch this video to learn how to use a<br />

light box or window to transfer a design<br />

to cloth.<br />

Tracing Paper<br />

To use tracing paper or<br />

transfer paper, you place a<br />

piece of the paper, colorside<br />

down on your fabric<br />

and place the pattern on<br />

top of the paper. Transfer<br />

the design to the fabric<br />

by tracing the pattern<br />

using a stylus or empty<br />

ball-point pen. Many<br />

times the papers come<br />

in yellow to use with dark<br />

fabrics and blue to use on light-colored<br />

fabrics. This technique can be used<br />

for any fabrics that are too thick to see<br />

through such as wool or denim. Tracing<br />

Paper “Chacopy” – 5 Sheets For use with<br />

tracer pen (#7843500) to copy work onto<br />

craft & sewing projects. Includes 5 pages<br />

in blue, green, red, white and yellow.<br />

Reindeer Games –<br />

Hot Iron transfers<br />

Iron-on Designs<br />

Paperbacked iron-on<br />

transfer designs are<br />

available in a variety<br />

of colors and styles.<br />

Be sure to follow<br />

the manufacturers<br />

directions before<br />

using. Keep in mind<br />

that heat transfer<br />

methods usually<br />

create a permanent image that must be<br />

completely covered by stitching to be<br />

invisible. This type of product has been<br />

available for YEARS!! I’m pretty sure that<br />

the embroidered pillowcases that my<br />

grandmother made were done using this<br />

type of transfer product. If I can find some<br />

at my local craft store it would be fun to<br />

do a couple using my Eleganza threads.<br />

Blue Birds 4” – The<br />

Stencil Company<br />

Can be used for<br />

embroidery or quilting.<br />

Q<br />

.com<br />

Stencils<br />

Stencils are great<br />

for repeat patterns<br />

and for mixing and<br />

matching for a<br />

unique style. You can<br />

also use just parts<br />

of a stencil to create<br />

a unique design.<br />

Tracing stencils<br />

works best on<br />

medium-weight fabrics such as cotton,<br />

lightweight denim, silk, linen, rayon and<br />

various synthetic blends. To use a stencil,<br />

position it on the right side of fabric<br />

and secure in place using tape. Use<br />

your preferred marking tool to trace the<br />

design following the cut-out areas of the<br />

stencil. If the fabric has any stretch to it,<br />

you may find it easier to make small dots<br />

with the along the cutout lines, rather<br />

than drawing a solid line.<br />

There are also many other techniques that<br />

have been developed using computer<br />

printers, special papers and other<br />

interesting tools. There’s always something<br />

new being developed so the next time<br />

you’re in your local quilt or craft shop ask<br />

them what’s new! Many times when I’m<br />

doing hand embroidery I just make the<br />

pattern up as I go, but for my Sashiko<br />

project in a couple days I’m definitely<br />

going to be using one of these 4 ways to<br />

transfer embroidery designs to fabric.<br />

UILTsocial<br />

| issue 8 41

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