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art & culture<br />
As a well-versed artist and academician Shubigi Rao<br />
is a pandora’s box of information whose interest lain<br />
in various fields which requires one to be critical and<br />
informed and openly opinionated to allow oneself to<br />
conceptual frameworks in order to teach oneself<br />
new things<br />
sanaa nalwalla<br />
Tell us a little about yourself...<br />
I’m an artist and writer, based in Singapore. I’m really an artist<br />
only because it gives me the freedom to research and make<br />
work about any field, to be critical and informed and openly<br />
opinionated, to switch between conceptual frameworks and<br />
to teach myself new things, media, and ideas. So my interests<br />
range from archaeology, neuroscience, outdated 13th-19th<br />
century science, natural history, scholarship and exploration,<br />
to language, libraries, and even historical acts of cultural<br />
genocide, to name a few.<br />
How did you come about working with the infamous<br />
Raoul? Could you elaborate on your choice of a<br />
male alias?<br />
S Raoul was an erstwhile scientist, theorist, archaeologist and<br />
scapegoat, as well as a mentor to me. As a male of no clear<br />
ethnic persuasion, he became a very useful persona under<br />
which I could make ten years worth of art, write scientific<br />
papers (all hoaxes of course), and academic art history books<br />
(also not wholly truthful). Its been fun watching how easily<br />
people accept the word (and work) of a dead male over that of<br />
a living female. So I’ve been the ‘booth girl’ who presented his<br />
neuroscientific work at the global congress of neuroscientists<br />
in 2010, while brilliant scientist admired S. Raoul’s collection<br />
of 19 th century lobotomy tools (they were really rusty crochet<br />
hooks), and have even written a biography of him. He’s really<br />
just me, with a paper moustache, but a surprising number of<br />
people bought into that fiction. I suppose it says a lot about<br />
gender politics in art, academia, and authority, as well about<br />
our willingness to believe even the most outlandish premise,<br />
if it is presented in a convincing enough fashion.<br />
What is the nature of your work which makes<br />
it interesting?<br />
I’m not sure if it’s interesting to anyone else, but I’m endlessly<br />
fascinated by the breadth and range of knowledge and wonder<br />
in the natural world, the cosmos, at the quantum level, in<br />
70 march 2017 www.crememagazine.in