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art & culture<br />

As a well-versed artist and academician Shubigi Rao<br />

is a pandora’s box of information whose interest lain<br />

in various fields which requires one to be critical and<br />

informed and openly opinionated to allow oneself to<br />

conceptual frameworks in order to teach oneself<br />

new things<br />

sanaa nalwalla<br />

Tell us a little about yourself...<br />

I’m an artist and writer, based in Singapore. I’m really an artist<br />

only because it gives me the freedom to research and make<br />

work about any field, to be critical and informed and openly<br />

opinionated, to switch between conceptual frameworks and<br />

to teach myself new things, media, and ideas. So my interests<br />

range from archaeology, neuroscience, outdated 13th-19th<br />

century science, natural history, scholarship and exploration,<br />

to language, libraries, and even historical acts of cultural<br />

genocide, to name a few.<br />

How did you come about working with the infamous<br />

Raoul? Could you elaborate on your choice of a<br />

male alias?<br />

S Raoul was an erstwhile scientist, theorist, archaeologist and<br />

scapegoat, as well as a mentor to me. As a male of no clear<br />

ethnic persuasion, he became a very useful persona under<br />

which I could make ten years worth of art, write scientific<br />

papers (all hoaxes of course), and academic art history books<br />

(also not wholly truthful). Its been fun watching how easily<br />

people accept the word (and work) of a dead male over that of<br />

a living female. So I’ve been the ‘booth girl’ who presented his<br />

neuroscientific work at the global congress of neuroscientists<br />

in 2010, while brilliant scientist admired S. Raoul’s collection<br />

of 19 th century lobotomy tools (they were really rusty crochet<br />

hooks), and have even written a biography of him. He’s really<br />

just me, with a paper moustache, but a surprising number of<br />

people bought into that fiction. I suppose it says a lot about<br />

gender politics in art, academia, and authority, as well about<br />

our willingness to believe even the most outlandish premise,<br />

if it is presented in a convincing enough fashion.<br />

What is the nature of your work which makes<br />

it interesting?<br />

I’m not sure if it’s interesting to anyone else, but I’m endlessly<br />

fascinated by the breadth and range of knowledge and wonder<br />

in the natural world, the cosmos, at the quantum level, in<br />

70 march 2017 www.crememagazine.in

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