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01907: Summer 2017

01907 The Magazine's Summer 2017 issue

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TOP TO BOTTOM:<br />

“Harvard Square” a landscape oil painting by<br />

Marc Morin; a stained glass window designed<br />

by Ingrid Pichler; a photograph exploring the<br />

beauty of unexpected juxtapositions by<br />

Stefanie Timmermann; and an abstract<br />

painting by Carin Doben.<br />

20 | <strong>01907</strong><br />

Reach for the stars | Continued from P. 19<br />

Self-taught photographer Stefanie<br />

Timmermann, who documented the “before<br />

stage” through photos, sees great possibilities<br />

within the building.<br />

“It had an abandoned feel, but the bones are<br />

really good. For shows and exhibits, you have to<br />

think about lighting and giving space for the<br />

work to breathe, and we’ll have that here,” said<br />

Timmermann, a former scientist who loves<br />

the experimental nature of photography and<br />

digital editing.<br />

Putting <strong>01907</strong> back on the map<br />

More than a century ago, Swampscott<br />

attracted talented international artists such as<br />

William Bradford, Albert Van Beest, William<br />

Partridge Burpee, Edward Burrill and Charles<br />

Woodbury, who were inspired by the town’s<br />

shoreline, sailing vessels and fishing industry. As<br />

early as the 1850s, these beach painters, also<br />

known as the American Marine Impressionists,<br />

spurred a flourishing arts movement that lasted<br />

for decades. It was the development of Lynn<br />

Shore Drive and the construction of the beach<br />

wall that pushed the painters toward Gloucester<br />

in the 1920s.<br />

In the decades since, Swampscott has been<br />

unable to rebuild the momentum that it lost<br />

with their exit.<br />

Nearby cities and towns like Lynn, Beverly,<br />

Essex, Newburyport, Gloucester and Rockport<br />

have continued to thrive and have been<br />

designated cultural districts by the Massachusetts<br />

Cultural Council. Marblehead and Salem are<br />

each home to numerous galleries and studios and<br />

host a range of art exhibits and festivals. Lynn,<br />

boosted by its designation, has become a mecca<br />

for artist loft space and studio space and is home<br />

to organizations such as LynnArts and Raw Art<br />

Works. Lynn’s latest art installation project,<br />

Beyond Walls, kicked off this spring and will<br />

celebrate a mural festival this summer, during<br />

which 10 murals will be painted by international<br />

and local artists. The Greater Lynn Photographic<br />

Association, to which Timmermann belongs, has<br />

more than 200 members.<br />

“The give and take is important,” said<br />

Timmermann, describing the synergy of the<br />

association. “What’s lacking in our town is a<br />

place for artists to meet and support each other,<br />

to grow and exchange ideas in a place that<br />

promotes creative energy.”<br />

Timmerman’s work is defined by the use of<br />

atmospheric light, innovative flash techniques<br />

and creative points of view. A native of Germany,<br />

she moved to Boston from Paris and has been<br />

living in Swampscott for nearly a decade. During<br />

her eight years in France, she gained a deeper<br />

appreciation for the arts.<br />

“Art is just a part of life there,” she said. “The<br />

museums are full. There are paintings and prints<br />

around almost every corner. It would be amazing<br />

Photos: Paula Muller<br />

to have more opportunities here in town for<br />

exhibits.”<br />

Leah Piepgras, who has volunteered at RAW<br />

and Marblehead Community Charter Public<br />

School, is looking forward to a place where<br />

Swampscott artists will be able to gather, teach,<br />

perform, create and exhibit. Piepgras was trained<br />

in sculpture and performance art, but has also<br />

added painting to her repertoire. She holds an<br />

impressive record of exhibitions both nationally<br />

and internationally, including solo shows at the<br />

Winfisky Gallery at Salem State University, the<br />

GRIN Gallery in Providence and the<br />

SPRING/BREAK Art Show in New York City.<br />

It baffles her why there hasn’t been more of<br />

an arts presence in a town as picturesque as<br />

Swampscott.<br />

“I was originally from Texas, so it’s an utter<br />

privilege to be so close to the ocean and to see<br />

that view every day,” said Piepgras. “It’s a huge<br />

inspiration to me, the constant and always<br />

changing seascape. I try to walk along the beach<br />

as often as I can.”<br />

Artist Marc Morin, who moved to<br />

Swampscott two years ago, admits that the lack<br />

of space in town has forced him to offer<br />

classes, workshops and drawing boot camps in<br />

Marblehead and Watertown.<br />

“I’d love to be able to offer classes in the Reach<br />

Arts building,” said Morin, a fine art painter who<br />

studied at the Art Institute of Boston. “I hope<br />

this has a positive influence on the whole town.<br />

It seems like it was more of a resort town in years<br />

past and right now it’s still finding its identity.<br />

The building is a start, but hopefully murals and<br />

sculptures and more projects can come out<br />

of this.”<br />

“It feels like Swampscott is becoming,” said<br />

Nancy Wolinski, a graphic designer, vocalist,<br />

jewelry designer and member of the Reach Arts<br />

board of trustees. “There’s the 10-year plan, the<br />

beautification committee, the rail trail and now<br />

this. It’s our time to become a community that<br />

serves its community. We’re not just a sleepy<br />

town next to Boston and we shouldn’t be playing<br />

second fiddle to Marblehead, Salem and Lynn.”<br />

“Places like Marblehead and Rockport have<br />

always been so active,” said abstract artist Carin<br />

Doben, who came to the Bay State from New

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