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HERCANBERRA.COM.AU<br />
stood impatiently for clubs like Meche,<br />
Northbar and ICBM. But there are two<br />
lone survivors—Treehouse, which has<br />
diversified the usual bar offerings with<br />
casual daytime food downstairs and high<br />
concept cocktails upstairs, and their more<br />
colourful neighbour, Reload.<br />
A bar that would have seemed<br />
perennially ‘uncool’ 10 years ago,<br />
Reload now stands proudly with its<br />
gaming nights and drinks named after<br />
comic book characters. Where there are<br />
only ghosts of jägerbombs past, Reload’s<br />
continued popularity is testament to<br />
the fact that it’s now cool to stray off<br />
the beaten path of Top 40 hits and<br />
dress codes.<br />
OVER ON THE OTHER SIDE OF TOWN,<br />
new large-scale venue kyte has brought<br />
a taste of European nightlife to Canberra,<br />
served with a side of history and<br />
technical expertise.<br />
With a history of working in internationally<br />
renowned venues such as Ministry of<br />
Sound in London, co-owner Jerry Francis<br />
knows a thing or two about what gives a<br />
venue longevity.<br />
“When we set the space up, we weren’t<br />
going for a club vibe,” explains Jerry.<br />
“The priority is the music…because the<br />
whole idea was that [kyte] wouldn’t be a<br />
stereotypical club. When we set kyte up<br />
we wanted a community.”<br />
That community will endure, thanks to the<br />
work kyte are doing to ready Canberra’s<br />
next generation of music producers and<br />
deejays by offering master classes.<br />
“We have music production, event<br />
management, introduction to production,<br />
introduction to deejaying and<br />
introduction to copyright,” explains Jerry,<br />
who previously spent six years lecturing<br />
on music business at Canberra Institute of<br />
Technology (CIT).<br />
For Jerry, it’s about creating a culture—<br />
and that starts with an awareness of<br />
industry roots. This is reflected in his<br />
choice to hero artwork by scene legends<br />
such as Keith Herring, who “in the late<br />
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