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Magazine disruption

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MAGAZINE ISSUE NO.10<br />

“I am drawn to glass for its qualities<br />

that enable me to create the results I’m<br />

seeking in my work. I’m interested in<br />

layers, colour, line and light. I enjoy the<br />

materiality of glass and being able to<br />

work with form, depth and surface.”<br />

“I love exploring ideas through<br />

making, seeing the physical result of<br />

something in my mind. I love the sense<br />

of community and support from other<br />

artists and organisations in Canberra.<br />

I love the constant challenges and<br />

moments of insight that creating art<br />

work provides.”<br />

Being so new to the industry, Hannah<br />

is still feeling her way and says that<br />

balancing her art practice and work<br />

can be tricky.<br />

“Ideally I would work less to give myself<br />

more time to develop my work. But I<br />

appreciate the security my employment<br />

provides that allows me to support my<br />

practice in numerous ways.”<br />

unfortunately, it’s rare for art practice<br />

to provide the financial security that<br />

comes with these expenses.<br />

Although Hannah is very early into her<br />

arts career, the number of online and<br />

physical outlets for handmade art and<br />

crafts excites her and urges her on.<br />

“I feel encouraged to think that<br />

quality, individually-made pieces<br />

are appreciated and I think there is<br />

starting to be a rise in upcycling and<br />

environmentally considered products<br />

as social issues develop.”<br />

The life of an artist is not cheap. There<br />

is studio and facility hire, materials,<br />

courses and travel to consider, and<br />

PAGE 31

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