EXBERLINER Issue 164, October 2017
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WHAT’S ON — Barry Burns<br />
MOGWAI<br />
Sat, Oct 14, 20:00<br />
Columbiahalle,<br />
Tempelhof<br />
Interview<br />
“It’s gonna be a disaster,<br />
let’s be honest”<br />
Brian Sweeney<br />
Barry Burns<br />
The keyboardist/flautist/guitarist/vocalist<br />
joined Mogwai in 1998,<br />
three years after the<br />
band’s founding, while<br />
recording sophomore<br />
effort Come On Die<br />
Young. Since then, they<br />
have recorded seven<br />
studio albums and various<br />
soundtracks. Burns<br />
moved from Glasgow<br />
to Berlin with his wife<br />
in 2009; the couple<br />
opened the Scottishthemed<br />
Neukölln pub<br />
Das Gift in late 2010.<br />
Mogwai multi-instrumentalist and<br />
Berlin barman Barry Burns on Brexit<br />
angst, his band’s legacy and the<br />
dreaded G-word. By Adam Turner-Heffer<br />
The Glasgow instrumental post-rockers recently<br />
released their ninth and best-selling studio record,<br />
Every Country’s Sun, on the back of film soundtracks<br />
Atomic and Before the Flood. We caught up with Burns<br />
(photo, right) ahead of one of Mogwai’s biggest tours,<br />
which sees them play Columbiahalle on Oct 14.<br />
How’s the reception been for Every Country’s Sun?<br />
Generally, everyone has been really positive about<br />
it and it’s our best selling record so far – but what is<br />
most important is that we were really happy with it.<br />
We’ve completed another soundtrack since then [for<br />
upcoming James Franco vehicle Kin] so for us, it is<br />
mostly in the past. It’s just time to play it live.<br />
How was recording it – did you do anything different?<br />
Not really, as we are used to living in separate<br />
places at this point. Stuart [Braithwaite], Dom<br />
[Aitchison] and I will all write songs individually and<br />
share them over Dropbox, and we generally won’t<br />
get together to collaborate on them before we get to<br />
the studio. We recorded with Dave Fridmann [who<br />
produced Come On Die Young and Rock Action] for the<br />
first time in 15 years, and it felt strangely familiar to<br />
be back at his isolated studio in upstate New York. It<br />
was like we had never been away. It was eerie, all the<br />
same smells of timber from the house and routines<br />
like where and when to sleep just came flooding back<br />
to us. It helped us focus on the album, I think.<br />
You’re an outspoken critic of Brexit – are you<br />
worried about how it will affect you personally?<br />
It’s gonna be a disaster, let’s be honest. I don’t think<br />
many people are going to emerge from it unscathed.<br />
It’s going to be terrible for young bands. We already<br />
have to pay for visas to countries like Switzerland, the<br />
States and Japan, which cost about £1000 per country.<br />
We’re potentially going to have to do it every single<br />
tour now, which most likely will mean we have to slow<br />
down our touring. That said, I’m 41 now so that maybe<br />
would have happened anyway.<br />
What about you as a Berliner? Do you plan on staying<br />
here? Yeah, my wife and I are currently applying<br />
28 <strong>EXBERLINER</strong> <strong>164</strong>