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EXBERLINER Issue 164, October 2017

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WHAT’S ON — Barry Burns<br />

MOGWAI<br />

Sat, Oct 14, 20:00<br />

Columbiahalle,<br />

Tempelhof<br />

Interview<br />

“It’s gonna be a disaster,<br />

let’s be honest”<br />

Brian Sweeney<br />

Barry Burns<br />

The keyboardist/flautist/guitarist/vocalist<br />

joined Mogwai in 1998,<br />

three years after the<br />

band’s founding, while<br />

recording sophomore<br />

effort Come On Die<br />

Young. Since then, they<br />

have recorded seven<br />

studio albums and various<br />

soundtracks. Burns<br />

moved from Glasgow<br />

to Berlin with his wife<br />

in 2009; the couple<br />

opened the Scottishthemed<br />

Neukölln pub<br />

Das Gift in late 2010.<br />

Mogwai multi-instrumentalist and<br />

Berlin barman Barry Burns on Brexit<br />

angst, his band’s legacy and the<br />

dreaded G-word. By Adam Turner-Heffer<br />

The Glasgow instrumental post-rockers recently<br />

released their ninth and best-selling studio record,<br />

Every Country’s Sun, on the back of film soundtracks<br />

Atomic and Before the Flood. We caught up with Burns<br />

(photo, right) ahead of one of Mogwai’s biggest tours,<br />

which sees them play Columbiahalle on Oct 14.<br />

How’s the reception been for Every Country’s Sun?<br />

Generally, everyone has been really positive about<br />

it and it’s our best selling record so far – but what is<br />

most important is that we were really happy with it.<br />

We’ve completed another soundtrack since then [for<br />

upcoming James Franco vehicle Kin] so for us, it is<br />

mostly in the past. It’s just time to play it live.<br />

How was recording it – did you do anything different?<br />

Not really, as we are used to living in separate<br />

places at this point. Stuart [Braithwaite], Dom<br />

[Aitchison] and I will all write songs individually and<br />

share them over Dropbox, and we generally won’t<br />

get together to collaborate on them before we get to<br />

the studio. We recorded with Dave Fridmann [who<br />

produced Come On Die Young and Rock Action] for the<br />

first time in 15 years, and it felt strangely familiar to<br />

be back at his isolated studio in upstate New York. It<br />

was like we had never been away. It was eerie, all the<br />

same smells of timber from the house and routines<br />

like where and when to sleep just came flooding back<br />

to us. It helped us focus on the album, I think.<br />

You’re an outspoken critic of Brexit – are you<br />

worried about how it will affect you personally?<br />

It’s gonna be a disaster, let’s be honest. I don’t think<br />

many people are going to emerge from it unscathed.<br />

It’s going to be terrible for young bands. We already<br />

have to pay for visas to countries like Switzerland, the<br />

States and Japan, which cost about £1000 per country.<br />

We’re potentially going to have to do it every single<br />

tour now, which most likely will mean we have to slow<br />

down our touring. That said, I’m 41 now so that maybe<br />

would have happened anyway.<br />

What about you as a Berliner? Do you plan on staying<br />

here? Yeah, my wife and I are currently applying<br />

28 <strong>EXBERLINER</strong> <strong>164</strong>

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