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EXBERLINER Issue 164, October 2017

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BEST OF BERLIN — <strong>October</strong> <strong>2017</strong><br />

Burlesque<br />

BEST NAUGHTY ACADEMY<br />

World Premiere<br />

19th <strong>October</strong><br />

The cosy studio is filled with props,<br />

feather boas and top hats. Music from<br />

the musical Nine fills the room as satin<br />

gloves are eased off hands, sensually but<br />

powerfully. “When you pull off the glove, you<br />

must look like you own ze world!” instructs<br />

French chair-dancing tutor Tara D’Arson to<br />

the young woman, a university student who’s<br />

just joined the new Berlin Burlesque Academy.<br />

By the end of the four-week course, she<br />

hopes to have mastered the art of gartersnapping<br />

and glove-removing like a pro. “I<br />

can practice with my boyfriend!” she says<br />

with a laugh. But ultimately, “getting women<br />

to embrace the power of their own bodies” is<br />

what owner Marlene von Steenvag, self-proclaimed<br />

“German Queen of Burlesque” and<br />

founder of the Berlin Burlesque Festival, is<br />

LA calling<br />

OCTOBER <strong>2017</strong><br />

after. Since September her small Prenzlauer<br />

Berg school offers a wide variety of courses<br />

in English or German: short introductions<br />

(€19), classes on how to seduce your partner<br />

(€99), and intensive workshops geared at<br />

would-be stage performers (€239), as well<br />

as personalised bachelorette parties where<br />

future brides get to “go wild” for a night. If<br />

this is sounding rather gender-normative for<br />

Berlin, it is: “boylesque” classes aren’t offered<br />

so far. But the other half of humanity will be<br />

treated to the warm encouragement of charismatic<br />

teachers and complimentary crémant,<br />

creating an atmosphere where they feel they<br />

can – almost – own the world. — AHK<br />

Greifenhagener Str. 64, Prenzlauer Berg,<br />

see website for course listing<br />

Come <strong>October</strong> 1, Berliners who regularly tune into<br />

NPR over 104.1 FM will hear something new amidst<br />

the flagship shows like Morning Edition, Fresh Air<br />

and 1A: music. And uptalk? Just in time for the 50th<br />

anniversary of the Berlin-LA sister city partnership, the<br />

frequency is being taken over by a group of Berliners<br />

in affiliation with KCRW, the Los Angeles station known<br />

for its fastidious curation of indie tunes. Aside from Angeleno-beloved programmes<br />

like Morning Becomes Eclectic, look out for local content – a current affairs show and<br />

a Berlin culture segment will be added to the mix from day one. — SG<br />

German Palomeque<br />

La BETTLER<br />

OPERa<br />

The Beggar’s Opera as an<br />

international<br />

MusicTheatreDance<br />

Music/lyrics: Moritz Eggert<br />

Libretto: John Gay<br />

Neuköllner Oper Berlin,<br />

Balletto civile La Spezia,<br />

and Freiraum Syndicat<br />

With English surtitles<br />

John Gay’s masterpiece of<br />

ironic, time-critical musical<br />

theatre is newly outfitted<br />

with language and sounds.<br />

Ten German and Italian<br />

performers and musicians<br />

of Freiraum Syndicats meet<br />

in a physically dynamic and<br />

emotionally poetic rendition.<br />

They narrate, sing, and<br />

above all “move” their perspective<br />

on a story so timelessly<br />

capturing the up and<br />

down, love and betrayal,<br />

money and desire.<br />

neukoellneroper.de<br />

Karl-Marx-Str. 131–133<br />

D-12043 Berlin<br />

Tel.: 030 / 68 89 07 77<br />

5<br />

tickets@neukoellneroper.de

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