Viva Brighton Issue #56 October 2017
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PHOTOGRAPHY<br />
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Xavi D Buendia<br />
Dance of the kitchen photographer<br />
I worked in the food industry<br />
for such a long time, here<br />
in the UK as sommelier, and<br />
as a waiter and barman. But it<br />
was time to move on and do<br />
something for myself, so when<br />
I turned 30 I took a break. I<br />
was taking pictures for fun and<br />
did a favour for a friend - I<br />
shot all his new menu - and the<br />
photos looked incredible. I’d<br />
never produced photos like that<br />
before. One job led to another,<br />
to another and food photography is what I’m<br />
doing full-time now.<br />
It feels natural for me. I know how to move<br />
in kitchens, so I don’t get in the way of anyone.<br />
I hear the checks coming in and see the waiting<br />
staff moving around; it’s like a dance. I make it<br />
easy for everyone because I know how stressful<br />
it can be, especially for chefs to have someone<br />
foreign around them when they’re working.<br />
Chefs can be hot-headed, but I quite like it. I<br />
loved the old-school kitchens; the swearing and<br />
the shouting. You can see the tension building in<br />
them, and the passion and the emotion; there was<br />
a lot of fire. I don’t know how they do it nowadays<br />
in open kitchens; it feels very unnatural.<br />
I’m very lucky, the clients that I work with<br />
are incredibly good at what they do, so what<br />
you see in my photos is what you get at the table.<br />
I don’t work in a studio and I don’t style any of<br />
the food. I’m not too keen on food styling that<br />
you see in magazines and Instagram feeds. Nobody<br />
eats like that. Nobody gets up in the morning<br />
and tidies up the table and puts a pretty cloth<br />
and flowers with a pretty looking dish… I’m<br />
grateful to be able to work with very talented<br />
chefs who know their craft. Their<br />
plating is insane. It’s tidy, creative<br />
and fun. And that’s what I’m after.<br />
Most of my clients are in<br />
<strong>Brighton</strong>, and I tend to shoot<br />
for them regularly; not only the<br />
food but the staff, the interiors,<br />
and the action. Typically, if I get<br />
an enquiry, I’ll go eat there to see<br />
what the food and the service is<br />
like. If there’s something not quite<br />
right, I’ll tell them it’s not the job<br />
for me. I’m not just photographing<br />
a product, I’m helping them sell an experience,<br />
and to be able to capture that, I need to feel it<br />
and believe in it.<br />
Of the hundreds of restaurants in <strong>Brighton</strong>,<br />
I always go back to my favourite five or six<br />
when I get to eat out. Some of my favourites<br />
are Silo, Riddle and Finns, Señor Buddha, the<br />
Little Fish Market, Petit Pois, Cin Cin... Out of<br />
those I’d say the Little Fish Market is the closest<br />
to fine dining. I’ve worked in Michelin-starred<br />
restaurants and super-luxurious establishments<br />
and - in terms of food and service - they’re there.<br />
I like to eat food that excites me and that I can’t<br />
cook at home.<br />
The food industry is so big and diverse. Most<br />
people think only of restaurants, but then you<br />
have the small farmers growing for them, the<br />
foragers getting seaweed, micro-brewers and<br />
distilleries, the guy who smokes salmon in his<br />
garage, the banker who started making jams... I<br />
realised that there is a niche for anyone with a<br />
passion for food; anyone can create a successful<br />
business out of it. There’s plenty for everyone.<br />
As told to Lizzie Lower<br />
xdbphotography.com<br />
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