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provide safety and skills training to IA<br />

members. For the first time in the Basic<br />

Agreement, companies meeting certain<br />

criteria will put payroll deposits in place<br />

to guarantee <strong>IATSE</strong> wages and benefits.<br />

In summary, the IA made historic<br />

advancements in these Basic Agreement<br />

negotiations. Employer-paid benefit contributions<br />

are estimated at $100 million<br />

during the term of the contract (plus<br />

more than $43 million every year thereafter).<br />

Meanwhile, IA members incurred<br />

no cuts in health benefits (for example,<br />

no increased costs for dependents, and no<br />

increases in the number of hours needed<br />

to qualify for eligibility). This exceptional<br />

outcome can be attributed to many elements.<br />

Above all, however, the strength,<br />

solidarity and leadership of the <strong>IATSE</strong><br />

(including its bargaining committee, local<br />

unions, and members) were key factors in<br />

our collective success.<br />

Shortly after the conclusion of Basic<br />

Agreement bargaining, the Area Standards<br />

Agreement (ASA) was renegotiated.<br />

Leaders of the affected IA Locals<br />

served on the <strong>IATSE</strong>’s committee along<br />

with International officers and staff. Bargaining<br />

commenced at the offices of the<br />

Alliance of Motion Picture and Television<br />

Producers (AMPTP) in late April of 2015.<br />

Goals for these negotiations included<br />

raising yearly wage increases; increasing<br />

employer-paid health contributions; establishing<br />

employer-paid contributions<br />

to the <strong>IATSE</strong> Training Trust Fund; securing<br />

jurisdiction over certain locations department<br />

employees; and clarifying that<br />

set teachers work in <strong>IATSE</strong> covered classifications.<br />

Negotiations lasted four days and<br />

the Alliance secured its major priorities.<br />

The new ASA includes yearly 3 percent<br />

wage increases. Daily benefit contributions<br />

increase by five dollars per person in<br />

each year of the contract. Employers now<br />

contribute for the first time to the Training<br />

Trust Fund for each hour worked by<br />

every <strong>IATSE</strong> employee. These significant<br />

contributions will provide safety and<br />

skills training for the members who work<br />

within ASA jurisdictions long into the<br />

future. As with the Basic Agreement, the<br />

ASA’s new media terms now deliver superior<br />

conditions for members working<br />

on high-budget SVOD productions. This<br />

was an important gain for IA members<br />

engaged on these projects around the U.S.<br />

Below the high budget tiers there<br />

were other improvements. IA members<br />

working on new media productions with<br />

a budget of less than $25,000 per minute<br />

will receive five dollar per day increases in<br />

benefit contributions in each year of the<br />

Agreement. In addition to these robust<br />

economic gains, locations department<br />

jurisdictions were defined and set teachers<br />

are now in a verified contractual classification.<br />

These clarifications will secure<br />

the financial outlook for many <strong>IATSE</strong><br />

members.<br />

Safety concerns were also addressed<br />

in the renewed ASA. Extended workday<br />

safety guidelines were incorporated into<br />

the body of the Agreement. Employers<br />

may now provide courtesy housing or a<br />

ride home when crew members are too<br />

tired to travel. These stipulations coincide<br />

with the requirement that employees<br />

receive 10 hours of rest after consecutive<br />

workdays of 14 hours or more. All<br />

call sheets must also list the studio safety<br />

officer and studio safety hotline.<br />

These features provide long-term<br />

stability for <strong>IATSE</strong> members within<br />

the motion picture industry across the<br />

country. The ASA bargaining committee<br />

unanimously endorsed the contact and<br />

it was ratified by the General Executive<br />

Board.<br />

The <strong>IATSE</strong>’s Low Budget Theatrical<br />

Agreement (LBA) was negotiated<br />

twice in the last four years. This contract<br />

imparts beneficial working conditions to<br />

a segment of the industry which—in the<br />

not distant past—was principally completed<br />

with non-union labor. It covers<br />

hundreds of companies throughout<br />

North America producing features with<br />

budgets of $14.2 million or less.<br />

In November 2013, <strong>IATSE</strong> officers<br />

and representatives of Locals from across<br />

the U.S. and Canada met in Los Angeles<br />

to negotiate a successor contract. After<br />

these negotiations, the LBA became the<br />

first national contract with weekend<br />

turnaround. In addition, it now includes<br />

portal-to-portal language for daily turnaround,<br />

and pay increases for specialized<br />

work. Meal penalties and per diem<br />

payments were increased and wages will<br />

increase in accordance with the terms of<br />

other major agreements. The LBA now<br />

contains language preserving <strong>IATSE</strong> work<br />

(thus curbing subcontracting), which is<br />

stronger than any national <strong>IATSE</strong> production<br />

contract. With this advancement,<br />

we hope to stem the use of mobile labs<br />

and other non-union entities.<br />

In September of 2016, the parties<br />

again agreed to industry standard wage<br />

and benefit increases, thereby ensuring<br />

three more years of stability for IA<br />

members working on low budget features<br />

in the U.S. and Canada. The LBA<br />

recognizes the economic challenges of<br />

THIRD QUARTER 2017 57

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