BE2017en

BE #
2017 13
Brussels Furniture Fair
5 — 8 November 2017
THE
MAGAZINE
1
FOR
BELGIAN
FURNITURE

BE
#
2017 13
Brussels Furniture Fair
5 — 8 November 2017
PRODUCTION
Furniture Fair Brussels
Hof ter Vleestdreef 5 box 7
BE 1070 Brussels
Tel +32 2 558 97 20
be@furniturefairbrussels.be
www.furniturefairbrussels.be
CHIEF EDITOR
Lieven Van den Heede
2
COORDINATION & FINAL EDITING
Veerle Tuytschaever
EDITOR
frances van der Steen / franpress
DESIGN & LAY-OUT
Siegrid Demyttenaere / Waterproof2000
TRANSLATIONS
German: Doris Grollmann, Lisa Degen
English: Vicky Morrison
French: Aline Gustot
INFORMATION
BE was conceived and created for the promotion and support of the Belgian furniture sector. BE is published in
4 languages and is distributed internationally in various european countries. It is forbidden to offer BE for sale.
REPRODUCTION
No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical,
including photocopy, recording or any other information storage or retrieval system, without prior permission in writing
from the publisher.
REGISTERED PUBLISHER
Furniture Fair Brussels
L. Van den Heede
Hof ter Vleestdreef 5 box 7
BE 1070 Brussels / Belgium
PHOTO COVER
NILL SPRING - VASCA

Brussels Furniture Fair is the oldest furniture trade fair in Europe. And after all this time, the fair is
stronger than ever! An 80th anniversary is always a momentous milestone, and it’s the ideal moment
to take a look back. But the Furniture Fair has no desire to tell some dusty tale about past
glories. We prefer to talk about NOW – and are even more excited to look to the FUTURE together.
Different times demand changes, and more and more manufacturers are daring to take up this
challenge. Some do it step by step, whilst others make a quantum leap. We live in a highly exciting,
revolutionary era. On the one hand, the new consumer is living in ever-smaller spaces. On the
other hand, he is living in a vast world of social media. These two developments present a historic
challenge and offer some phenomenal opportunities for our industry.
The new consumer increasingly lives in (big) cities or alone. Belgian manufacturers are coming
up with ever more ingenious solutions for compact and single living. This is a market that they no
longer want to concede entirely to a single Swedish furniture giant.
The new consumer knows what is on the market. Anything he doesn’t know, he will immediately search
for. Sorted! He wants to know the ins and outs of a piece of furniture in detail. Has it been produced
fairly and sustainably? How…? Why…? What is it made of? He wants to hear the true story behind
each piece. That’s why more and more manufacturers are paying serious attention to storytelling.
The new consumer knows exactly what he wants. He will not be satisfied with ‘more or less’: he
wants the maximum. Each and every piece must fit him like a glove. That’s why customisation
is being perfected across all segments. That’s why manufacturers are offering more sizes and
finishes, as well as alternative and/or innovative materials. That’s why our exhibitors are launching
commercial collections for these new consumers that are better than ever.
Brussels Furniture Fair
MOVING FORWARDS FOR 80 YEARS
1
The new consumer is highly trend and design aware. That’s why each year, we highlight Trend
Styles in our corridors. For our 80th birthday, the design|industry platform in Hall 3 will be an additional
extra.
You can read about all of this in BE Magazine, and will soon be able to see, feel and hear it first hand
at the Furniture Fair. Take your time to appreciate the stories behind the pieces: about the design, the
materials, the concepts, etc. All of them are inspiring stories that you can share with your customers.
Together with our exhibitors, we look forward to welcoming you to this anniversary edition!
Lieven Van den Heede
BRUSSELS FURNITURE FAIR
5-8 November 2017
Brussels Expo

03
13
14
design/industry
Trend styles 2018
Let's tell the Truth!
36
58
2
Resourcing Ideas
Resourcing Waste
Resourcing Nature
Brussels by Night
76
96
Furniture Fair’s 80th anniversary

For its 80th anniversary, the
Furniture Fair is looking back to
the future with the design|industry
platform. The showcases on display
in Hall 3 revolve around the
dynamic between designers and
manufacturers. BE is offering you
a sneak preview into the world of
industrial design. We’ve asked a few
of the manufacturers about their
vision of, and experiences with,
external designers. The conclusion?
A designer’s name has a magnetic
effect on the new consumer,
and that’s good for everyone!
3
MMOOD – SHEEP
DESIGN: JEAN-FRANÇOIS D’OR
The story behind this bench sheds
light on it from a number of different
angles. The hidden meanings of the
name ‘Sheep’ and the design suddenly
become crystal clear. Why are the legs
set at this particular angle? Why does
it come in 3 different sizes (180 -60
cm), and thus sometimes seats a single
person? Why is it stackable? Because
you can artfully place your benches
around your table like a herd of sheep
(and lambs). And because the bench is
suitable for multiple purposes and uses.

MOTIVATION
‘The times change, and we change with
them.’ When and why does a manufacturer
take the step of approaching an external
designer? Some do so right from the outset,
whilst others only take the plunge at a particular
point in their existence.
Let us start with the latter scenario. This is
prompted by a company wishing or needing
to broaden its horizons. When it began working
with freelance designers ten years ago, this
was what motivated Joli. “You run the company
in accordance with a certain pattern of thinking.
You keep going down the same old road. As an
insider, there’s always a danger of tunnel vision.
An outsider can look at things unimpeded, from
different angles. A good example is the way in
which Tom de Vrieze made us aware of the ellipse
shape. We were accustomed to thinking
only in terms of rectangular tables. But now the
Elyps is our most popular model.”
At large family concerns such as Mecam,
Mintjens and Recor Group, the situation is a little
different. Their aim is to broaden their customer
base, in addition to their core business.
To strengthen their businesses’ position in the
market by reaching out to new target groups for
the future. This future is a design brand, which
functions as an autonomous entity within the
group.
For Moome and Indera (Mecam), MMood (Mintjens)
and Recor Home (Recor) alike, there was
not a shred of doubt. “A new design vision requires
external designers, as this is an entirely
different ballgame for the company and its designers.”
JOLI – LAYERS
DESIGN: SYLVAIN WILLENZ
‘Layers’ owes its name to its successful concept:
lighting, tables, chairs and cupboards
that can be customised ‘layer upon layer’.
Each layer reveals how refined and ingenious
the design is. A symbiosis of high-tech shapes
and materials. Vertical volumes (legs, backrest)
are reminiscent of a leaf on a tree, with a
subtle fold line culminating in a rounded top.
The layered structure has even been extended
into an innovative sheet material. ‘Wood
on Glass’ consists of a layer of oak veneer
above a layer of tempered glass. This creates
a wafer-thin, lightweight and extremely stable
tabletop – with a phenomenal span and
unlimited shaping options. Layers is thereby
elevated to the very highest level.
4

INDERA – LAZYSUNDAY / DESIGN: STEFAN SCHÖNING
ADDED VALUE
What else do external designers have to offer?
The answer is unanimous, regardless of the
company’s size. “Freelance designers are a
breath of fresh air. They look at things in a different
way and enable the collection to grow.
“Without growth you have stagnation, and that
is the beginning of the end”, is MMood’s conclusion.
Joli puts it in a very expressive way: “In the same
way that a body needs oxygen, a business
needs external designers. They are the new
blood, and they make the heart of the business
beat faster again.”
MMood also stresses the effect that a wellknown
name can have. “Design-savvy consumers
expect there to be a designer’s name
behind the product. Then they take the design
seriously. A designer is the way to promote yourself
as a design brand.”
Of course, the icing on the cake is to win an
award for the design. There is a certain audience
that is fixated on this, and sees it as a kind of
quality label. A design award boosts your brand
awareness.
Moome speaks of “a creative deluge, a huge
diversity of ideas about design, materials, etc.
They have a global view that has a much wider
reach than an internal overview. They literally
teach us to see everything differently.”
JOLI – LAYERS / DESIGN: SYLVAIN WILLENZ
5
INDERA - HUG / DESIGN: STUDIO SEGERS

JOLI – WIRE
DESIGN: MATHIAS DE FERM
How far can you go? No thinner
than 6 mm for stainless steel wire.
Mathias was tasked with creating
a feather-light, transparent,
feminine, stackable chair with this
material, suitable for both indoor
and outdoor use. With Wire, the
mission has been firmly accomplished!
In compliance with the
standard briefings, the chair has
numerous variations: with/without
arms, leather and outdoorproof
cushions, etc. And there’s
also a Wire table, with a support
designed to fire the imagination.
DESIGNERS
NETWORK
Making the switch to an external designer is a learning process.
6
Joli very quickly grew tired of design agencies. “We definitely prefer
the current generation of freelance designers. They are extremely
well trained, and have a phenomenal knowledge of materials. They
make use of every single opportunity offered by social networks;
make contact with relevant companies quickly and straightforwardly;
and find and investigate innovative products, materials etc. For example,
Mathias de Ferme managed to source a ready-made mould.”
At Joli, the choice of designer is dependant upon his affinity with
metal, understanding of the manufacturing industry, and willingness
to help think about and to immerse himself in the material. “I
will regularly take these designers with me on business trips so that
they can experience how things work. For example, they can see at
first hand how a few centimetres make an enormous difference.”
ETHNICRAFT – BOK / DESIGN: ALAIN VAN HAVRE
At Moome the choice is less limited, due to the diversity of the collection.
Whether it’s furniture, lighting or decoration, the design has
to offer compact and affordable solutions. Can the designer endorse
these values? That’s what makes the difference. It is not a
matter of regions or disciplines. “We like to spread our net as widely
as possible, beyond our country’s borders and outside the furniture
industry. Wim Segers, for example, originally specialised in radiators.
This explains the purity and balance of his designs. The last
thing that we do is to look at competitors at trade fairs.”

BELGIAN
INDERA – BARBASSO/ DESIGN: BRAM BOO
Moome’s freelance team is a mixture of Belgian
and international designers. Conversely,
Joli and MMood deliberately opt for Belgian
designers, albeit for different reasons.
Because of the nature of its product, Joli is
obliged to limit itself to designers from its own
language area. “For us, design is a highly technical
matter. Attempting to communicate about
this in a foreign language is a non-starter. Over
the phone, it’s completely impossible. In our
niche, language is definitely a barrier.”
MMood deliberately opts for Belgian designers,
as this is a key feature of its parent company.
“Mintjens is a 100% Belgian company, so we owe
it to ourselves to work with Belgian designers. For
us, age and language do not make a difference;
what’s important is a designer’s reputation in certain
circles. Indeed, a designer’s name generates
more publicity than the brand name.”
7
All these companies have one thing in common:
their attitude to designers who come knocking
on their door with ready-made designs in a
portfolio. “With just one exception, this simply
doesn’t work.”
MMOOD – WINGS
SPECIAL EDITION GLASS
DESIGN: GUST KOYEN
Everyone was crawling under the
table to look at the artful construction.
So why not opt for a glass
tabletop? Now you can see the
ingenious fold-out design and fine
interplay of lines in all its glory.

PHILOSOPHICAL
OR SUBSTANTIVE?
The briefing of the designer sets out the working framework. This might
be more or less sharply delineated.
The design might take the material as its starting point. At MMood this is natural
oak. The briefing is both philosophical and functional. “The design must
be multifunctional and should chime with the current zeitgeist. A piece of furniture
is a solitary object in space and time. The consumer should be able to
position it and use it however he likes. Other objects are placed around this
piece. It’s up to the designer to rise to the challenge of giving a particular function
(e.g. a table) a ‘surprising’ form.
8
At Joli everything begins with metal and the briefing becomes much more
complex. The task is to create lifestyle design families: tables, chairs and cupboards
(frames) suitable for both indoor and outdoor use. The added challenge
is multifuncitionality. “The new consumer lives in a smaller space and
does not have money to throw around. These days, it’s is no longer a question
of a villa with a swimming pool; it’s more likely to be an apartment measuring
between 60-120 m². A garden with a patio is now a very small garden or a
balcony. Outdoor furniture must be able to stand outside for the whole winter,
due to a lack of storage space. So outdoor furniture still has to look good when
seen through the window minus the blue sky and the cushions.”
At Moome, the briefing is substantive in nature: the piece of furniture required,
its comfort level, and possibly its functionality are clearly defined. Beyond this,
the designer has carte blanche (shapes, materials), and is not hampered by
financial or other preconditions.
ETHNICRAFT – BOK / DESIGN: ALAIN VAN HAVRE
“This means that he can give free rein to his
creativity. One crucial thing for us is whether or
not he can think about the tactility of a product.
Can he make a piece of furniture ‘strokeable’?
In this respect, we set the bar very high. This often
comes down to a detail. A brilliant example
of this is the Camu sofa: here Roel Vandebeek
has created an innovative geometric design alternative,
at a visual, functional and emotional
level. In addition to that, there is the detailing on
the loose back cushion. The five vertical seams
on the side are executed in an almost sensual
cross-stitch. This is a ‘love at first sight’ factor.
It’s hard to describe; you have to feel it, experience
it.”
MOOME – CAMU / DESIGN: ROEL VANDEBEEK
TRIBU – MOOD COLLECTION3207
DESIGN: STUDIO SEGERS

HEAD
OR GUT?
However, Moome does qualify that gut feeling.
“Experience has taught us that we also need
to judge a design quantitively, based on a series
of yardsticks and scoring. A high score is
still no guarantee of success. It’s a combination
of feeling and ratio.”
MMOOD – WINGS / DESIGN: GUST KOYEN
INDERA - HUG / DESIGN: STUDIO SEGERS
BUZZISPACE – BUZZIFLOAT / DESIGN: ALAIN GILLES
9
JOLI – LAYERS / DESIGN: SYLVAIN WILLENZ

TRIBU – MOOD COLLECTION3207 / DESIGN: STUDIO SEGERS
MOOME – MIRA / DESIGN: FREDERIK DELBART
INTERNAL
VERSUS EXTERNAL
What is the difference in the design process
between internal and external designers?
10
When you work with freelancers, it takes longer,
which is entirely logical. The research, the creativity
and the prototypes all take more time.
In Moome’s case, the physical distance between
the company and the foreign designer
is a significant factor. “You can show an inhouse
designer the prototype straight away, as
quickly and as often as necessary. With an external
designer, this requires an appointment,
and it is therefore dependant on diaries and
travel times.”
With large firms, there is the pressure to launch
entire new collections twice a year. With design,
you don’t have this scale and time pressure,
and creativity is given all the space and
time it needs. The biggest advantage is that
the design product has a longer economic
lifespan than the commercial collections.
MOCA – FIXYOURTABLE BURNT / DESIGN: PHILIPPE ALLAEYS

PRODUCT OF ART
How far does the collaboration with the external
designer go?
At Moome, there is no room for doubt: the designer
designs the products and might have
some say in the photography, but that’s as far
as it goes. At MMood it varies from person to
person. One designer might have a very firm vision
as regards communications, whist another
might not.
Conversely, Joli involves the designers every
step of the way. This might involve searching
for a supplier, marketing (photography, stand
construction), and competing for international
awards.
At Recor Home, Creative Director Frederik Delbart
and his team are responsible for both the
design and the branding.
11
JOLI – WIRE
FOTOGRAFIE: VINCENT
LAGRANGE
DESIGN: MATHIAS DE FERM
Via Mathias de Ferm we established
contact with Vincent
Lagrange, son of the renowned
art photographer Marc Lagrange.
His creative approach resulted
in some atypical images, which
intrigue the viewer and burn
themselves into your memory. A
blue macaw sitting on a chair with
his back to the camera. Or a decorative
peacock staring straight at
the camera from its stately position
on the edge of the Wire chair.

SO...
This does not mean that the entire industry
should immediately go out and hire external
designers who are famous to a lesser or
greater degree. It all depends on the marketing
strategy and the intended target market. Internal
designers have the company’s DNA in their
blood and all the necessary expertise at their
fingertips, which means that they work more
quickly. This human capital is invaluable.
Who knows, perhaps internal and external designers
might start working more as a team?
There is a market for design and other segments.
Only time will tell how the balance between
them will evolve.
INDERA – BARBASSO / DESIGN: BRAM BOO
If there is one thing that the industry should be
learning from the freelance designers, then it has
to be online networking. That truly is the future.
JOLI – MARGUERITE / DESIGN: MATHIAS DE FERM
12
MMOOD – SHEEP / DESIGN: JEAN-FRANÇOIS D’OR
BUZZISPACE – BUZZIFLOAT / DESIGN: ALAIN GILLES

LET’S
TELL
THE
Trend styles 2018
TRUTH
We want to buy less but better to go back to the fundamentals
of life and focus on the essentials: empathy,
friendships, community life and love.
13
Brands are expected to take an active role in positive
societal change: sustainability, transparency, ethical
sourcing and conservation of resources. Brands need to
gain respect from consumers.
We seek to make the difference by re-evaluating how
we live and the everyday decisions that we make. There
is a new moral compass, a new desire to be engaged at
a genuine, effective level. The truth is more important
than ever.
We can discern 3 new trend styles, expressed in ideas,
materials and colours; resourced by mankind through
nature & industry.

RE-
SOURCING
IDEAS
Thinking small can lead to big changes.
Consumers are very aware, especially
because of all the information available
online, and small groups and individuals
have become increasingly empowered and
influential by sharing, swapping and exchanging
ideas and expertise.
14
Some visionary brands have become active
educators since they started to open source
their knowledge. This is about sharing:
downloadable designs and ideas that can
be produced locally around the world. The
new generation is more interested in highquality
services, the optimisation of space,
easy-to-carry furniture and leasing rather
than possessing things.
Designers like to create ethereal visual
effects and illusions using translucent
materials.
“The revival of local production has been
made possible because of the global network
that is augmenting it. It’s a perfect
collaboration between the best of local
and the best of global.”
(Dries Verbruggen / Unfold)
We all live smaller and more connectedly,
both through the internet and through
communities. Here are some flexible examples
of clever and elegant solutions for
the urban nomads who want to enjoy the
benefits of the city.

PMS 559
PMS 7509
PMS 559
PMS Red 0331
PMS Violet
PMS 283
PMS 2635
PMS 162
PMS 325
PMS 180
10
Trend styles 2018
RESOURCING IDEAS
28
15
Radiant colour spectrum
and ombré effects, light
pink and nudes,
pastel hues with iridescent
effects; fresh blue
and cool greys combined
with digital purple,
pink and blue.
Use of geometric forms
and of futuristic, flowing,
shining and polished
materials.

RECOR HOME:
BRAND AS FUTURE
STRATEGY
The Recor Group is well known in the B2B world for its range
that goes from seating and other furniture to sleeping comfort.
Now it is launching its very first B2B2C brand collection:
Recor Home. To this end, a separate division has been created.
The Belgian family firm is an all-round manufacturer.
From now on, Recor furniture, Recor sitting
rooms and Belform will be grouped under
Recor Originals. Sofa beds will now come under
Sofabed by Recor Bedding. All divisions will
of course continue to operate as usual for the
retailers. Recor home is the new offshoot of the
Recor business: an exclusive brand collection
that collaborates with a select dealer network.
The brand marketing is a strategic decision for
the future – and will have a far-reaching structural
impact on the company.
What is the reason for this new direction? “As a
Belgian producer, you cannot win the price war
with the East European and Asian manufacturers
without differentiating yourself in terms of
quality, durability and experience. The answer is
to profile yourself as a brand with durable, added
value for the retailer and the new consumer.”
This consumer is more individualised, infominded
and autonomous – as well as impatient.
He is increasingly accustomed to ‘next day delivery’
and ‘immediate solutions’. His pattern of
expectations makes greater demands on the
manufacturer and retailer. “The future requires
a structured professionalisation.”
16
RECOR HOME - DANSAERT: CENTRAL / DESIGN: THOMAS BUEKERS

The consumer
as a focal point
Resourcing ideas
CONSUMERS
Recor Home’s starting point is ‘what does the
residential consumer want?’ To establish this,
a quantitative and qualitative piece of market
research was carried out. Some 1500 people
were asked about their interior taste, budget,
purchasing behaviour, etc. Do you prefer traditional,
design or comfort? What makes you
choose a particular piece of furniture? Because
it is practical, or space saving? Or because it
shows off your good taste, personality and
budget (the identity buyer)?
RECOR HOME - DANSAERT: CENTRAL / DESIGN: THOMAS BUEKERS
Based on the market research, 5 types of residential
consumer were analysed. These comprise
the target group profiles for the 5 collections:
Expo, Dansaert, Zoute, Ardenne and
Hermitage. The names are a nod to the company’s
Belgian roots – as well as to the type of
consumer and his/her interior.
17
Expo is aimed at identity buyers: they want to
make an impression with an innovative, avantgarde
design interior. Dansaert focuses on the
active urban people: they are looking for dynamic,
creative and compact solutions for their
limited living space (and budget). Zoute is designed
for those traditionally minded consumers
who value a high degree of comfort and a

RECOR HOME - EXPO: MONTREAL / DESIGN: JEROEN THYS VAN DEN AUDENAERDE
18
OUT
OF THE
BOX
superior quality. Ardenne targets homely (family)
types: they want to create a restful, idyllic haven
with natural elements. Hermitage alludes
to classic chic: these people enjoy an elegant
style with characteristic, artisanal details.
In each collection, Recor Home strives to create
unique added value for that type of consumer.
Design-lab
Responsible for the design — and the branding
— are creative director Frederik Delbart and
his team: a platform that includes both full-time
and freelance designers, from established
names to young talent and interns. Moreover, a
large number of women now occupy positions
such as stylist, POS Manager and Marketing
Manager. This Design-lab operates as a creative
melting pot: the dynamic interaction of ‘out
of the box’ thinking and technical expertise.
The result is phenomenal: the innovative spirit
shines through in every model.
Reclining and sleeping functions are expertly
camouflaged, and seating comfort is perfected.
A backrest lies conveniently to hand: if you simply
sit crosswise or diagonally on the sofa.
Asymmetry has been explored both visually
and functionally: the masculine, cubist arm
has a relatively hard construction; whilst the
feminine, round arm has a soft look and feel.
This model is included in the Expo interior as a
statement. With acoustic seating modules, the
Dansaert hipster can create ‘an oasis of calm’
at home in the city. The silent cocoon can be
transformed in no time: from a side-to-side to
a back-to-back position. Details and multifunctionalities
make a world of difference.

What you see
online…
Recor Home has consciously opted for the
clicks & bricks model, which incorporates a
central role for retailers. The new consumer can
orientate himself online, but can only buy offline.
Recor Home thus aims to fulfil all the new
consumer’s expectations. Problems are eliminated
and disappointments avoided.
RECOR HOME - EXPO: GENUA
DESIGN: FRANK VAN HOOF
RECOR HOME - EXPO: SYDNEY
DESIGN: THOMAS BUEKERS
This means branding that is both inspiring and
informative – including a configurator and 3D
room planner both online and in the dealer’s
shop. If the consumer has already configured
a model online, then he is already given
a price indication. “Because based on this, a
customer’s interest will either persist or disappear.”
A customer is only referred to the dealer(s) who
actually stock the relevant model! “What you
can see online here, you can see, touch, and
try out there for real.” This removes the frustration
of pointless driving around! The consumer
is immediately given the opportunity to make
an appointment with the dealer. In short: clicks
lead to qualified leads for the bricks. They generate
traffic to the dealer. “That is the future.”
RECOR HOME - EXPO: MONTREAL / DESIGN: JEROEN THYS VAN DEN AUDENAERDE
19
RECOR HOME - ZOUTE: CASSIS / DESIGN: FRANK VAN HOOF
www.recorhome.be

Trend styles 2018 : RESOURCING IDEAS
D&D – TABU
20
Antioxidant
These metal fronts require a technical explanation. The copper, silver or
gold is PVD coated onto stainless steel. This high-end finish is used for
applications such as lifts, exclusive jewellery and bathroom taps.
The PVD process (Physical Vapour Deposition) is based on the principle
of vapour deposition. This is akin to the hoar frost that forms after a clear
winter’s night: water vapour is deposited and sticks to trees, cars, etc. as
ice. The PVD method works in the same way. Simplistically put: the pure
copper/silver/gold is vaporised at high temperatures in a vacuum space.
It is subsequently deposited onto the stainless steel as vapour particles
(sometimes under pressure). These then form a microscopically thin, rockhard
layer of copper/silver/gold. This metal coating is highly scratch resistant
and colour fast, has a uniform colour and texture, and is resistant to
corrosion. Even the copper does not oxidise.
These exclusive metals are used to decorate the Tabu cupboard fronts
and coffee tables. Four different sizes of PVD stainless steel panels are set
together in an aluminium frame. Each door front/tabletop follows a kind of
monochrome patchwork pattern: in silver, brass or brushed gold.

The new consumer is hungry for ideas. He knows what is on the market
and is continuously searching for smarter solutions. Manufacturers are
coming up with some ingenious responses to this. They are introducing
multimedia marketing concepts. They are harnessing materials and
techniques from other industries. These range from low-tech (concrete
plaster, smocking) to high-tech (PVD-coated stainless steel). They are
creating unprecedented geometric alternatives. They are offering the
consumer every opportunity to ‘design’ his piece of furniture himself.
Reclining and lounging functions are harnessing ‘smart’ technology.
Warm metal
The Weaver table is set on retro ‘hairpin’ legs,
and the Harmon chair’s support is a derivative
version of these: the pins come together crosswise,
14 cm above the floor. Anyone bending
their legs backwards beneath the chair will find
a support for their feet.
Resourcing ideas
COPPER
The crowning glory of these hairpins is their
exclusive finish. The metal is epoxy lacquered
using a new technique that results in a satin
soft, relatively warm feel. This copper coloured
or matte black coating feels considerably more
pleasant than stainless steel or conventional
epoxy lacquered material. What’s more, Unic
Design is the very first firm to be able to launch
this finish in the furniture industry.
UNIC DESIGN – WEAVER & HARMON
21
Brass
PERFECTA – VICTORIA & PISA
The Pisa chairs have a comfortably upholstered
seat, in a choice of 60 colours. For the frame,
the standard range of 16 epoxy lacquers is
available. The accompanying illustration shows
the eye-catching brass option.

Trend styles 2018 : RESOURCING IDEAS
THE
GEOMETRIC
ALTERNATIVE
22
MOOME – CAMU SOFA, JIGSAW TABLE, ARTHUR LAMP
There is no need to reinvent the wheel. But the
same is not true for the sofa. This is proven by
Camu: an innovative re-design of the cubist
sofa that was triggered by the chaise longue
element. Or more specifically, by the purpose
of the foot section. Why does this need to be
so wide? Outstretched legs do not require
that much space. Perhaps it’s intended to be
used for sitting on if push comes to shove?
But without a backrest, no one will stay there
for long. Therefore the protruding part is destined
for stretched out chilling. So the above
observation still stands: from both a spatial
and a practical perspective, the foot section
really could be narrower. This then raises the
problem of the transition: from narrow (legs)
to wide/deep (seat section). The ingenious
solution is the asymmetrical perspective of
(illusory) volumes and planes. In particular, the
inventive application of shadow gaps makes
this design a unique spatial, visual and functional
experience.
You believe that you are seeing a modular
sofa. The chaise longue element has indeed
been narrowed. Where the back begins, the
sofa appears to have been ‘filled in’ with loose
modules to create additional seat depth. But
nothing could be further from the truth. The
whole thing is actually composed of a single
block. Shadow gaps divide up the upholstered
surface area into uneven segments.
This means that both literally and visually, the
sofa takes up less space. The visual effect
changes depending on your angle of vision.
The shadow gap makes the proportions come
across differently. The chaise longue element
appears to be extra long. Or when viewed

23
MOOME – CAMU SOFA / DESIGN: ROEL VANDEBEEK
MOOME – CAMU SOFA, DAISY TABLES, ARTHUR LAMP, KNITTED RUG, LILI LAMP
from another angle, the seat section appears
to be less deep and therefore extremely wide.
In today’s world, that feeling of ‘more space’ is
most welcome. Thanks to the shadow gaps,
the sofa has even gained functionality. The indentations
are around 10 cm deep: perfect for
inserting loose mini-tabletops. Thus everyone
on the sofa can always have a drink, a snack
and personal items to hand.
In short, behind this innovative, geometric design
lie some unexpected details.

Trend styles 2018 : RESOURCING IDEAS
In between
The shape of the Rialto tabletop lies somewhere
between an ellipse and an oval. This
new variation goes hand in hand with the
new 100 cm width. It is available in a 160 cm
or 200 cm length, with an optional 60 cm
extension bringing the size to 220 or 260
cm. When the table is extended, the widely
spaced legs slide out as well. This guarantees
the maximum amount of seating space.
24
PERFECTA – RIALTO

Resourcing ideas
FORMS
PERFECTA – CIRCA
Hybrid design
25
Circa qualifies the geometric hybrid of a square
with a circle. This hybrid design is the defining
feature of the tabletop and base plate, which
have arched sides and rounded corners.
At the same time, Perfecta has adjusted the
dimensions to create a new in-between size.
Its 65-cm height has been calculated to fit
alongside sofas and beds, for use as a side or
bedside table. The Circa collection thus has 5
levels, from coffee table to standing table.
The tables can have either a monochrome or
polychrome finish. The palette comprises 13
HPL and 4 Fenix ® colours for the tabletops, plus
16 shades of epoxy lacquer. This range forms
the new standard at Perfecta. Thus a chair such
as Claudio can be perfectly matched to a Circa
table.
PERFECTA – CIRCA & CLAUDIO

Trend styles 2018 : RESOURCING IDEAS
SCANDINAVIAN
LOOK & FEEL
26
UNIC DESIGN – BOLTON - ARIANA

Smocked comfort
Pale hues create a Scandinavian feel. Metal
frames come with a white lacquer as standard,
and the tabletop has a Fenix ® finish
atop a visible beech multiplex panel. The
chairs are pastel coloured and are generously
upholstered in a style akin to traditional
smocking. Vertical pleats are held in place by
horizontal stitching and elastic, like the elastic
embroidery seen on the bodices of ladies’
and children’s clothing in bygone centuries.
The Ariana chair’s smocked upholstery contributes
to its comfortable air.
Resourcing ideas
CRAFTS
27

Concrete plaster
MINTJENS – CONCREA
These pieces combine character oak veneer with concrete plaster.
A 2 mm layer of concrete is applied to MDF with a finishing
trowel. As this is done by a skilled plasterer the result is different
every time, meaning that each piece is unique. A water-based
topcoat is applied to the concrete to protect it from stains soaking
in. The best advice is to clean it immediately.
28
With Concrea, the concrete plaster can be used anywhere: on
tops, cupboard fronts and table frames.
Interior visions
Edge refers to the facet edges, which lend a deeper perspective
to the front. The carcass serves as a floater frame, sketching
out a lighter, graphic impression of the cupboard. Edge
plays with light and air in the cupboard and on the wall, using
vertical and horizontal volumes, small and large dimensions,
open and closed compartments and surfaces, and standing
and hanging elements. The materials and colours can be
used to enhance the spatial effects.
The carcass comes in a choice of black and dark brown oak,
or dark silver. For the fronts there is a fourth option: linen grey.
The interior becomes a free composition. It depends upon the
composition of the individual elements and their arrangement
in the space.
RECOR ORIGINALS – EDGE

Dynamic
Mintjens aims to stimulate interior creativity,
and that calls for more playful and multifunctional
(occasional) pieces. This dynamic
theme is being universally rolled out. The spiral
staircase-esque cabinet is a striking example
of this: arranging it is simply a matter of twisting
and turning.
Another all-round cabinet is constructed by
stacking and sliding. It is built from wooden
planks and a series of metal cubes, with no
tools or mounting required.
MINTJENS – CONCREA
TWIST
AND
SLIDE
29
MINTJENS – FELIZ

Trend styles 2018 : RESOURCING IDEAS
CONFORTLUXE – PERLA
30
Fine-tuning
CONFORTLUXE – SERRANO
For Confortluxe, Perla serves as a yardstick for
standardised customisation. The electric reclining
functions have been enhanced. In addition
to fold-out leg rests, Perla now offers an
adjustable back and headrest, with 1 or 2 motors,
for every seat. Aside from this, the range
includes some 30 custom modules, with the
armrest positioned either left or right. This immediately
translates into more than 100 variations.
As a bonus, a free scatter cushion is offered
with every module.

Resourcing ideas
SPACE
VARAM – FANTOM
Shallow or deep?
Fantom is the latest Vario-seat (recliner) model,
with a seat depth of either 55 or 60 cm. This
makes it suitable for all ages: for those who enjoy
lounging, and for the generation that prefers
more active sitting. The trendy ski leg is associated
with neither young nor old. Fantom is a
question of style.
31
Maximum openness
HIMA – LOIC
Loic works with compact dimensions and illusions.
The dimensions have been reduced,
chiefly thanks to its slim arms. The bi-colour
effect has been pared back to a single piece
of contrast piping, which outlines the arm
cushion and goes on to bisect the side. This
virtually uni-colour scheme creates a sense of
rest and space in an interior. Ditto the tall legs,
adjustable headrest and Wall-Away system.
Even when viewed from a distance, none of the
mechanism can be seen, thus giving the base
maximum openness.

Trend styles 2018 : RESOURCING IDEAS
32
Prospective design brand
SITINO - SAIL
Sitino has recently started operating under the
auspices of the Mintjens Group. The collection
will be promoted as an autonomous design
brand. Its focus lies on metal frames with top
quality stylistic and technical attributes that
really make them stand out. The first achievement
is the introduction of 6 trendy, high-end
powder-coated finishes for the metal.
Setting up the brand collection will lead to a
more coherent connection between the tables
and the chairs, with the metal frame becoming
the central link. The first step is to update the
ceramic tabletops with bluestone, concrete
and brown-veined, matt black marble. The
chairs’ upholstery is fluffier, making them both
cosy to look at and snugger to sit in.
SITINO - MATCH

TRENDY
STYLING
ROM – PRISMO 2.0 / USED DELUXE
Pet-proof flocking
33
The styling concept Prismo (2011) has been brought up to date,
under the auspices of the Parisian ‘créateur des couleurs’ Didier
Galerne. The latest on-trend colours lie in the spectrum of
green herbs (sage and thyme), sand (Sahara) and earth (Canyon).
Amongst the latest upholstery materials, the Kaleido flocked fabric
scores highly thanks to its pet-proof characteristics. It offers
above-average resistance to the clawing feet of cats and dogs.
Their bothersome hairs are easier to remove too. (As a point of
reference, Kaleido comes from the same supplier as Aquaclean.)
ROM – PRISMO 2.0 / VELVET GLAMOUR
Prismo is ready for the 2017/2018 furniture season. Styling can
commence once again, based on 25 trend colours, 7 upholstery
materials (leather/fabric) and the decorative cushion fabrics. As
a guideline, 5 decorative trends have been identified: living botanic,
new ethno, pure nature, used deluxe and velvet glamour.
They offer ready-made styling ideas. For example, which unifabrics
fit best with the decorative cushions? And which unicolours
can you use to create a decorative living environment?

The finishing touches
A sofa alone does not make a cosy interior.
That’s why Passepartout is filling in the picture,
piece by piece. It is offering a wider range of
supplementary pieces such as pouffes, coffee
and side tables. As well as its very first collection
of rugs, available in every shape and size and
even ‘made to measure’: 3 qualities, 2 neutral
natural shades, and 3 edge finishes. And with
styling suggestions for decoration.
34
PASSE PARTOUT – ADINO & TUBE / DESIGN: SCOOTERS&BROMMERS

Resourcing Ideas
STYLING
35

Trend styles 2018 : RESOURCING IDEAS
More freedom to match
EVAN – MODULO
With Modulo, Evan is taking a big step
forward, towards a customising concept.
For example, the sizing has been
extended to 4 identical widths for both
the sideboards and the TV lowboards.
The threshold is 257 cm. Two different
melamine finishes can be matched
together. There are three options available
for the carcass (elm, cashmere or
matt black), and two for the fronts (elm
or cashmere). Cupboards can either be
monochrome, finished entirely in ‘elm’
or cashmere. They can also feature a
combination of 2 finishes.
The art of limitation….
36
The concept behind Zen is masterful in its simplicity – and in its limitations. This
is a range of simply lacquered, customised cupboards with a clearly structured
customisation procedure. The base unit is available in 18 matte lacquer colours,
16 of which also have a high gloss option. (Other colours upon request.) Tops
come in either lacquered glass (matte/glossy) or ceramic (7 types). Extra styling
options relate to the fronts (2 versions) and the support (plinth or legs). That
sums up the cupboard’s looks. It is simply a question of ticking off the desired
dimensions and layout. Each type of cupboard is available in a range of different
measurements, and each size in a range of different layouts. A Zen cupboard is
therefore both masterfully simple and rapidly configured.
NEOCOCOON – ZEN

Resourcing ideas
SMART LIVING
ROM – VERSATO / CADINI
Division
37
Rom is taking a big step forward in the customising
project. The grid has been refined from
the familiar 20 cm to 10 cm, so the desired
width measurement can now be even more
precisely configured. This is followed by a new
step: the ideal division of the seats. Does the
customer require many or few seats? Based
on the number needed, the seat is partitioned
proportionally, with each seat being allotted an
identical width (between 60 and 120 cm). This
results in a perfect symmetry. An overall seat
width of 180 cm can be divided up into 2 x 90,
or 3 x 60. An irregular row of cushions of 60-
70-60 cm is transformed into a regular row of
3 identical cushions (3 x 63 cm). At the same
time, the small-medium-large step has been
altered. The custom seat depth is making way
for 3 seat height levels.
In addition to the more accurate measurements,
other options are available, such as the
backs (3 models) and the seating and reclining
comfort. The latest function is the turning
option on the ‘Smartchair’: this module can be
rotated 90 degrees to create a lounging island
for everyone.
The best has been saved for last: the Touch
Pad control. The Touch Pad facilitates the functionalities
without the need to click (through)
on buttons, and without an additional, complex
interface. Each reclining seat has its own
Touch Pad. These can be stored between the
seats. When in a vertical position, the screen
is blocked. It can only be operated when it is
picked up. This kind of ergonomic and aesthetic
upgrade makes Versato truly trendsetting.
ROM – VERSATO / TOUCH PAD

Trend styles 2018 : RESOURCING IDEAS
1
2
3
1-2-3
CHAIRZ – CONCEPT 2018
Chairz has condensed two of its design classics
into a single multiple-choice concept.
The first step is to select the style and styling
of the seat shell: there’s a choice between
the Dahlia or Mas model. Next step, the material:
either either pure polypropylene (black or
white) or upholstered (in a fire retardant material).
The third step is to select the support:
there’s a choice of 8 models, in wood and/or
metal, with or without wheels, and with an optional
swivel mechanism.
A magnificent mix
38
Boxx is a no-nonsense range. It revolves
around mixing and matching melamines
in cupboards and on tables. As well as
neutral black, white and taupe, in a matte
or high gloss finish, there is one option
that really stands out: a naturalistic leatherette.
D&D – BOXX

MECAM – ÉQUIPE / DESIGN: HANS DAALDER
Universal design
Mecam has come up with a surprising new
approach: a modular concept with design allure.
Équipe meets the needs of practically all
living environments and requirements. The
starting point may be neutral, but individual
configurations and overall effects can take on
a highly personal hue. The sofa modules are
complemented by a number of contemporary
accessories, such as plug-in block arms
(with cup holder), wooden top leaves and a
‘saddlebag’ style leather armrest. The seating
comfort is based on cold foam, in a sandwich
construction, or Lastilux foam.
39
To fit alongside the sofa modules, there is a
wide collection of swivel and reclining armchairs
available.
In short, Équipe clearly falls into the ‘universal
design’ category, and is accessible to a wide
audience.
MECAM – ÉQUIPE / DESIGN: HANS DAALDER

RE-
SOURCING
WASTE
40
We all want to help make a better life
for everyone by cutting down our waste
and using waste to create and make
new things. New organic-looking materials
from industrial and domestic waste
are used to make all kinds of products.
Transparency in these production
processes is very important, since
people are genuinely concerned about
the authenticity of what they consume.
Companies have to take responsibility
in this area, and large-scale producers
have more resources and opportunities
to enable changes leading to more sustainable
solutions. For example, Space
10 is a research project founded by
IKEA to examine the new ways of living
by putting great minds together.
Terrazzo is redefined and is now
applied to unconventional materials,
from plastic to wood waste. Designers
are playing with different composites to
create new materials.
Industrial materials like steel wire and
mesh structures find their way directly
to designers and they use them to
create geometric, bright, utilitarian aesthetics,
referring to the 80s Memphis
movement.
Here are some projects and products
that are based on the idea of a circular
economy, using waste and basic industrial
materials to create or rebuild.

1
2
23
7
Trend styles 2018
RESOURCING WASTE
26
PMS 157
PMS 340
41
PMS 5175
PMS 442
Colours can be dark,
heavy and saturated,
but remain fresh as a
result of unexpected
combinations with primary
colours, black and
white. We still recognise
the Memphis style in the
designs, materials are
experimental and industrial,
sometimes with an
organic look.
PMS 285
PMS 7504
PMS 200
PMS 5467
PMS 129
PMS 271

Trend styles 2018 : RESOURCING WASTE
The new consumer is waste aware. He does not want to blindly discard things or
casually write them off. Manufacturers are coming up with thoughtful responses
to this. They are reviving furniture styles and types from the past. Past pieces have
proved their effectiveness and are being restyled. These are now writing history
themselves as the vintage/retro trend. Industrial heritage is being revalued: as the
perfect living space (loft) and as a source of inspiration for the industrial furniture
style. Within this, steel beams, plates, U- and window profiles are being used as
decorative stylistic elements.
42
Retro contemporary
Eclipse alludes to the curve of the metal hairpin
legs, and to the shell handles. These fit
perfectly with the retro style and are fashioned
from metal in a rather unusual brownish-black
shade. This nuanced colour is designed to
complement the dark and light weathered oak
finishes, which come together like yin and yang
on the cupboards, as well as being subtly combined
on the dining room tabletop edges. Conversely,
the coffee table responds to the contemporary
need for more storage space, with
drawers being more appropriate in this context.
This also explains the increased number of
cupboards in this collection. Eclipse harnesses
yesterday’s retro to meet contemporary needs.
BAUWENS – ECLIPSE

Resourcing waste
RE-DESIGNING
PASSE PARTOUT – VENTIGO / DESIGN: SCOOTERS&BROMMERS
Broad swathes of fabric
43
Ventigo is a combination of retro-classic stylistic
elements. These range from the ears on the
backrest to the tufting, whereby broad swathes
of fabric are broken up by a series of buttonless
indentations. The backrest and seat have a
fluid chequered relief pattern. A memory foam
interior is used, and after sitting, the waffled upholstery
smooths out any creases.
Ventigo also allows plenty of scope for personal
styling. The wide range of options makes for a
wealth of contrasting effects: feet in wood or
aluminium; velour or flat weave fabric; a corner
seating area with sofas or a corner sofa arrangement.
Thus this vintage style can be used
to create either a more modern, or a more classic
interior.
PASSE PARTOUT – VENTIGO / DESIGN: SCOOTERS&BROMMERS

Timeless
Elegant tulip
UP2DATE – DUBROVNIC
The classic Chesterfield has been transformed into a graciously slimmeddown
model, featuring tulip-shaped arms and slim chrome feet. Although
the hand tufting is highly traditional, the combination of leather and fabric
could not be more contemporary. Elegant piping marks the shift between
the two, and the standard lumbar cushion softens the hard look and feel of
the firm tufting.
Leda sticks firmly to the ‘Made in Belgium’
tradition of bespoke, authentic craftsmanship,
never compromising on quality. Nonetheless,
a stylistic evolution has been underway: the
classic style of the past has gradually developed
into the timeless style we see today. The
models are future-proof in every respect. When
you focus on the details, the traditional values
stand out loud and clear. For example, the Fly
armchair features a pseudo-lumbar support for
ergonomic seating comfort. The matte black
trumpet base beneath the armchair and the
metal-coloured sled base beneath the sofa
are true design classics. Material options and
dimensions are virtually unlimited. This chimes
perfectly with the spirit of our times: today’s
popular customisation is the natural successor
to the bespoke work of the past. So, as it has
always done, Leda takes this to the limit.
44
LEDA – ASTON & FLY

RETRO
LOOK
Retro-dining
A tradition stretching back more than 80 years
has been breached. The name Theuns immediately
conjures up oak. But this has now been
joined by ash — in all its diversity.
Göteborg is a Scandinavian inspired retro collection
in solid ash, with MDF colour accents.
Typical déja-vu elements include the sliding
doors in the cupboards and the boulder-shaped
tops on the coffee and side tables. However the
elements of surprise lie in the details, finishes
and configurations. The solid wood dining tabletops
are barrel-shaped (both fixed and extendable).
The ‘split’ foot is a fresh interpretation of
the retro-classic 3-point hairpin. Here, 2 flat
wings extend out from the square metal tube,
completely transforming the tripartite construction.
Milled handles and raised (facet) edges
emphasise the cupboards’ solid wood style.
Doors and drawers are all soft-close. The drawer
fronts are fashioned from MDF and lacquered in
black, blue, grey or white. The ash can be kept
natural, or be coloured in a walnut, cherry or oak
shade. The finish makes its mark on the vintage
effect. Natural ash with coloured drawers creates
a youthful, Scandinavian look; whilst the
walnut variant is reminiscent of a fifties design
classic.
45
The cupboard configuration also influences the
vintage mood. The low sideboard, elongated
dresser and asymmetric glass door all feel as
though they have come from another era. With
Göteborg, the retro style can still go in many different
directions.
THEUNS – GÖTEBORG

Trend styles 2018 : RESOURCING WASTE
46
GERLIN – IVO

THE META-
MORPHOSIS
Gerlin is changing its approach to its models. The target market has been
redefined as interior-aware, cosmopolitan over-35s. This has far-reaching
consequences.
47
Gerlin’s image is being lifted up to a more high-end, international level. The
modelling is becoming more fashionable. Industrial, Scandinavian and other
lifestyle trends are being picked up more quickly. The looks now range
from robust to basic. Sofas are becoming more inviting: with looser upholstery
that induces you to sink down into it. The fabric/leather collection
has been given a boost, with additional and more luxurious options such
as warm velvets, structured linens and vintage leather(ettes). The idea is
to style more creatively, with personally selected combinations. Naturally,
there are abundant opportunities for ‘customisation’. The number of seating
and lounging modules has been increased, with a minimum of 16 modules
available per model. In some cases, this number rises to almost 30.
The Ivo model is a textbook example of this metamorphosis. In contrast to
the cushions, the bases and winged arms are delineated with a continuous
line of flat piping. The other modules also speak volumes. This is the beginning
of the new-style Gerlin.

Trend styles 2018 : RESOURCING WASTE
Steel sheet
Brooklyn’s key feature is its bi-colour material
mix. Rugged, natural character oak (veneer) is
encased in wafer-thin, matt black steel sheet
(2.5 mm thick). This extreme contrast accentuates
the materials’ unique characteristics, bringing
out the primordial power of wood and steel.
The black lends Brooklyn a certain exclusivity.
48
MINTJENS – BROOKLYN
The black metallic Sensys hinges (with cover)
from Hettich are a first. The black cupboard
interior is fashioned from black, silk matt decoboard.
Just like the matt black finish on the steel
sheet, this is scratch-resistant and hardwearing.

BAUWENS – LUCIANO
Resourcing waste
RE-INVENTING STEEL
Mini-loft
Luciano conjures up the atmosphere of an industrial
loft. At least, that’s what the solid oak,
black metal accents and profiles lead you to
believe. But the dimensions tell a different tale:
the cupboards and tables are highly suitable for
everyday living spaces.
49
VARAM – ZACK
Double style
This robust, softly-cubist piece falls between
two stools: a natural, outdoor style and an industrial,
urban lifestyle look. This is mainly because
of its use of vintage leatherette (microfibre).
The tufting and saddle stitching creates a
link with saddle leather; an association that is
reinforced by the blunt corners and edges that
typify saddle leather upholstery. This is truly
thick and durable, and therefore vintage-proof.

Trend styles 2018 : RESOURCING WASTE
U-profiles
Leeds is characterised by its heavy U-profiles, which stand
upright in this case. These create an unusual, asymmetric
effect and an authentic, industrial feel. However these U-
profiles are not fashioned from steel, but replicated in wood.
The lookalike metal finish resembles rough iron. Upon closer
inspection, it is clear that this is not construction steel. In
that respect, the imitation has succeeded perfectly.
UNIC DESIGN – COLOMBO
U-profiles are normally used for ‘the heavy work’. Here
they appear to be bracing the 54 cm-thick cupboard tops
in strategic places, or even to be lifting the entire cupboard
up off the floor (see the recessed black plinths). This creates
original, asymmetric front divisions. The central section
of the cupboard and the rear side are robustly delineated.
You can see the latter through the perpendicularly
positioned open compartments. The oak appears to be as
raw as the metal is rough: the synchronous pore melamine
resembles scaffold boards. This completes the ‘industrial
loft’ picture.
50
RECOR ORIGINALS – LEEDS

MEUBAR – IRON
Table variations
Within its ranges, Meubar is increasing the diversification of its tables. What was previously a single
standard model is now being replaced by 3 length options and a wealth of table variations. To begin
with, a variety of supports are available: from A to X-shaped legs and U-frames, all in a range of
different thicknesses, etc. Then we come to the finish: natural oak or lacquered metal. This choice
is available for the support and the tabletop separately, meaning that it’s possible to create both uni
and bi-colour tables. Of all the frames, there is just one that is actually fashioned from iron. This is
pictured alongside the ‘Iron’ text. Another advantage is that the tables are less tightly linked to the
other pieces. Here, the A-leg table is combined with Jan, but it would go equally well with a range
finished in the same shade.
Wood grain iron
Iron is an alternative interpretation of the industrial
loft style. The metal drawer fronts are
in fact fashioned from textured melamine
with a wood grain effect shimmering gently
through. This chimes with the horizontal pattern
of the adjacent door fronts. The modular
tables can be configured in the same way:
with natural tabletops set on metal (coloured)
frames/legs.
51
MEUBAR – JAN
THE
INDUS-
TRIAL
LOOK

Trend styles 2018 : RESOURCING WASTE
Electric lift
Pariso is an atypical reclining sofa. The style may be modern, but the
electromechanical components are more hyper-modern still. The reclining
function is self-evident, but what makes this sofa so atypical is its lift
mechanism: the backrest slides up 12 cm and switches to the ideal TVwatching
position at head height. This explains this model’s 4 motors.
Once you’re seated, you can automatically relax fully, without having to
get up in between.
MECAM – PARISO
52
Brand concept
Under the new brand Sesido, Rom is launching
a new customising concept for sofa beds. (In
other words, Sesido is both a replacement for
and a structuring of the Equinoxe collection.) All
the options have been poured into a multiplechoice
model. Each sofa bed is assembled
step by step: the design (2 arms, 20-cm grid),
the ease of operation (3 mechanisms) and the
sleeping comfort. Sesido offers a choice between
2 bases (wire mesh and slatted base)
and 3 mattress qualities: Primo (monoblock),
Ondo (zoned) and Memo (with a memory foam
covering layer). Additional options include the
trolley lift mechanism and upholstery around
the bed mechanism.
ROM – SESIDO

100% customisation on a human scale
Customisation can mean many different things. With
Cube Interiors, customisation is still 100% authentic and
tailor-made. It encompasses measurements, materials
and finishes. With customisation, the bar is set extremely
high. A piece of furniture can even be fitted like a suit,
precisely ‘tailored to the client’s body measurements’.
The consumer is seriously measured up in order to calculate
the ergonomic dimensions of the piece. This millimetre
precision can sometimes result in the ‘strangest’
figures. Cube Interiors works with 100% MDF, which is
either lacquered or veneered. Even the most eccentric
CUBE INTERIORS – MEDELLIN
combinations are possible. A veneered cupboard with a
lacquered interior? Or every drawer in a different colour,
perhaps? Details in the design lend the piece an exclusive
touch. For example, the tapered metal legs on the
Medellin table come right up to the top, ending alongside
the veneered tabletop (American walnut). Thanks to their
V-shaped ends, they appear to be gripping the tabletop
and fully bearing its weight. In fact, the tabletop rests on a
concealed, crossed frame. Cube Interiors is akin to having
‘a furniture workshop at the back of the furniture shop’. The
company always works on commissions from retailers.
Resourcing waste
RE-MAKING TO MEASURE
53
VANDECASTEELE

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PERFECTA – COBRA + CLAUDIO

Resourcing waste
RE-WHITENING
NEOSTYLE - BREST
Compromise
Brest is a cross between modern and classic. It
is both sleekly designed and embellished with
(recessed) decorative seams. It is voluminous,
yet has a largely open base. The reclining functions
and headrest are available in the standard
sizes (60, 70 and 80 cm); and in line with
the latest trend, also in a 90 cm width. Therefore
this can best be described as a ‘compromise’
model.
55
ELEGANT
AND
SLEEK
BAUWENS – LUDOVIC

Trend styles 2018 : RESOURCING WASTE
Visible lifestyle
MEUBAR – ORANGE
56
The many open compartments transform this
dresser into a true display cabinet. Just like the
sideboards, it can be supplied in 4 different
widths. ‘Sideboards’ is plural because a second
height size has been introduced. Such a
wide choice of dimensions is unprecedented
at Meubar.
Orange is designed for showcasing your possessions.
The glass doors act like a magnet:
the ‘metal’ window profile contrasts sharply
with the lifestyle oak. This sort of combination
is also unprecedented at Meubar.
Loose-covered look
Leoni has the flair of a cosy lifestyle sofa. This is due to
the voluminous cushions used for the back, seat and
arm. These do not immediately conjure up the image
of a recliner model. But in fact that’s the very reason
why the covers are not loose: both the cushions and
sofa body have fixed covers.
HIMA - LEONI

Platform
EVAN – LIVORNO
Morgan has an open platform base construction,
which creates contemporary dimensions.
The platform supports all the seat components,
including the armrests, and the taut upholstery
continues seamlessly around all the soft corners.
Contrast piping on the arms is the only
exception. In turn, the platform is supported by
high stiletto legs that are fashioned from solid,
die-cast aluminium. All in all, this is a jaunty,
modernistic sofa. Of course, Morgan can be
configured more classically, with wooden legs
and/or an invisible seam in the back cushions.
In any case, the adjustable seat depth (+/- 7
cm) and the choice between two seat heights
(43 or 46 cm) and 4 seat widths are always included.
57
NEO-STYLE – MORGAN

RE-
SOURCING
NATURE
Going back to the essentials. We want
fewer objects, but more emotions and
experiences, more time for friendships
and real connections. We are looking
for fewer but better products, since we
care about the impact on the planet and
our individual health. Designers want
to create healthy environments and increase
the performance of products.
Finding new natural resources to make
new materials, and re-examining waste
from our agricultural processes to identify
new opportunities.
1
58
With the world’s population expected
to exceed nine billion within the next
few decades, hair is a new basic material
for the future. Animal dung can
be transformed in numerous creative
ways. Creating plant-based bioplastics
to counterbalance the synthetic
materials used in the fast-fashion consumption.
Fashion needs to be slowed
down by using organic fabrics, natural
dyes and styles not tied to seasons.
Compressed sediments from nature
are used to create new materials with
tactile textures.
12
15
And last but not least, technology
should be used in a human way, to help
people and to design for the new elderly.
These examples use nature as a resource
in an innovative and creative way.

1
Trend styles 2018
RESOURCING NATURE
PMS 470
PMS Warm Gray 9
PMS 549
PMS 7723
PMS 576
PMS 538
PMS 468
PMS 5757
Colours come from
straight from nature:
plants, seeds, earth,
rocks…
and from derivations of
natural resources, soft
greens, light blues and
shades of brown.
An organic, natural visual
language, composed
of brute, unprocessed
materials derived from
fauna and flora.
59
PMS 504
PMS 124

Trend styles 2018 : RESOURCING NATURE
The new consumer is aware of the natural world. He
values the richness and beauty of nature. Manufacturers
are coming up with respectful responses to this. They
are allowing wood to speak for itself in characterful
pieces. This might be in the form of solid wood or
veneer, or could be a naturalistic imitation or ingenious
alternative. Seating features visible wood, with here
and there a wooden foot or an uninterrupted framework.
Colours are an ode to nature, from sky blue to olive green.
Personalised looks
and comfort
PR Interiors is launching an autonomous collection
of sofas and armchairs under the PR Living
label. It is offering a comprehensive range right
from the start, with some 30 models in every
conceivable style to choose from. What’s more,
the upholstery options go further than simply
the choice between various fabrics and leathers.
The additional options relate to the upholstery
method, the finish and the interior. In so far as the
modelling allows, there is a choice between fixed
covers and loose covers, with or without piping,
a skirt, fringes or other details. The seat and back
cushions come in a choice of two fillings, with the
difference lying in the down. In short, PR Living
is focusing on the extensive personalisation of
both the sofa’s looks and its comfort level.
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PR LIVING – JEFFERSON

Resourcing nature
THE BLUES
Flowing
A close-up of the arm illustrates Nautilus’s elegant modelling. Its fluid lines and planes flow into
one another in an equally streamlined way. Despite the integrated recliner mechanism, the cushions
run through unhindered. Thus the headrest and backrest form an uninterrupted surface.
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VARAM – NAUTILUS

Chenille
UP2DATE – NEVADA
Can you upholster a modern sofa like Nevada
with Chenille fabric? Until recently, this was
considered ‘not done’, but these day’s it’s hot.
The Chenille makes the sofa velvety-soft to the
touch and wonderfully comfortable.
VELVET SOFT
HIMA – COMO
62

Belgian craftsmanship
Epic is Dekimpe’s first Belgian handmade collection. The tables
are designed in-house and then made in Belgium in accordance
with traditional furniture workshop methods. The collection is
being introduced with two table models: the sturdy Ariana and the
more robust Donald. The custom tabletops are fashioned from ceramic
(white or grey) or wood (5 types). For the wood, there is the
option of veneer or solid wood.
There are matching cupboards to go with the tables. These pieces
can be supplemented by Marckdael lighting and Acsento rugs, in
order to create a harmonious interior setting. Epic will stand alongside
Dekimpe and JC Universal as a separate label.
Resourcing nature
MATERIALS
DEKIMPE – EPIC
63

Faux-rustic
BAUWENS – EVIAN
It is hard to categorise the Evian collection. The
acacia wood with its characteristically marled
wood grain and colour nuances evokes a pure,
natural forest environment. The relatively slim
tops imbue the cupboards with a certain elegance.
Conversely, their substantial frame, supporting
structure and drawers engender a more
rustic look. Classic panel doors create an artisanal
impression; indeed it are the doors that
truly stand out. The sliding door mechanism is
visibly integrated, with the knobs on the rail being
used to move the doors. This visible ironwork
gives the cupboards an original, antique
allure. When all’s said and done, ‘faux-rustic’ is
a fitting description.
JUST
LIKE
RUSTIC
64
King or Queen
ROM – RICO
A vintage model for him and her, in a high and
low-backed version. In times gone by, these
might have been described as ladies’ and gentlemen’s
armchairs; but Rom has christened
them King and Queen.

Tables to meet every need
MINTJENS – FELIZ
These tabletops are 100% solid wood. Their
shape is rectangular or round. Formats and
heights range from a dining room table, to a
coffee table and side table. A crossed metal
frame supports the round tables. The rectangular
dining table has 2 stirrup bases, which
can be positioned either lengthways or widthways.
65
Moreover, both the rectangular and round dining
tabletops can always be custom shortened/adapted.
This is an additional advantage
of using solid wood.
Asymmetrically solid
Pisa continues to build on the theme of the
80 mm-thick honeycomb panels. The range
features a dark, recessed dividing line, which
accentuates its asymmetrical proportions. This
imbues these robust pieces with even more of
a ‘solid wood’ allure.
EVAN – PISA

Trend styles 2018 : RESOURCING NATURE
Noble wrought ironwork
MICHELDENOLF – WOOD
66
This majestic cabinet has it all: from storage space behind lock
and key to display space that is partially behind glass. This multifunctionality
is emphasised by the materials and colours used.
The black brushed oak is the epitome of solid, heavy and closed,
whilst the glass doors by contrast suggest fragility and preciousness.
The slim framework, handles and pin hinges have been
hand forged. For this piece, the wrought iron has been smoothly
polished.
The visible interior of the cabinet has deliberately been finished
in a contrasting colour. This draws attention to the articles on display.
It also creates a distinct effect in the living space, lending
a lighter, airier look to the cabinet. Spotlights behind the robust
shelves only serve to enhance this effect.
Universal
Cockpit is a basic desk that fits everywhere. It has at least one
drawer unit (right). The next size up also features a cupboard to
the left. The top section is optional. The oak melamine is available
in a natural or a grey finish.
NEYT - COCKPIT

Floating around the corner
Luigi’s defining feature is its wooden frame.
This begins at the side and runs around the
corner before finally finishing at the back. It is as
if it is supporting the entire sofa/armchair. Because
the frame appears to float, it also lifts up
the sofa/armchair from the floor. This effect is
achieved by a combination of optical illusions,
as in fact each piece is set on 3 mm-high,
concealed feet. At precisely the height of the
wooden corner, the back makes an ergonomic
and flexible bend. (A metal frame ensures dynamic
resilience.) The coffee, corner and side
tables all stick to the same height, thus enabling
them to be seamlessly pushed together
as an extension of the frame.
PASSEPARTOUT – LUIGI
OPTICAL
ILLUSION
67
PASSE PARTOUT – LUIGI / DESIGN: HANS DAAL-
DER

Trend styles 2018 : RESOURCING NATURE
UP2DATE – EVITA
Cable-free for everyone
68
De Eiken Zetel is moving towards creating more individual
flexibility. To this end, the seat modules will
henceforth be available in 2 widths. The same applies
to all the end and intermediate modules, which
also come with an optional reclining function. In fact,
this mechanism can now be supplied in every single
module, including armless modules. All have cablefree
operation. Each reclining seat is therefore supplied
with its own remote control. “This eliminates
both cable clutter, and family squabbles.”
DEZ – KANI

CONFORTLUXE – PLUMA
Resourcing nature
EARTH COLOURS
Sleek lounging
This seductive sofa’s sleek, cubist contours and soft, loose seat and back cushions beckon you to sink
down into it. With Pluma, Confortluxe is venturing into the world of lounging. Fabric options follow the
same theme, including a pure linen look.
Multiple modules
Hima is raising up its modular programme to a higher level. Lucca has
been designed in 3 widths, both for the single arm modules (99-84-74
cm) and for the armless intermediate modules (58-68-83 cm). From the
sum of these parts come new dimensions, such as two different sizes for
a three and a two-seater sofa. Add to this the various different modules
for feet and corners, plus the recliner options. The possible combinations
are evolving towards higher-end made-to-measure.
69
HIMA – LUCCA

OLIVE
GREEN,
ORANGE,
YELLOW
OCHRE
Subjective comfort
PASSEPARTOUT – DANTE
70
Ligna is focusing on creating greater personalisation
in terms of seating comfort for each sofa.
In so far as the modelling allows, the consumer
is given a free hand as to how to configure the
seats. There is a choice of 6 grades, from soft
to firm. This boils down to a choice between a
core of PU foam, HR cold foam, or a sandwich
mix with a visco-elastic covering layer. And
between an interior-sprung core (Federkern),
with either mini-pocket springs or large pocket
springs. This allows Ligna to tap into the advantages
of subjective selection. However visually
appealing a model may be, it is the seating
comfort that seals the deal.
This range of options puts certain pre-conditions
on a sofa’s proportions. That’s why Ligna
starts by focusing on generously proportioned
sofas and seating corners; there is a good
chance that all six comfort options will fit into
these models.
LIGNA – PERU

Olive green
Luna is a rugged character sofa: the
very epitome of sturdy grandeur and
super-soft comfort. The broad strips
on the seat and back only serve
to enhance this effect. This model
has been designed with a Western
leather finish in mind: in brown or the
new colour, olive green.
Maximally undersized
RECOR ORIGINALS – LUNA
At Piccolina, every centimetre of the sleeping
function is weighed up against the seat dimensions.
Where does the boundary lie when
it comes to making compromises with a sofa
bed in order to save space? In this respect, Piccolina
breaks all the records. The outer dimensions
of the sofa have been reduced to a width
of 168 cm, an absolute minimum. The mattress
size has been kept at the maximum 140 cm
width. Even when you make the armrests extra
narrow, it still seems unlikely that you could
achieve this. The answer is to position the arms
so that rather than standing alongside the sofa
on the floor, they sit on top of the sofa body.
This saves two arm widths and lengths-worth
of floor space.
71
The sleeping comfort has been ergonomically
optimised: the pocket spring mattress is 16 cm
deep and divided into 5 comfort zones. The top
layer is comprised of comfort-foam (SG30) as
standard, or optionally of Aquagel. The loose
roll cushions create the finishing touch.
SOFA-BED BY RECOR BEDDING – PICCOLINA

BRUSSELS
BY
NIGHT
The new consumer is highly sleep-aware. He is well acquainted
with ergonomically sound sleeping comfort.
This is thanks to the efforts of the Belgian sleep sector
over many years.
72
Manufacturers and retailers have been pioneers in scientifically
based, intelligent measurement systems. These
are being further fine-tuned and increasingly deployed.
Body zones are being adjusted into sleep zones. ‘Hybrid’
is the latest buzzword. What goes into a bed is already
at such a high level… Where does the boundary lie in
terms of technical innovations when it comes to sleeping
comfort?
Has the time now come for aesthetic developments? It’s
true that the styling of the bed must not be left behind.
The new consumer is looking for a sense of space and
calm in his bedroom. This places high demands on the
appearance of the bed. Headboards are becoming extra
high or extra low. It is visually essential to have an open
base, and space saving is a necessity. Trends also play a
role in this. Belgian manufacturers know how to surprise
us on an aesthetic level, too.

Brussels by Night 2018
73
REVOR – FAMILY BOX

Brussels by Night 2018
74
Urban Sleeping
Miami is getting more out of the box spring bed. Its cubist design offers
fresh living perspectives. The block-shaped headboard can be optionally
fitted with an open cupboard module (Beach) with portrait and landscapeshaped
compartments. This saves precious space, as it eliminates the
need for a bedside table and/or bookshelf.
As well as the inset cupboard, there is also plenty of room to place things
on the headboard. The top is 27 cm wide, which is roomier than conventional
wall shelves.
RECOR BEDDING – MIAMI BEACH
In short, this box spring bed is the solution to the problem of shrinking
living spaces both in and outside the big cities.

Brussels by Night
URBAN SLEEPING
MINTJENS SLEEPLINE – DRESSING
75
Acoustically soft
Ten years have gone by since Boone first took the foldaway bed out of the
closet. The Cubed was and still is an unparalleled design. Ten years on from
its conception, it deserves a Special Edition: a chicer, more luxurious and
‘value-added’ version of the original.
BOONE – CUBED+
The key element remains the ‘cupboard-free’ foldaway bed. The metal is
given a cool, matte black finish and the front panel is upholstered. As well as
absorbing sounds, the fabric gives it a softer, warmer look.

Brussels by Night 2018
Either… or
NEYT – ISA
The Isa bedroom’s starting point is its robust framework: 6 cm-thick uprights and panels create a
solid wood effect. After that, the choice is yours. Will you opt for the dark Scottish pine or the light
River Oak; hinged doors with or without a mirror, or soft close sliding doors?
76
STURDY
STYLE
VAN HOUDT – SIENA

Steel beams
Bronx is designed to meet the expectations of
an industrial loft vibe. The bedroom features a
framework of robust steel beams, which (ostensibly)
create supporting structures beneath/
around the beds, bedside tables and wardrobes.
These serve to place the wild character
oak (veneer) in an industrial context.
Bronx couples this interior vibe to the accompanying
lifestyle. The headboard features a
built-in socket with 2 USB ports. This is a prerequisite
for all the digital attributes that pertain
to the industrial loft era.
Brussels by Night
INDUSTRIAL STYLING
77
MINTJENS SLEEPLINE – BRONX

Brussels by Night 2018
Softly distilled
The softly distilled contours of the headboard
and the mini box create a harmonious overall
impression. These are fully upholstered
and finished with a classic saddle stitch. The
same applies to the foot and side guards.
MAGNITUDE – GALANTE + BOX ELEGANTE
78
Indirect
Fly is a fixed box spring bed whose name alludes
to the feeling of spatial freedom it creates.
Its open base construction rests on
nothing more than 4 slim feet, without any connecting
legs. The oversized frame forms a flat,
horizontal surface that disappears from sight
with an elegant curve. This is similar to the rim
of a soup plate that flows down into the base.
VELDEMAN BEDDING – FLY
The bedside tables are suspended from the
frame in a fixed position. But the headboard is
a different thing altogether. A floating wall panel
provides indirect lighting above the bed, with
LED lamps that are angled towards the bedside
tables. So these kill two birds with one stone,
providing both mood lighting and functional
lighting. The lighting panel is upholstered, making
it suitable for use as a headboard.

Diagonal detail
Contempo is Polypreen’s very first ‘floating’
box spring. The sleek headboard slots onto the
mini box, which is set on tall, slim feet. All of this
creates the illusion of additional space.
Two diagonal seams of relief piping on the
headboard enhance this effect, making the
horizontal surface area appear wider. This optional
decorative piping is always executed in
fabric, and the headboard is upholstered with
fabric or leatherette. The box spring is sleekly
delineated with decorative stitching on the
corners.
Brussels by Night
SPATIAL ILLUSIONS
POLYPREEN – CONTEMPO
79

Brussels by Night 2018
REVOR – FAMILY BOX
Hybrid characteristics
The Family Box is a no-nonsense box spring
concept. The options comprise 3 headboards,
11 feet — plus 100 fabrics/leatherettes. Such a
wide range of styling options mean that it’s suitable
for everyone.
The accompanying pocket spring mattress and
topper use hybrid foam: a quality that combines
the advantages of cold foam (comfort) and polyurethane
(longevity).
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Mini-box
UP2DATE – KAROLIEN
Up2date is introducing its
adjustable mini-box spring.
Naturally, it has an open
base and is set on slim feet.
The headboard panel rests
firmly on the floor against
the wall. Lines of vertical
piping divide the upholstery
into strips, making the bed
seem higher.

Brussels by Night
BLUE BEAUTIES
81
KREAMAT – DIAMONDS AND FRIENDS
Sleep crystals
The world of diamonds has clearly inspired a
headboard that is crisscrossed with ‘facets’.
In the purist interpretation, the Diamond headboard
is as smooth as a mirror, crisply ‘polished’
and tautly upholstered. Its edges can be further
accentuated with piping. The alternative variant
features surfaces with such sumptuously soft
upholstery that the ‘cut’ surfaces fade into the
background.
The facet design has been carefully balanced,
both for lying stretched out, and for sitting up
comfortably. This explains the dividing line between
the low, upright bottom edge and the
backward-sloping surface above it. The ears
create a cosy, ensconced effect, but are just
open enough and therefore not too enclosing.
‘Diamonds’ beds can be combined with
‘Friends’ such as upholstered bedside tables,
with or without a wooden modular insert and an
armchair with pouffe.
KREAMAT – DIAMONDS AND FRIENDS

Brussels by Night 2018
MASTERFUL
NILL SPRING – VASCA
Bentwood box spring
82
Nill Spring has developed a new generation of
box spring: the Vasca. The box is ‘upholstered’
in wood – in a sophisticated soft design. Let
there be no misunderstandings: this is not an
inlay box spring in a wooden bed frame, but
a pocket spring interior in a wooden box. It is
styled like a tub (‘vasca’ in Italian): the sides
have been bent into a convex shape and chamfered.
The curvature of these edges mirrors the
headboard’s rounded corners. However the
biggest challenge was how to make the mitre
joints (dis)assemblable. This was achieved with
the help of a 3D-printed model. The consistently
rounded framework creates an elegant,
airy look.
Vasca is all about masterful craftsmanship and
natural materials (beech, walnut). What’s more,
the hygienic aspect of this box spring gives it
an additional competitive advantage.

Brussels by Night
INNOVATIVE
Anatomical correction
REVOR – ANATOMIC
Revor has worked out the universal recipe for
the 7 body zones in more detail. The Anatomic
distances itself from the linear pattern on the
basis of just 2 different types of pocket spring
over the entire length and width of the mattress.
To begin with, the Anatomic interior is made up
of 4 different pocket spring firmness levels. The
specific resilience is entirely dependent on the
thickness of the metal wire used. Moreover, the
zoning is more accurately calibrated to the wellknown
pressure point distribution (Active Support
Technology). The mattress core is entirely
bordered by a row of sturdy pocket springs.
These act as a warning signal: they ‘send’ the
sleeper back to the centre of the mattress. On
the actual sleeping area, the 3 remaining firmness
levels create a more flowing, seamless
progression between the zones. ‘Firm’ gradually
becomes ‘soft’. Thereby the shoulder, lumbar
and pelvic zones follow a more body-specific
pattern, with curves.
The pocket springs are supported by a layer of
HR cold foam, and are covered with a layer of
Aerofeel ® and Gelpulse. The double fabric ticking
has hybrid foam stitched into it.
The Anatomic concept is based on a corrective,
more accurately targeted support: for improved
ergonomic sleeping comfort.
83
Hybrid cold foam
In addition to the trendy box spring looks, comfort
also plays an important role. The Axelsson
Blend is a mattress concept that is based on
the latest hybrid cold foam. In this case, the
‘hybrid’ tag is due to the modified (strictly secret)
production method.
The improved cold foam scores better than
standard cold foam in terms of resilience,
moisture-resistance and durability. Compression
tests prove that the hybrid quality loses
between 2 (dry-tested) and 3 (wet) times less
height. These factors most definitely contribute
to a longer lifespan. This hybrid cold foam
is used in the Axelsson Blend mattresses in a
variety of different ways.
VAN LANDSCHOOT – AXELSSON BLEND

Brussels by Night 2018
Isotropic
HANDMADE
IN
BELGIUM
For the past 30 years, Green Sleep has been
advocating the benefits of sleeping on and
alongside pure, natural materials. Absolutely
no toxic additives are used. The mattresses
are thus fashioned from 100% Hevea natural
latex. Fabrics are composed entirely of cotton,
wool and silk.
The latest development is isotropic stretch
ticking: this stretches both lengthways and
widthways with total uniformity. Thus the latex’s
elastic properties fully come into their own.
This new stretch fabric is being introduced on
the Ergo mattresses.
To top it all, the Green Sleep mattresses and
slatted bases have recently been HIB certified.
HIB stands for ‘Handmade in Belgium’. This
quality label identifies authentic, handmade,
high quality products. One of the basic conditions
is that at least 50% of the product is actually
handmade by someone in the company.
The label also takes into account the product’s
quality, tradition, creation or innovation. ‘Handmade
in Belgium’ adds a strong argument to
the sustainable and natural attributes of the
Green Sleep collection.
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GREEN SLEEP

3-D TEXTILE
KREAMAT – RESPIRO / DESIGN: STEFAN SCHÖNING
85
Airy symbiosis
At Kreamat, not only does form follow function,
but material follows function too. This addition
makes perfect sense when we consider the innovative
properties of the mattress ticking.
Textile expertise drawn from Bekaert Deslee
comes together in the Respiro. The Cairfull ®
3D knitted fabric has been enhanced with
Purotex ® (probiotic hygiene) treatment and
the Adaptive ® polymer (sleeping climate). This
high-tech mix results in a mattress ticking that
has improved moisture ventilation and heat
regulation properties, both of which have a
positive effect on sleeping comfort.
The airy characteristics of the fabric are carried
through into the bed’s aerodynamic design.
Both the mattress and the bed base, including
all the mechanisms, are fully upholstered in the
mattress ticking. One person can easily zip off
the cover and put it back on again.
Respiro is a symbiosis between sleep ergonomics,
industrial design and textile technology.

Brussels by Night 2018
NEYT – ISA
Neo-romanticism
This idyllic headboard is inspired by the historic
styles seen in stately homes. Stripped down to
its essence, it is a romantically distilled model.
The linen look upholstery is a richly-chequered
faux-uni-colour. Its scalloped silhouette can be
bordered with (contrast) piping.
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UP2DATE – BILLIE
VAN HOUDT – LECCE

Safely vintage
Brooklyn is a nod to fifties retro. Its archetypical
rounded lines also have the advantage
of being user-friendly, allowing you to walk
around the bed without encountering any
sharp corners.
Brussels by Night
VINTAGE TO CLASSIC
ERGOSLEEP – BROOKLYN
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Fluffy look and feel
Manhattan is a magnificent headboard in
every respect. Its sumptuously padded, fluffy
cover is both highly comfortable and soft to
the touch. A standard height of 120 cm makes
it ideal for placing it in a free-standing position
in a room: it can act as a room divider, creating
a loft-like feel. If desired, it can also be supplied
in a taller, wider size.
ERGOSLEEP – MANHATTAN

Coloured in
MAGNITUDE – ROMANO
The Romano headboard is all about traditional
craftsmanship in colours that are chosen
by the customer. The design draws its inspiration
from a luxuriously framed artwork. Its
wide faceted edge is reverse chamfered and
features a contrasting strip, which in turn is
delineated on both sides using decorative
stitching. The idea is to play with colours: in a
ton-sur-ton or complementary combination.
The same applies to the piping and the parallel
stitching. There is no shortage of colour
combinations.
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Brussels by Night
DIY
Updating - upgrading
RECOR BEDDING – CARTE BLANCHE 2.0
The Carte Blanche concept dates from May
2014. The customising principle is more relevant
than ever. After more than 3 years, it is
time for a comprehensive update: an ergonomic,
technological, aesthetic and practical
upgrade.
There is now Aegis ticking and Aquaclean
fabrics, and the more convenient RF remote
control with flashlight function. There’s also an
expanded range of options that includes more
luxurious materials and finishes.
The Carte Blanche concept also extends to
furniture and textile accessories. These range
from footstools, bedside tables and a chest of
drawers, to bed linen, pillows and cushions. In
the spirit of the times, there is now Speed Delivery:
a limited number of standardised models
can be delivered within 2 weeks.
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More box
Jaritex has literally raised up the Deco-Box collection
to a higher level. In addition to the Box
24, there is now the option of choosing a 28
cm Box. These few centimetres of additional
box in fact boil down to greater comfort: it is
easier to get in and out.
JARITEX – DECO BOX

Brussels by Night 2018
VIPACK – COMFORTLINE
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Ergonomic
Comfortline is a series of ergonomic ‘desk+chair’ combinations. Because children
grow, the pieces can be height-adjusted as standard. The perfect setting is
written on the frame: a glued-on overview label gives you the ideal sitting or working
height based on the child’s height.
Then it’s time to focus on the ergonomic options: a tiltable desktop, a foot pedal
for height adjustment, plug-in accessories such as dimmable LED lighting, and a
document holder/bookrest. The colour choice has been kept simple: pink, blue
and neutral grey.

Brussels by Night
KIDS
91
VIPACK – KIDDY
Scandinavian softness
Kiddy taps into the Scandinavian style. Edges are defined in a retro-soft way. The MDF is lacquered
in soft pastel shades. Practically everything is set on naturally lacquered, pine feet - even the toy
chests. This raises them up to the level of a doll’s cradle or wagon. Kiddy is continuously being
further developed to create a multi-purpose room: suitable for all ages.

Brussels by Night 2018
VIPACK – KIDDY
92
100% MDF
Cindy is a nostalgic, romantic girls’ bedroom,
fashioned from 100% MDF (E1 norm). In terms
of quality: the bodies and fronts are made of
20 and 25 mm-thick satin lacquered panels.
Their ton-sur-ton pink colour scheme is framed
by ‘silver grey’ profiled pilasters. Painted roses
decorate the headboard and the wardrobe (on
both the pediment and the keyhole). Rosebuds
serve as handles on doors and drawers.
VIPACK – CINDY

Caravan
A child’s fantasy world is inexhaustible. This
time Mathy by Bols is playing with the dream
vision of a travelling circus: travelling, living and
sleeping in a caravan.
93
MATHY BY BOLS – LIT ROULETTE / DESIGN: FRANÇOIS LAMAZEROLLES
The circus caravan bed is designed to sleep
two, and measures 120 x 190 cm. There is
the option to shut off the sides and ends with
a loose sliding panel. This panel also features
the characteristic caravan windows. A scalloped
edge beneath the roof creates the illusion
of curtains. The 2 basalt grey drawers, hidden
behind the wheels, are a nod to the metal
trunks and chests that would have been carried
around. The circus caravan can be painted in a
bi-colour finish: the palette features 28 colours,
including the contemporary concrete grey.
Over time, the circus caravan can be dismantled
piece by piece: from the roof and walls, right
down to the cartwheels. And as these pieces
go, the children’s bedroom disappears and the
caravan becomes a serious teenager’s bed.

Brussels by Night 2018
94
MATHY BY BOLS – CABANE STAR / DESIGN: FRANÇOIS LAMAZEROLLES
Bed hut
Mathy by Bols’ tree house is famous. It’s a
dream bed, but is inaccessible for very small
children. This is the perfect reason for launching
a derivative version: minus the tree, positioned
safely on the floor. The concept is unchanged:
the hut appears to have been cobbled together
using random planks. Through the ‘hole’ in the
roof, the toddler can imagine that he’s gazing
up at the night sky. There’s no need for a ladder
in this version: kids aged 3 and up can climb
into the bed hut without any help.

GIRLS
&
BOYS
Unisex
NEYT – STAN
Neyt is moving away from gendered bedrooms.
So for its baby bedrooms it has bid farewell to
pink or blue in favour of unisex colours. This
broadens the scope for the modelling. Verdi is
fashioned from natural ash with matte pastel
green and Stan from weathered oak and matte
white melamine. The bedside table points to
this design’s ability to evolve as the child grows
older. The cot can be converted into a bed.
Thus the baby bedroom becomes a young person’s
room.
The modelling is clearly not bound by gender,
age or taste.
95
NEYT – MARIE
NEYT – VERDI

BRUSSELS
FURNITURE FAIR:
LOOKING BACK
Now that this year’s furniture fair is almost upon us, here are
a few images from the past. These date back to an era in which
there was still a national ‘furniture industry’ trade fair; in which
ministers would come and visit; in which there were 8 ‘Chair
Makers’ allocated to the fair; and in which you would snack on
herring with the Dutch and sing along with the Organ Man.
96

BAUWENS
JOLI
NEO COCOON
SOFA-BED BY RECOR BEDDING
NIJVERHEIDSSTRAAT 7
INDUSTRIELAAN 5
WATERMOLENSTRAAT 79
MELBERGSTRAAT 6
8730 BEERNEM
8520 KUURNE
8500 KORTRIJK
3600 GENK
WWW.BAUWENS.BE
WWW.JOLI.BE
WWW.NEOCOCOON.BE
WWW.RECOR.BE
BOONE
KREAMAT
NEO-STYLE
THEUNS
NIJVERHEIDSSTRAAT 14
CAETSBEEKSTRAAT 10
VILVERTSTRAAT 11
POSTBAAN 75
8970 POPERINGE
3740 BILZEN
3650 DILSEN-STOKKEM
2910 ESSEN
WWW.BOONE.BE
WWW.KREAMAT.BE
WWW.NEOSTYLE.BE
WWW.THEUNSMTE.BE
CHAIRZ CLASSO
LEDA
NEYT
UNIC DESIGN
BREDASTRAAT 127
WARANDESTRAAT 4
HEISTRAAT 12
GENTSTRAAT 101
2060 ANTWERP
8820 TORHOUT
9080 BEERVELDE
8760 MEULEBEKE
WWW.CHAIRZ.BE
WWW.LEDACOLLECTION.BE
WWW.NEYTFURNITURE.COM
WWW.UNICDESIGN.BE
CONFORTLUXE
LIGNA
NILL SPRING
UP2DATE
MENENSTEENWEG 40
VILVERSTRAAT 11
VEURNESTRAAT 13 A
PUURSESTEENWEG 399 A
8940 WERVIK
3650 DILSEN-STOKKEM
8640 OOST-VLETEREN
2880 BORNEM
WWW.CONFORTLUXE.COM
WWW.LIGNACOLLECTION.BE
WWW.NILLSPRING.BE
WWW.MEDALOUNGER.COM
CUBE INTERIORS PROJECT
LS BEDDING/MAGNITUDE
PASSE PARTOUT
VAN LANDSCHOOT
CHAUSSÉE D'ALSEMBERG 1027B
BOGAARDESTRAAT 228 B
WILFORDKAAI 10 BC
AALTERBAAN 119
1180 BRUSSELS
9990 MALDEGEM
9140 TEMSE
9990 MALDEGEM
WWW.CUBE-INTERIORS.COM
WWW.LSBEDDING.COM
WWW.PASSEPARTOUTNV.BE
WWW.VANLANDSCHOOT.BE
D&D FURNITURE
MATHY BY BOLS
PERFECTA
VANDECASTEELE
FABRIEKSLAAN 10
ROUTE DE ROLY 26
BAAIGEMSTRAAT 154
AMBACHTENSTRAAT 33
8880 LEDEGEM
5660 MARIEMBOURG
9890 GAVERE
8870 IZEGEM
WWW.DDFURNITURE.BE
WWW.MATHY-BY-BOLS.BE
WWW.PERFECTA.BE
WWW.VANDECASTEELE-MARC.BE
DE EIKEN ZETEL
MECAM
POLYPREEN
VAN HOUDT MEUBELEN
MANDEWEEGSKEN 76
VILVERTSTRAAT 11
KERKHOVENSESTEENWEG 88
BERKEBOSSENLAAN 5
9900 EEKLO
3650 DILSEN-STOKKEM
3920 LOMMEL
2400 MOL
WWW.DEZ.BE
WWW.MECAM.BE
WWW.POLYPREEN.COM
WWW.V-HOUDT.BE
DEKIMPE
MEDAL
RECOR GROUP
VARAM
INDUSTRIELAAN 3
8890 DADIZELE
PUURSESTEENWEG 399 A
2880 BORNEM
SINT TRUIDERSTEENWEG 296
3500 HASSELT
IEPERSTRAAT 172
8930 MENEN
97
WWW.DEKIMPE-NV.BE
WWW.MEDALOUNGER.COM
WWW.RECOR.BE
WWW.VARAM.BE
EVAN FURNITURE
MEUBAR
RECOR BEDDING
VELDEMAN BEDDING
ALBERT I LAAN 29
INDUSTRIESTRAAT 9
MELBERGSTRAAT 6
INDUSTRIEWEG NOORD 1155
8630 VEURNE
8211 AARTRIJKE
3600 GENK
3660 OPGLABBEEK
WWW.EVAN.BE
WWW.MEUBAR.BE
WWW.RECOR.BE
WWW.VELDEMAN.COM
GERLIN
MICHELDENOLF
REVOR GROEP
VIPACK
KWAPLASSTRAAT 75
OOSTENDESTEENWEG 143
GENTSTRAAT 58
KLEINE HARELBEKESTRAAT 26
8820 TORHOUT
8480 ICHTEGEM
8760 MEULEBEKE
8531 HULSTE
WWW.GERLIN.BE
WWW.MICHELDENOLF.BE
WWW.REVOR.BE
WWW.VIPACK.BE
GREEN SLEEP
MINTJENS GROUP
ROM
SINT-JANSLAAN 21
MEIRENSTRAAT 8
RUE DE L’ INDUSTRIE 38
8500 KORTRIJK
2390 WESTMALLE
4700 EUPEN
WWW.GREENSLEEP.COM
WWW.MINTJENSGROUP.COM
WWW.ROM.BE
HIMA
MOOME
SITINO
MAKEVELDSTRAAT 7A
VILVERTSTRAAT 11
MEIRENSTRAAT 8
8610 KORTEMARK
3650 DILSEN - STOKKEM
2390 WESTMALLE
WWW.HIMA.BE
WWW.MOOME.BE
WWW.SITINO.COM

98
BRUSSELS FURNITURE FAIR
ALLÉE HOF TER VLEESTDREEF 5 B7
B-1070 BRUSSELS
T +32 2 558 97 20
F +32 2 558 97 30
BE@FURNITUREFAIRBRUSSELS.BE
WWW.FURNITUREFAIRBRUSSELS.BE