How to draw manga - Putting Things in Perspective

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Drawinq the horizon below (foot level) a character --/ - -=-::=> Drawing the horizon at foot level expresses the expanse of the wasteland. This is a low-angled composition. //Wi Filming conditions The character will float in the air when the horizon is drawn below foot level. @ Dig a hole to film from ground D \ @ The edqe of a cliff is the height of the horizon \
Drawing the horizon above a character Drawing the horizon above the head of a character creates the sensation of looking down on the character. The so-called bird's-eye view. This is a high-angteo composition. : .".:\\.-!1,, ,rz Viewing height Filming from radio-controlled airplane or stepladder -;:-:ally looking down on person (bird,s_eye view of character) Bird's-eye view ard the horizon When yoti take::'ii piciiire from'*ie nonnat 15
Page 1 and 2: EASTERN REGIONAL LIBRARIES lryruryw
Page 3 and 4: Putting Things in Perspective Backg
Page 5 and 6: Backgrounds indicate where characte
Page 7 and 8: . Example with background /'1 D 9.
Page 9 and 10: Ghapter 4 Drawing lndoor Scenes How
Page 11 and 12: Chapter 1 Basics Stondirg the Eorrh
Page 13: I \.\] l When drawing the horizon,
Page 17 and 18: . This is often used in scenes with
Page 19 and 20: ,-llose-ups are used :r present han
Page 21 and 22: lagine you are taking a : cture. lf
Page 23 and 24: :Whil0:'..l0okingr,, 01,, n ien dra
Page 25 and 26: ffi Completion of pen drawing, eras
Page 27 and 28: Vanishing point ln a one-point draw
Page 29 and 30: Chopter 2 DrqwingtheOffint Frcm hre
Page 31 and 32: ink this corner and the ranishing p
Page 33 and 34: 0u can draw these kinds of roofs wi
Page 35 and 36: Floor line of the building Uphill s
Page 37 and 38: O Choose road vanishing points # @
Page 39 and 40: 3nce you have decided on the outer
Page 41 and 42: ,Mne fie floor and wails big to exp
Page 43 and 44: Vanishing point / characters on the
Page 45 and 46: f oraw one character Drawing groups
Page 47 and 48: T-c domly place characters View fro
Page 49 and 50: ,-4 '': - rn;yl'il,H:iliT:iy,:f";t'
Page 51 and 52: ffi,.orno. An easier to draw crowds
Page 53 and 54: 3,ack for bust shots of characters
Page 55 and 56: J JJJ ==2,
Page 57: -:n picture ispracedon itssiol"""'"
Page 60 and 61: Aerial view of scenery Bird's-eye v
Page 62 and 63: Making a qroup of buildinqs in the
Page 64 and 65:
when the is curved Distorted ground
Page 66 and 67:
Making planets realistic Use a temp
Page 68 and 69:
Drawinq roadside trees To draw road
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Drawing shrubbery Shrubbery can be
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l{ow, ..hi had6illlsii.,iiii.....i
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At the heafi of this matter is how
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Rivers Draw rivers using the techni
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Various Scratch with the tip of a c
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There are two ways to make a hallwa
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lrregular two-point perspective is
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A character sitting at a desk in cl
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Common chair/desk composition and t
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The distance between a character an
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When you want to draw a room with a
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O Draw a projection. @ Draw thickne
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5. Drawinq a TV stand Like the couc
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Small objects on tables and desks -
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When the top of the table and the h
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You do not normally think very much
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When drawing open doors, place sepa
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Door vanishing ,,' lil f/ Horizon I
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:Vanishing point ; (eye-level vanis
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When drawing a side view of stairs,
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Let's say you have a name and a cha
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3 Draw buildings on the left. Deter
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m Next is a school. There will be n
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3 Draw windows. Clearly draw the ov
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Erasinq and white correction fluid
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Adding tone 2- Residential area +re
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that you see around yourself every
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Adding reflection tone to windowpan
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Use of perspective is not limited t
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Special effect lines when the vanis
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Perspective rulers fioo Corporation
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The horizon line is two steps down
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Looking straight up. Simple one-poi
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@rc
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-II[IflJil ISBN t{ - 1 II[il thl-Ia
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How to draw manga - Putting Things in Perspective

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