How to draw manga - Putting Things in Perspective

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Presentation: Long shots and cl Think of the difference between long shots and close-ups as a difference in camera work (presentation). A cut using a long outdoor shot There isn't much need to think about the perspective of small objects in scenes using long shots. 18 Long shot...zoom oul Close-up...zoom in
,-llose-ups are used :r present hands or .nall objects. G @ -se a long shot when r,t-- lvdflt to illustrate lil:-irsfhing with an :,,:-all view. Use a : :se-up when you want : :nrphasize one part. brp rtdce-xf rnqnifed;i',ir rGEtss orapstda:: rXrgdemgst .lfiire fii*angle I"nnumn: Technically, wide angle is a word used in photography. A thicker lens than usual is used to make an impressive etfect by making a picture extremely distorted.
Page 1 and 2: EASTERN REGIONAL LIBRARIES lryruryw
Page 3 and 4: Putting Things in Perspective Backg
Page 5 and 6: Backgrounds indicate where characte
Page 7 and 8: . Example with background /'1 D 9.
Page 9 and 10: Ghapter 4 Drawing lndoor Scenes How
Page 11 and 12: Chapter 1 Basics Stondirg the Eorrh
Page 13 and 14: I \.\] l When drawing the horizon,
Page 15 and 16: Drawing the horizon above a charact
Page 17: . This is often used in scenes with
Page 21 and 22: lagine you are taking a : cture. lf
Page 23 and 24: :Whil0:'..l0okingr,, 01,, n ien dra
Page 25 and 26: ffi Completion of pen drawing, eras
Page 27 and 28: Vanishing point ln a one-point draw
Page 29 and 30: Chopter 2 DrqwingtheOffint Frcm hre
Page 31 and 32: ink this corner and the ranishing p
Page 33 and 34: 0u can draw these kinds of roofs wi
Page 35 and 36: Floor line of the building Uphill s
Page 37 and 38: O Choose road vanishing points # @
Page 39 and 40: 3nce you have decided on the outer
Page 41 and 42: ,Mne fie floor and wails big to exp
Page 43 and 44: Vanishing point / characters on the
Page 45 and 46: f oraw one character Drawing groups
Page 47 and 48: T-c domly place characters View fro
Page 49 and 50: ,-4 '': - rn;yl'il,H:iliT:iy,:f";t'
Page 51 and 52: ffi,.orno. An easier to draw crowds
Page 53 and 54: 3,ack for bust shots of characters
Page 55 and 56: J JJJ ==2,
Page 57: -:n picture ispracedon itssiol"""'"
Page 60 and 61: Aerial view of scenery Bird's-eye v
Page 62 and 63: Making a qroup of buildinqs in the
Page 64 and 65: when the is curved Distorted ground
Page 66 and 67: Making planets realistic Use a temp
Page 68 and 69:
Drawinq roadside trees To draw road
Page 70 and 71:
Drawing shrubbery Shrubbery can be
Page 72 and 73:
l{ow, ..hi had6illlsii.,iiii.....i
Page 74 and 75:
At the heafi of this matter is how
Page 76 and 77:
Rivers Draw rivers using the techni
Page 78 and 79:
Various Scratch with the tip of a c
Page 80 and 81:
There are two ways to make a hallwa
Page 82 and 83:
lrregular two-point perspective is
Page 84 and 85:
A character sitting at a desk in cl
Page 86 and 87:
Common chair/desk composition and t
Page 88 and 89:
The distance between a character an
Page 90 and 91:
When you want to draw a room with a
Page 92 and 93:
O Draw a projection. @ Draw thickne
Page 94 and 95:
5. Drawinq a TV stand Like the couc
Page 96 and 97:
Small objects on tables and desks -
Page 98 and 99:
When the top of the table and the h
Page 100 and 101:
You do not normally think very much
Page 102 and 103:
When drawing open doors, place sepa
Page 104 and 105:
Door vanishing ,,' lil f/ Horizon I
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:Vanishing point ; (eye-level vanis
Page 108 and 109:
When drawing a side view of stairs,
Page 110 and 111:
Let's say you have a name and a cha
Page 112 and 113:
3 Draw buildings on the left. Deter
Page 114 and 115:
m Next is a school. There will be n
Page 116 and 117:
3 Draw windows. Clearly draw the ov
Page 118 and 119:
Erasinq and white correction fluid
Page 120 and 121:
Adding tone 2- Residential area +re
Page 122 and 123:
that you see around yourself every
Page 124 and 125:
Adding reflection tone to windowpan
Page 126 and 127:
Use of perspective is not limited t
Page 128 and 129:
Special effect lines when the vanis
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Perspective rulers fioo Corporation
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The horizon line is two steps down
Page 134 and 135:
Looking straight up. Simple one-poi
Page 136 and 137:
@rc
Page 138:
-II[IflJil ISBN t{ - 1 II[il thl-Ia
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How to draw manga - Putting Things in Perspective

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