How to draw manga - Putting Things in Perspective

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HOWTO DRAW MANGA: Putting Things in Perspective by K's Art Copyright O 1 997 K's Art Copyright @ 1997 Graphic-sha Publishing Co., Ltd. First designed and published in 1997 by Graphic-sha Publishing Co., Ltd. This English edition was published in 2002 by Graphic-sha Publishing Co., Ltd. 1 -1 4-1 7 Kudan-kita, Chiyoda-ku, Tokyo 1 02-0073 Japan Production director: KatsuyaYamakami Production manager: Hikaru Hayashi Background aftist: Maguro Finishing work artist: Nobuko Yuuki English title logo design: Hideyuki Amemura English edition layout: Shinichi lshioka English translation management: Lingua frdnca, lnc. (an3y-skmt@asahi-net.or.ip) Japanese edition editor: Motofumi Nakanish (Graphic-sha Publishing C0., Ltd.) Foreign language edition project coordinator: Kumiko Sakamoto (Graphic-sha Publishing Co., Ltd.) All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission 0f the publisher Distributed by NIPP0N SHUPPAN HANBAI lNC. Distributed Exclusively ln North America by 4-3 Kanda Surugadai, Digital Manga Distribution Chiyoda-ku, Tokyo 1123 Dominguez St., Unit "K" 1 0 1 -871 0 Japan Carson, CA 90746, U.S.A. Tel: +81-(0)3-3233-4083 Tel: (310)- 604-9701 Fax +81-(0)3-3233-4106 Fax: (310)- 604-1134 E-mail: nippan@netlaputa.ne.ip E-mail: distribution@emanga.com URL:http://www.emanga.com/dmd/ Hrst printing: october 2002 S&i: 4-7661 -1 256-3 P-n-ed ard bound in China
Backgrounds indicate where characters are. They are drawn to illustrate places and situations. A cut with only the character A cut with the background included
Page 1 and 2: EASTERN REGIONAL LIBRARIES lryruryw
Page 3: Putting Things in Perspective Backg
Page 7 and 8: . Example with background /'1 D 9.
Page 9 and 10: Ghapter 4 Drawing lndoor Scenes How
Page 11 and 12: Chapter 1 Basics Stondirg the Eorrh
Page 13 and 14: I \.\] l When drawing the horizon,
Page 15 and 16: Drawing the horizon above a charact
Page 17 and 18: . This is often used in scenes with
Page 19 and 20: ,-llose-ups are used :r present han
Page 21 and 22: lagine you are taking a : cture. lf
Page 23 and 24: :Whil0:'..l0okingr,, 01,, n ien dra
Page 25 and 26: ffi Completion of pen drawing, eras
Page 27 and 28: Vanishing point ln a one-point draw
Page 29 and 30: Chopter 2 DrqwingtheOffint Frcm hre
Page 31 and 32: ink this corner and the ranishing p
Page 33 and 34: 0u can draw these kinds of roofs wi
Page 35 and 36: Floor line of the building Uphill s
Page 37 and 38: O Choose road vanishing points # @
Page 39 and 40: 3nce you have decided on the outer
Page 41 and 42: ,Mne fie floor and wails big to exp
Page 43 and 44: Vanishing point / characters on the
Page 45 and 46: f oraw one character Drawing groups
Page 47 and 48: T-c domly place characters View fro
Page 49 and 50: ,-4 '': - rn;yl'il,H:iliT:iy,:f";t'
Page 51 and 52: ffi,.orno. An easier to draw crowds
Page 53 and 54: 3,ack for bust shots of characters
Page 55 and 56:
J JJJ ==2,
Page 57:
-:n picture ispracedon itssiol"""'"
Page 60 and 61:
Aerial view of scenery Bird's-eye v
Page 62 and 63:
Making a qroup of buildinqs in the
Page 64 and 65:
when the is curved Distorted ground
Page 66 and 67:
Making planets realistic Use a temp
Page 68 and 69:
Drawinq roadside trees To draw road
Page 70 and 71:
Drawing shrubbery Shrubbery can be
Page 72 and 73:
l{ow, ..hi had6illlsii.,iiii.....i
Page 74 and 75:
At the heafi of this matter is how
Page 76 and 77:
Rivers Draw rivers using the techni
Page 78 and 79:
Various Scratch with the tip of a c
Page 80 and 81:
There are two ways to make a hallwa
Page 82 and 83:
lrregular two-point perspective is
Page 84 and 85:
A character sitting at a desk in cl
Page 86 and 87:
Common chair/desk composition and t
Page 88 and 89:
The distance between a character an
Page 90 and 91:
When you want to draw a room with a
Page 92 and 93:
O Draw a projection. @ Draw thickne
Page 94 and 95:
5. Drawinq a TV stand Like the couc
Page 96 and 97:
Small objects on tables and desks -
Page 98 and 99:
When the top of the table and the h
Page 100 and 101:
You do not normally think very much
Page 102 and 103:
When drawing open doors, place sepa
Page 104 and 105:
Door vanishing ,,' lil f/ Horizon I
Page 106 and 107:
:Vanishing point ; (eye-level vanis
Page 108 and 109:
When drawing a side view of stairs,
Page 110 and 111:
Let's say you have a name and a cha
Page 112 and 113:
3 Draw buildings on the left. Deter
Page 114 and 115:
m Next is a school. There will be n
Page 116 and 117:
3 Draw windows. Clearly draw the ov
Page 118 and 119:
Erasinq and white correction fluid
Page 120 and 121:
Adding tone 2- Residential area +re
Page 122 and 123:
that you see around yourself every
Page 124 and 125:
Adding reflection tone to windowpan
Page 126 and 127:
Use of perspective is not limited t
Page 128 and 129:
Special effect lines when the vanis
Page 130 and 131:
Perspective rulers fioo Corporation
Page 132 and 133:
The horizon line is two steps down
Page 134 and 135:
Looking straight up. Simple one-poi
Page 136 and 137:
@rc
Page 138:
-II[IflJil ISBN t{ - 1 II[il thl-Ia
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How to draw manga - Putting Things in Perspective

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