How to draw manga - Putting Things in Perspective

More documents

Recommendations

Info

ffi Completed rough sketch ffi Ren drawing Draw thin lines. Start with the foreground. Make foreground lines bold and lines in the distance thin. Leave windows and other details for last. Contour lines 24 Drawing thin non-contour lines creates a threedimensional etfect.
ffi Completion of pen drawing, erasing and applying white-out Erase completely after finishing the pen drawing. Correct protruding lines and other anomalies after erasing. I .' -se solid colors if you wantto create an overallwhite drawing , '* . c'ht feeling. - - :',,,,,in9 is complete. Lighfly apply tone to shaded areas. - , .:cut where the light (sun)and shadows are when applying tone. ,r' ; ! .,,, tone is applied under the eaves and to the sides of buildings. 25
Page 1 and 2: EASTERN REGIONAL LIBRARIES lryruryw
Page 3 and 4: Putting Things in Perspective Backg
Page 5 and 6: Backgrounds indicate where characte
Page 7 and 8: . Example with background /'1 D 9.
Page 9 and 10: Ghapter 4 Drawing lndoor Scenes How
Page 11 and 12: Chapter 1 Basics Stondirg the Eorrh
Page 13 and 14: I \.\] l When drawing the horizon,
Page 15 and 16: Drawing the horizon above a charact
Page 17 and 18: . This is often used in scenes with
Page 19 and 20: ,-llose-ups are used :r present han
Page 21 and 22: lagine you are taking a : cture. lf
Page 23: :Whil0:'..l0okingr,, 01,, n ien dra
Page 27 and 28: Vanishing point ln a one-point draw
Page 29 and 30: Chopter 2 DrqwingtheOffint Frcm hre
Page 31 and 32: ink this corner and the ranishing p
Page 33 and 34: 0u can draw these kinds of roofs wi
Page 35 and 36: Floor line of the building Uphill s
Page 37 and 38: O Choose road vanishing points # @
Page 39 and 40: 3nce you have decided on the outer
Page 41 and 42: ,Mne fie floor and wails big to exp
Page 43 and 44: Vanishing point / characters on the
Page 45 and 46: f oraw one character Drawing groups
Page 47 and 48: T-c domly place characters View fro
Page 49 and 50: ,-4 '': - rn;yl'il,H:iliT:iy,:f";t'
Page 51 and 52: ffi,.orno. An easier to draw crowds
Page 53 and 54: 3,ack for bust shots of characters
Page 55 and 56: J JJJ ==2,
Page 57: -:n picture ispracedon itssiol"""'"
Page 60 and 61: Aerial view of scenery Bird's-eye v
Page 62 and 63: Making a qroup of buildinqs in the
Page 64 and 65: when the is curved Distorted ground
Page 66 and 67: Making planets realistic Use a temp
Page 68 and 69: Drawinq roadside trees To draw road
Page 70 and 71: Drawing shrubbery Shrubbery can be
Page 72 and 73: l{ow, ..hi had6illlsii.,iiii.....i
Page 74 and 75:
At the heafi of this matter is how
Page 76 and 77:
Rivers Draw rivers using the techni
Page 78 and 79:
Various Scratch with the tip of a c
Page 80 and 81:
There are two ways to make a hallwa
Page 82 and 83:
lrregular two-point perspective is
Page 84 and 85:
A character sitting at a desk in cl
Page 86 and 87:
Common chair/desk composition and t
Page 88 and 89:
The distance between a character an
Page 90 and 91:
When you want to draw a room with a
Page 92 and 93:
O Draw a projection. @ Draw thickne
Page 94 and 95:
5. Drawinq a TV stand Like the couc
Page 96 and 97:
Small objects on tables and desks -
Page 98 and 99:
When the top of the table and the h
Page 100 and 101:
You do not normally think very much
Page 102 and 103:
When drawing open doors, place sepa
Page 104 and 105:
Door vanishing ,,' lil f/ Horizon I
Page 106 and 107:
:Vanishing point ; (eye-level vanis
Page 108 and 109:
When drawing a side view of stairs,
Page 110 and 111:
Let's say you have a name and a cha
Page 112 and 113:
3 Draw buildings on the left. Deter
Page 114 and 115:
m Next is a school. There will be n
Page 116 and 117:
3 Draw windows. Clearly draw the ov
Page 118 and 119:
Erasinq and white correction fluid
Page 120 and 121:
Adding tone 2- Residential area +re
Page 122 and 123:
that you see around yourself every
Page 124 and 125:
Adding reflection tone to windowpan
Page 126 and 127:
Use of perspective is not limited t
Page 128 and 129:
Special effect lines when the vanis
Page 130 and 131:
Perspective rulers fioo Corporation
Page 132 and 133:
The horizon line is two steps down
Page 134 and 135:
Looking straight up. Simple one-poi
Page 136 and 137:
@rc
Page 138:
-II[IflJil ISBN t{ - 1 II[il thl-Ia
show all

How to draw manga - Putting Things in Perspective

Create successful ePaper yourself

Delete template?

Save as template?