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Caribbean Beat — January/February 2017 (#143)

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

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word of mouth<br />

Dispatches from our correspondents around the <strong>Caribbean</strong> and further afield<br />

House of Tosh<br />

Three decades after the violent death<br />

of Peter Tosh, a new Kingston museum<br />

remembers the legacy of the reggae<br />

superstar. David Katz pays a visit<br />

The opening of the Peter Tosh Museum in<br />

Kingston marks a milestone for reggae<br />

fans, and provides additional impetus for<br />

devotees to visit the Jamaican capital. Housed in<br />

the Pulse complex on Trafalgar Road, the museum<br />

celebrates the life and work of the reggae firebrand,<br />

who was born in 1944, rose to prominence during<br />

the 1960s alongside Bob Marley in the Wailers, and<br />

subsequently achieved greater fame as a solo artist.<br />

The most censorious of the Wailers, Tosh cowrote<br />

their militant anthem, “Get Up, Stand Up”,<br />

and demanded the decriminalisation of marijuana<br />

in his 1976 epic, “Legalise It”. Tosh’s second<br />

album, Equal Rights, contained pertinent calls for<br />

social justice, and after haranguing the leaders of<br />

Jamaica’s two main political parties at the One<br />

Love Peace Concert in 1978, he was signed to the<br />

Rolling Stones’ label, yielding wider international<br />

exposure. His music remained uncompromising,<br />

vociferously attacking Apartheid and questioning<br />

the stratification of Jamaican society, while “Bukin-Hamm<br />

Palace” and “Nothing But Love” were<br />

pioneering forays into disco reggae. Then the 1987<br />

release No Nuclear War became Tosh’s swansong,<br />

as he was tragically murdered that same year.<br />

There is a timeless quality to much of Tosh’s work,<br />

and he had an obvious influence on noteworthy<br />

dancehall stars such as Luciano, Garnett Silk,<br />

Anthony B, and Bushman, with Sean Paul and<br />

Christopher Martin among the many contemporary<br />

artists to cover his work. He has also been venerated<br />

by Jamaica’s former finance minister, Omar Davies,<br />

and US President Barack Obama even referenced his lyrics in a university essay<br />

<strong>—</strong> all of which points to the need for a Peter Tosh Museum.<br />

The project was spearheaded by Kingsley Cooper, whose Pulse agency<br />

represents some of the <strong>Caribbean</strong>’s most famous models. Cooper produced<br />

Tosh’s final concert, and has spent the last fifteen years doing the necessary<br />

groundwork to create the museum in conjunction with the Peter Tosh Estate<br />

(headed by the singer’s youngest daughter, Niambe), along with Tosh’s widow,<br />

Marlene Brown, who collectively provided most of the memorabilia on display.<br />

Despite its relatively small size, the museum has been tastefully arranged,<br />

conveying a lot of contextual information in a small space, with illuminating<br />

passages on Tosh’s childhood, his time with the Wailers, and his gravitation<br />

to the Rastafari faith, as well as the life-changing car crash that resulted in<br />

the death of his girlfriend Evonne in 1973. The solo years of the 1970s and<br />

80s are given ample room, and the circumstances of his murder are relayed<br />

with sensitivity. Fans will be delighted by items such as the original golden<br />

microphones given to Tosh by Mick Jagger and the legendary “M16 guitar”<br />

gifted by an American fan. There are also several other guitars and souvenirs of<br />

his first tours in Africa, as well as evocative painted portraits, one of which was<br />

done by fellow singer Junior Moore.<br />

The official opening of the museum last October was attended by some<br />

of the island’s most prominent businessmen and politicians of all stripes <strong>—</strong><br />

somewhat ironically, given Tosh’s predilection for the chastisement of the<br />

ruling class, but it is highly significant that no lesser figure than Prime Minister<br />

Andrew Holness presided over the opening itself, proof that the Jamaican<br />

government takes the legacy of Peter Tosh very seriously. A related UWI<br />

symposium highlighted his importance, and a gala concert saw Chronixx,<br />

Luciano, Tarrus Riley, and Tosh’s son Andrew revisit his work with original<br />

backing band Word, Sound, and Power, reunited for the first time in decades.<br />

Kingsley Cooper says the museum is likely to expand, but in its present<br />

form, the Peter Tosh Museum already constitutes a fine counterpart to the<br />

nearby Bob Marley Museum <strong>—</strong> both worth visiting as Jamaica celebrates<br />

Reggae Month in <strong>February</strong>. n<br />

32 WWW.CARIBBEAN-BEAT.COM

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