Caribbean Beat — January/February 2017 (#143)
A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.
A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.
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Single Spotlight<br />
What Can We Do Again? John John, featuring<br />
a_phake<br />
Trinidadian neo-soul singer John<br />
John has successfully taken on<br />
one challenge for a number of<br />
<strong>Caribbean</strong> musicians: to write<br />
and sing a song that addresses<br />
issues that are larger than our<br />
<strong>Caribbean</strong> space, including<br />
the wider Americas, but still<br />
remaining relevant to our<br />
instant circumstance. The question asked in the title of<br />
this powerful single <strong>—</strong> “What Can We Do Again?” <strong>—</strong> is<br />
made after observation of the desperation of black<br />
souls in the Americas. “We prayed for all these years /<br />
We wasted all these tears,” is a lament of keen scrutiny<br />
from an impatient generation. The song asks a hard<br />
question, and gives one solution: unify. Co-producer and<br />
co-writer a_phake (Ravi Maharaj) strips down the song<br />
with bare accompaniment on a guitar passing through an<br />
echo reverb, to add a haunting dimension to the lyric. It<br />
challenges past actions and questions current biases that<br />
have plagued people of colour in the Americas for some<br />
time, one in need of answers.<br />
All Because You Love Me Stephen John<br />
Love songs don’t get more<br />
universal than this. Universal in<br />
the sense that this praise song<br />
addresses more than feelings<br />
of love between people, but<br />
speaks to that relationship<br />
with God that has John and his<br />
collaborators “walking, smiling,<br />
dancing, singing.” A funky bass<br />
ostinato creates a hypnotic groove that carries John’s<br />
velvety voice <strong>—</strong> so reminiscent of R&B crooner Maxwell <strong>—</strong><br />
along on a even pace, so that the message is not hidden<br />
by the rhythmic effervescence so popular in modern praise<br />
and worship music. The production is modern, and looks<br />
to an audience that understands less is sometimes more.<br />
Spoken-word verses and a fabulous bridge vocal by Derron<br />
Sandy, Diamonique Roy, and Faith Otey address the subject<br />
of love in terms that speak to <strong>Caribbean</strong> people, and in<br />
the timbre and accent that suggest this single can bridge<br />
regions and can make plain the non-discriminatory way we<br />
love, we walk, we dance, and we sing.<br />
Reviews by Nigel A. Campbell<br />
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WWW.CARIBBEAN-AIRLINES.COM 45