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Caribbean Beat — January/February 2017 (#143)

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

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Single Spotlight<br />

What Can We Do Again? John John, featuring<br />

a_phake<br />

Trinidadian neo-soul singer John<br />

John has successfully taken on<br />

one challenge for a number of<br />

<strong>Caribbean</strong> musicians: to write<br />

and sing a song that addresses<br />

issues that are larger than our<br />

<strong>Caribbean</strong> space, including<br />

the wider Americas, but still<br />

remaining relevant to our<br />

instant circumstance. The question asked in the title of<br />

this powerful single <strong>—</strong> “What Can We Do Again?” <strong>—</strong> is<br />

made after observation of the desperation of black<br />

souls in the Americas. “We prayed for all these years /<br />

We wasted all these tears,” is a lament of keen scrutiny<br />

from an impatient generation. The song asks a hard<br />

question, and gives one solution: unify. Co-producer and<br />

co-writer a_phake (Ravi Maharaj) strips down the song<br />

with bare accompaniment on a guitar passing through an<br />

echo reverb, to add a haunting dimension to the lyric. It<br />

challenges past actions and questions current biases that<br />

have plagued people of colour in the Americas for some<br />

time, one in need of answers.<br />

All Because You Love Me Stephen John<br />

Love songs don’t get more<br />

universal than this. Universal in<br />

the sense that this praise song<br />

addresses more than feelings<br />

of love between people, but<br />

speaks to that relationship<br />

with God that has John and his<br />

collaborators “walking, smiling,<br />

dancing, singing.” A funky bass<br />

ostinato creates a hypnotic groove that carries John’s<br />

velvety voice <strong>—</strong> so reminiscent of R&B crooner Maxwell <strong>—</strong><br />

along on a even pace, so that the message is not hidden<br />

by the rhythmic effervescence so popular in modern praise<br />

and worship music. The production is modern, and looks<br />

to an audience that understands less is sometimes more.<br />

Spoken-word verses and a fabulous bridge vocal by Derron<br />

Sandy, Diamonique Roy, and Faith Otey address the subject<br />

of love in terms that speak to <strong>Caribbean</strong> people, and in<br />

the timbre and accent that suggest this single can bridge<br />

regions and can make plain the non-discriminatory way we<br />

love, we walk, we dance, and we sing.<br />

Reviews by Nigel A. Campbell<br />

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WWW.CARIBBEAN-AIRLINES.COM 45

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