Caribbean Beat — January/February 2017 (#143)
A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.
A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
“I never choose<br />
the mas”<br />
Tracy Sankar-Charleau, who explores the<br />
spiritual roots of folklore through mas<br />
performance, on being “chosen” by her<br />
characters <strong>—</strong> as told to Tracy Assing<br />
Every traditional mas character is alive. Every traditional<br />
mas person, whether they want to look at it that way or not,<br />
from moko jumbies straight down to a fancy sailor, they all<br />
have to deal in the spiritual aspect of it. You have a fancy sailor<br />
turn around and tell you, you can’t just do so and put on a costume<br />
and say you dance a dance like that <strong>—</strong> you have to be on a high.<br />
And, as I tell people, is not an alcohol high, it’s a whole different<br />
thing. Traditional mas has a level of spiritualism in it, and each<br />
character, each person, knows how to be.<br />
We take on that character, whether it be for an hour or for<br />
the whole day. This is not just jump in a costume and palance<br />
yuh backside. This is awakening something when you need it to<br />
do something for you. For me, really and truly, the La Diablesse<br />
was on a whole different level. I am the vessel and I have to do<br />
whatever it is she tell me to do.<br />
I’ve been playing mas for the last ten years with my mom.<br />
I started off with her. That didn’t happen until my thirties. I<br />
was doing photography work with her band, helping with her<br />
workshops. But then I became an individual performer <strong>—</strong> next<br />
year will make it four years. From there it just took off<br />
We are from an artistic family. My mom was a draughtswoman<br />
and also a seamstress. That was her job at home. We were<br />
always making something. Is she give us the courage to just start<br />
we own, so to speak. My sister, she does stuff with her, they are<br />
joined together. But I branched off on my own, because I decided<br />
to deal more with the folklore aspects of it, the spiritual aspect of<br />
it, and the part it plays within the whole persona of the mas. They<br />
do the Dame Lorraine. I play the Dame Lorraine, the fancy jab,<br />
the jab molassie, and in 2015 for the first time I brought out the<br />
La Diablesse. So in all it’s four characters I play. <strong>2017</strong> will make<br />
it five. I giving them my version of a burrokeet. This time I will<br />
be the one dancing the horse.<br />
I was bored with the Dame Lorraine. It’s a cool character. It’s<br />
my mother. I am a little more out there. I’m a little more brackish<br />
and a little more loud and outgoing. When my mother realised I<br />
56 WWW.CARIBBEAN-BEAT.COM