03.01.2018 Views

Caribbean Beat — January/February 2017 (#143)

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

“I never choose<br />

the mas”<br />

Tracy Sankar-Charleau, who explores the<br />

spiritual roots of folklore through mas<br />

performance, on being “chosen” by her<br />

characters <strong>—</strong> as told to Tracy Assing<br />

Every traditional mas character is alive. Every traditional<br />

mas person, whether they want to look at it that way or not,<br />

from moko jumbies straight down to a fancy sailor, they all<br />

have to deal in the spiritual aspect of it. You have a fancy sailor<br />

turn around and tell you, you can’t just do so and put on a costume<br />

and say you dance a dance like that <strong>—</strong> you have to be on a high.<br />

And, as I tell people, is not an alcohol high, it’s a whole different<br />

thing. Traditional mas has a level of spiritualism in it, and each<br />

character, each person, knows how to be.<br />

We take on that character, whether it be for an hour or for<br />

the whole day. This is not just jump in a costume and palance<br />

yuh backside. This is awakening something when you need it to<br />

do something for you. For me, really and truly, the La Diablesse<br />

was on a whole different level. I am the vessel and I have to do<br />

whatever it is she tell me to do.<br />

I’ve been playing mas for the last ten years with my mom.<br />

I started off with her. That didn’t happen until my thirties. I<br />

was doing photography work with her band, helping with her<br />

workshops. But then I became an individual performer <strong>—</strong> next<br />

year will make it four years. From there it just took off<br />

We are from an artistic family. My mom was a draughtswoman<br />

and also a seamstress. That was her job at home. We were<br />

always making something. Is she give us the courage to just start<br />

we own, so to speak. My sister, she does stuff with her, they are<br />

joined together. But I branched off on my own, because I decided<br />

to deal more with the folklore aspects of it, the spiritual aspect of<br />

it, and the part it plays within the whole persona of the mas. They<br />

do the Dame Lorraine. I play the Dame Lorraine, the fancy jab,<br />

the jab molassie, and in 2015 for the first time I brought out the<br />

La Diablesse. So in all it’s four characters I play. <strong>2017</strong> will make<br />

it five. I giving them my version of a burrokeet. This time I will<br />

be the one dancing the horse.<br />

I was bored with the Dame Lorraine. It’s a cool character. It’s<br />

my mother. I am a little more out there. I’m a little more brackish<br />

and a little more loud and outgoing. When my mother realised I<br />

56 WWW.CARIBBEAN-BEAT.COM

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!