03.01.2018 Views

Caribbean Beat — January/February 2017 (#143)

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

“My Carnival no<br />

longer starts<br />

or finishes”<br />

Photographer Maria Nunes, celebrated<br />

for her avid documentation of traditional<br />

mas and steelpan, on her earliest Carnival<br />

memories, her first encounter with<br />

masqueraders from behind the camera, and<br />

how Carnival has become her life <strong>—</strong> as told<br />

to Nicholas Laughlin<br />

One of my earliest childhood memories is seeing jabs in<br />

Mayaro at Carnival time. I was maybe six, seven, eight<br />

years old. It’s an indistinct memory <strong>—</strong> I can’t tell you<br />

what they looked like <strong>—</strong> but it’s something that stayed with me:<br />

these men playing jab, going house to house in Mayaro, and the<br />

surprise element.<br />

But my first truly formed, deep impression of Carnival was<br />

that the year of [Peter Minshall’s Carnival King] The Sacred and<br />

the Profane <strong>—</strong> that was 1982 <strong>—</strong> my father took me to the Kings<br />

and Queens finals in the Savannah on Dimanche Gras. And I was<br />

mesmerised by The Sacred and the Profane, and [masquerader]<br />

Peter Samuel bringing the costume over all the photographers<br />

at the edge of the stage. It’s a distinct memory. The way it was<br />

set up then, the photographers were all down below the stage.<br />

I remember the power of how he came on the stage. And he<br />

moved those wings and brought the whole costume over the<br />

photographers. My father never took me to Kings and Queens<br />

prior to that, and I have no idea why he took me that year. And<br />

after that, he died in June 1982.<br />

My interest in photography was formed by a childhood of<br />

having family holidays in Mayaro and Tobago documented and<br />

put in an album every year. At university, I bought myself a<br />

Pentax K1000 camera, which was a great first camera in the days<br />

of film. I started to become really passionate about photography<br />

when I was working at the St Andrew’s Golf Club [north of Port of<br />

Spain], where I was the general manager. The lands around the<br />

golf club are untouched forest, and on hikes I was struck by the<br />

beauty of the interior of the forest. I had the club’s camera, and<br />

that’s when I started to seamlessly take photographs.<br />

Then at Carnival 2007 I spent Monday at a friend’s office on<br />

Carlos Street [in Woodbrook, west Port of Spain]. We were there<br />

just liming, eating, drinking, and I heard these whips cracking<br />

outside. I thought, what is this? And I went outside to see jab jabs<br />

beating up one another on Carlos Street. I was just mesmerised.<br />

WWW.CARIBBEAN-AIRLINES.COM 61

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!