The Star: June 09, 2016
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<strong>The</strong> <strong>Star</strong> follow us on facebook.com/riseupchristchurch<br />
Thursday <strong>June</strong> 9 <strong>2016</strong> 37<br />
• Georgia O’Connor-Harding<br />
DEDICATED TO serving the<br />
community through music,<br />
Risingholme Orchestra is<br />
gearing up for their biannual<br />
concert later this month.<br />
More than 50 members ranging<br />
in age from their mid-20s to<br />
90s make up the full symphony<br />
orchestra.<br />
<strong>The</strong> show will be conducted by<br />
the orchestra’s new musical director,<br />
New Zealand composer<br />
Phillip Norman.<br />
<strong>The</strong> orchestra, that has been<br />
involved in providing short<br />
music programmes to schools<br />
and performing for retirement<br />
homes, is now preparing its own<br />
show for a wider audience.<br />
Concert manager and bassoon<br />
player Ross Gurney said the Risingholme<br />
community orchestra<br />
is unique in the way it practices<br />
during the day.<br />
MUSIC TIME:<br />
(From left) Jim<br />
Parsons, Vic<br />
Bartley, Mel<br />
Smith and<br />
Doug Kelly of<br />
the Risingholme<br />
Orchestra<br />
playing<br />
trumpets.<br />
Orchestra in concert<br />
He said this allows older musicians<br />
to continue playing their<br />
instruments.<br />
<strong>The</strong> Risingholme Orchestra<br />
was formed in 1991 and used<br />
to practice in the Risingholme<br />
Community Centre before<br />
it was closed after the earthquakes.<br />
Mr Gurney said it is very sad<br />
that the Risingholme Homestead<br />
has been damaged in a<br />
second fire last Tuesday.<br />
Following the earthquakes the<br />
orchestra moved to various locations<br />
determined to continue<br />
music.<br />
<strong>The</strong>y now practice every<br />
Thursday morning at Woolston<br />
Club.<br />
Risingholme Orchestra will<br />
perform at 2pm on <strong>June</strong> 26,<br />
Avonhead School, 55 Avonhead<br />
Rd. Tickets can be purchased at<br />
the door or can be ordered by<br />
phoning 348 2845<br />
Full force confrontation<br />
Educating Rita, by Willy<br />
Russell, directed by<br />
Yvonne Martin, <strong>The</strong> Court<br />
<strong>The</strong>atre. Reviewed by Barry<br />
Southam<br />
THE TRANSFERENCE of<br />
one entertainment experience<br />
to another medium can prove<br />
disappointing, but in this<br />
production the opposite applies.<br />
<strong>The</strong> film version is surpassed,<br />
such is the power of live theatre.<br />
Kathleen Burns stunning<br />
performance saw a Rita of passion<br />
and humour in a totally rounded<br />
working class character who<br />
craves an education so she can<br />
“know everything” and be able to<br />
talk confidently with interesting<br />
and cultured people. Sing songs in<br />
the local pub and banal topics no<br />
longer have any appeal for her.<br />
Opposite her is the very talented<br />
and experienced George<br />
Henare as the perfect foil in his<br />
whisky-soaked role as Frank, the<br />
open university tutor and onetime<br />
poet. What a combo. What a<br />
journey.<br />
Rita bursts into Frank’s life and<br />
tutorial room (in spite of a door<br />
that opens with difficulty, a neat<br />
allegorical touch) and talks nonstop<br />
in her nervousness in her<br />
NUANCES: George Henare<br />
(Frank) and Kathleen Burns<br />
(Rita) in Educating Rita.<br />
thick working class accent (superbly<br />
rendered and maintained<br />
throughout). She wants what she<br />
believes he has already. But Frank<br />
is a jaded lecturer who doesn’t like<br />
his students or his lifestyle.<br />
Yvonne Martin with her huge<br />
directorial experience has worked<br />
with the duo to bring out the nuances<br />
of each person as well as the<br />
full force of their confrontations<br />
as Rita’s high energy demands and<br />
expectations bounce off Frank’s<br />
laconic responses.<br />
One of the most memorable<br />
lines that goes to the heart of the<br />
academic world comes when Rita<br />
is asked to write an essay on how<br />
to resolve the inherent problems<br />
in staging Ibsen’s play Peer Gynt.<br />
Rita’s has a simple common sense<br />
answer in five words: “Do it on<br />
the radio” Frank has to explain<br />
that much more than five words<br />
is required in university circles to<br />
get her essay a pass mark.<br />
Determined lass that she is, Rita<br />
hangs in there in all her delightful<br />
ways, in spite of a husband<br />
determined to stop her quest for<br />
knowledge and self development,<br />
and Frank’s reluctance to deliver<br />
what she wants. He denounces<br />
both her objective and his academic<br />
meal ticket, much to the<br />
bewilderment of Rita.<br />
Kathleen Burns is just so good<br />
at Rita you’d think Willy Russell<br />
had written the role just for her.<br />
She can feel right pleased with her<br />
seemingly flawless work, a delight<br />
to behold. This production is in<br />
the not to be missed category. A<br />
must for lovers of theatre.<br />
•<strong>The</strong> season ends on <strong>June</strong> 25.<br />
A Riccartonian<br />
Palace of<br />
Varieties<br />
An extravaganza of Singing, Dancing & Melodrama<br />
in the style of the Old Time Music Hall.<br />
8-18 <strong>June</strong><br />
7.30pm Wednesday to Friday<br />
Plus Matinees: 2pm Saturday 11 <strong>June</strong>,<br />
4pm Sunday 12 <strong>June</strong>, & 2pm Saturday 18 <strong>June</strong><br />
Directed by Doug Clarke,<br />
Donna Buchanan & Karyn Gibson<br />
$16 Waged, $13 Unwaged<br />
Cash sales and EFTPOS available – No Credit Cards<br />
Christchurch South Intermediate School,<br />
204 Selwyn Street, Christchurch<br />
For bookings phone 338 4699 or visit<br />
www.riccartonplayers.co.nz<br />
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LOCATIONS<br />
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THE UK’S FAVOURITE CONCERT<br />
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