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Style: October 04, 2017

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66 STYLE | travel<br />

CROATIAN<br />

CRUISE<br />

Naomi Spinsby-Wild walks through the cobbled streets of<br />

Dubrovnik, a place of surreal beauty – and heat.<br />

Even before the sun had emerged over<br />

of the Dalmatian coastline, you could<br />

tell it was going to be a blisteringly hot day<br />

in Dubrovnik. The air was already thick with<br />

warmth, and, more tellingly, my hair was<br />

expanding in size like a frizzy brunette peacock<br />

showing off its plumage.<br />

After fulfilling my personal daily challenge<br />

of leaving no waffle-topping combination<br />

untested at our cruise ship’s dangerously<br />

well-stocked breakfast buffet, we docked at<br />

the southern Croatian enclave of Dubrovnik,<br />

where we disembarked and trudged, already<br />

weary from the heat (and the ungodly amount<br />

of fats and sugars recently ingested), towards<br />

the waiting tour buses, bottled water and<br />

weather predictions being offered to us almost<br />

every step along the way.<br />

While the city had looked beautiful from<br />

the morning half-light of the port, it was truly<br />

striking up close. All at once, we rounded a<br />

corner and the winding inland-facing streets<br />

gave way to a view of the harbour, a glistening<br />

inlet encircled by the rocky outcrop on which<br />

the historic Old Town was built. The whole<br />

scene looked, frankly, Photoshopped.<br />

Being that Dubrovnik has famously doubled<br />

as Game of Thrones’ city of King’s Landing over<br />

the last few years, I had naturally assumed the<br />

cityscape was a clever mix of set design and<br />

computer animation, an assumption I quickly<br />

found to be false. The dramatic cliff-face, the<br />

striking medieval architecture, the clear blue of<br />

the Adriatic – it was all just as it appeared on<br />

screen, minus the impaled heads on spikes.<br />

As I surveyed the Lannister stronghold,<br />

casting my gaze over the port and its sheltered<br />

marina, I thought back to the local history<br />

lesson we were given on the coach ride. For<br />

as long as Dubrovnik had existed, the ocean<br />

had been its life-blood, bringing in traders<br />

from around Europe in older times as well as<br />

providing a reliable fishing industry. In recent<br />

years, tourism has overtaken as the main<br />

contributor to the local economy, but the<br />

seaside has continued to thrive, alive with the<br />

sounds of outboard motors as charter boats<br />

ferry visitors around on private tours of the<br />

surrounding islands.<br />

The city’s medieval charm only became<br />

more evident as we wound our way through<br />

more white stone cobbled pedestrian streets<br />

to reach the heart of the Old Town. As the<br />

oldest part of the city is the closest to the sea,<br />

and protected by the ancient fortifications of<br />

the City Wall, it is navigable only on foot down<br />

seemingly endless flights of stone steps.<br />

On the rambling downhill traverse, we<br />

passed through a warren of tightly packed<br />

historic buildings clad in the same tactile<br />

white stones as the pavers and topped with<br />

the even more iconic terracotta tiled roofs.<br />

Together, these features lend the Old Town of<br />

Dubrovnik its title of ‘The Pearl of the Adriatic’<br />

and UNESCO World Heritage Site status and<br />

protection.<br />

As we made our way down the steps, skin<br />

slick with sweat and sunscreen, and footsteps<br />

reverberating with the classic summer sound of<br />

jandal slapping on pavement, we ducked into<br />

doorways every so often to find respite from<br />

the heat. Local businesses and retail shops<br />

operate out of the quaint maze of buildings<br />

with proprietors presumably living in the upper<br />

storeys, the shadows from which cast welcome<br />

shade across the open track, cooling the<br />

Being that Dubrovnik<br />

has famously doubled<br />

as Game of Thrones’ city<br />

of King’s Landing over<br />

the last few years, I had<br />

naturally assumed the<br />

cityscape was a clever<br />

mix of set design and<br />

computer animation,<br />

an assumption I quickly<br />

found to be false.

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