EXBERLINER Issue 170, April 2018
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CHICK COREA<br />
28.04.18 · Apostel-Paulus-Kirche<br />
THE DEAD<br />
DAISIES<br />
+ THE NEW ROSES<br />
03.05.18 · Kesselhaus<br />
G-EAZY<br />
+ STEFFLON DON + YUNG PINCH<br />
09.05.18 · Columbiahalle<br />
NOAH KAHAN<br />
21.05.18 · Maschinenhaus<br />
CAFÉ TACVBA<br />
24.07.18 · Astra Kulturhaus<br />
DONAVON<br />
FRANKENREITER<br />
30.09.18 · Columbia Theater<br />
Clockwise from top left: Sarah Plays a Werewolf, LOMO, Central<br />
Airport THF, Detour, Merkel Must Go, The New Children of Golzow<br />
WWW.CITADEL-MUSIC-FESTIVAL.DE<br />
there are definitely quite a few standouts. Julia Langhof<br />
remixes the coming-of-age disaster film in LOMO – The Language<br />
of Many Others placing her tragic young hero, Karl<br />
(Jonas Dassler), in the white, affluent suburbs of Berlin, but<br />
focusing on his struggles to navigate the altogether more<br />
hostile digital world. When he’s spurned by his classmate<br />
Doro (Lucie Hollmann) after a brief tryst, he enacts revenge<br />
by posting video evidence of their sexual exploits on his<br />
popular blog. Suffice it to say, the consequences are savage.<br />
Swiss-German co-production Sarah Plays a Werewolf<br />
(Sarah joue un loup garou) sees filmmaker Katharina Wyss<br />
take a more experimental approach to conveying the pain of<br />
adolescence. Similar to Josephine Decker’s Berlinale darling<br />
Madeline’s Madeline, it tells the story of a troubled teen<br />
(Loane Balthasar) who channels her turbulent emotions into<br />
intense stage performances, blurring the boundaries between<br />
reality and fantasy. Both darkly funny and genuinely unsettling,<br />
it marks Wyss as a descendant of fearless European<br />
auteurs like Chantal Akerman and Catherine Breillat.<br />
Each year the vibe is infectiously celebratory. Many neighbourhood<br />
Kinos partake in action with screenings and Q&As,<br />
and with a whole host of prizes (including our very own<br />
Exberliner Film Award) handed out at the open-to-all closing<br />
night ceremony at Babylon, titles from across the programme<br />
are given a valuable moment in the spotlight. Achtung has<br />
served as a crucial springboard for all manner of gifted local<br />
filmmakers – low-key gems like Alexandra Balteanu’s sexworker<br />
drama Vanatoare and Carlotta Kittel’s self-reflexive<br />
doc Er Sie Ich both secured theatrical distribution after winning<br />
awards here last year. So for a sneak peek at the indie<br />
hits of tomorrow, be sure to get involved.<br />
Full programme at achtungberlin.de<br />
APRIL <strong>2018</strong><br />
06.08.<br />
HOLLYWOOD VAMPIRES<br />
JOE PERRY, ALICE COOPER & JOHNNY DEPP<br />
07.06.<br />
02.07.<br />
24.07.<br />
RUNRIG<br />
SWEET<br />
LENNY KRAVITZ<br />
A PERFECT CIRCLE<br />
NENA<br />
MASSIVE ATTACK<br />
NINE INCH NAILS<br />
BILLY IDOL<br />
AMY MACDONALD<br />
JACK JOHNSON<br />
JOAN BAEZ<br />
STEEL PANTHER<br />
24.08.<br />
12.06.<br />
18.08.<br />
15.08.<br />
105‘5 SPREERADIO PRIVATKONZERT<br />
29.07.<br />
22.06.<br />
SAVAS & SIDO<br />
SANTANA<br />
MILKY CHANCE<br />
A-HA<br />
WWW.TRINITYMUSIC.DE<br />
ARCADE FIRE<br />
FAT FREDDY´S DROP<br />
MICHAEL PATRICK KELLY<br />
17.08.<br />
105‘5 SPREERADIO PRIVATKONZERT<br />
AUSVERKAUFT!<br />
AUSVERKAUFT!<br />
19.07.<br />
21.08.<br />
25.07.<br />
ZITADELLE | BERLIN<br />
AM JULIUSTURM 64 · DE-13599 BERLIN<br />
09.06.<br />
29.06.<br />
17.06.<br />
04.06.<br />
29.08.<br />
13.08.<br />
Berlin<br />
25