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EXBERLINER Issue 170, April 2018

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WHAT’S ON — Music<br />

going on. MD: That dynamic of funding also looms over everything.<br />

If you want to play with AI, you’ve got to play with these<br />

people who can give you that ability, and they’re almost always<br />

corporations. The kind of tech-art-melding is a very old thing<br />

now. It’s kind of like the old operas that were made to entertain<br />

the biases of the funders: you can’t go to a festival without there<br />

being like a multi-screen immersive whatever, and there’s always<br />

some kind of sponsor. Is this the new opera? Is this just making<br />

artwork to complement rulers?<br />

Do you have ways of escaping data collection?<br />

MD: Ultimately, when you look at the most successful people on<br />

Youtube or Instagram, their core job is to collect data on you. In<br />

music, the trend line suggests that we need to become more like<br />

those people to survive. You see high-profile musicians working<br />

with large companies on their home surveillance devices and<br />

selling them. It’s pretty high time we figure out our position in relation<br />

to this. Rather than non-participation, what can these techniques<br />

be used to build that people wouldn’t need to be afraid<br />

of, that would actually be useful... HH: ...to feel empowered that<br />

you have agency in this world? Facebook isn’t that old. Facebook<br />

could be replaced by something else. There just has to be enough<br />

will from the public that they need an alternative. n<br />

Preview<br />

Enter the Hexadome<br />

This month, Berliner Festspiele continues its foray into<br />

the world of immersive art with the ISM Hexadome,<br />

a six-screen, 360-degree multi-channel audiovisual<br />

system created by Berlin’s Institute of Sound and Music for<br />

artists to use as a multimedia playground. With Brian Eno,<br />

Thom Yorke, Australian producer Ben Frost and Berlin’s<br />

own Holly Herndon spearheading the lineup, the Hexadome<br />

seems like a music geek’s dream come true. Just be aware<br />

that not everyone billed will be showing up in person! After<br />

his artist talk (Mar 31, 19:00), Eno can only be experienced<br />

through his artwork (Apr 2-5, 18:00). The same goes for<br />

Radiohead’s frontman, who collaborated with Dutch AV<br />

wizard Tarik Barri on his contribution (Apr 7-8, 10:00; or wait<br />

until June 1 to see the pair live at Tempodrom). Fans of Holly<br />

Herndon will, however, get the chance to see her live twice<br />

(Apr 6, 20:00 and 22:00) with a subsequent installation two<br />

weeks after that (Apr 21-22, 10:00). Participating in the latter<br />

will be Frost and visual artist MFO, who will also show up for<br />

a live set (Apr 18, 20:00 and 21:00). Also in the mix: Berlin<br />

electronic scene vets Frank Bretschneider and Rene Löwe;<br />

international experimental sound artists like CAO and Lara<br />

Sarkissian, and many more. — MH<br />

ISM Hexadome Mar 29-Apr 22, Martin-Gropius-Bau,<br />

Kreuzberg, more info at berlinerfestspiele.de<br />

ALTERNATIVE MUSIC AND ART AFTER 1968<br />

15.3.–6. 5.<strong>2018</strong><br />

www.adk.de/underground-improvisation<br />

Funded by<br />

ISM Berlin<br />

In cooperation with<br />

MARCH <strong>2018</strong><br />

Funded by<br />

Media Partners

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