EXBERLINER Issue 170, April 2018
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WHAT’S ON — Music<br />
going on. MD: That dynamic of funding also looms over everything.<br />
If you want to play with AI, you’ve got to play with these<br />
people who can give you that ability, and they’re almost always<br />
corporations. The kind of tech-art-melding is a very old thing<br />
now. It’s kind of like the old operas that were made to entertain<br />
the biases of the funders: you can’t go to a festival without there<br />
being like a multi-screen immersive whatever, and there’s always<br />
some kind of sponsor. Is this the new opera? Is this just making<br />
artwork to complement rulers?<br />
Do you have ways of escaping data collection?<br />
MD: Ultimately, when you look at the most successful people on<br />
Youtube or Instagram, their core job is to collect data on you. In<br />
music, the trend line suggests that we need to become more like<br />
those people to survive. You see high-profile musicians working<br />
with large companies on their home surveillance devices and<br />
selling them. It’s pretty high time we figure out our position in relation<br />
to this. Rather than non-participation, what can these techniques<br />
be used to build that people wouldn’t need to be afraid<br />
of, that would actually be useful... HH: ...to feel empowered that<br />
you have agency in this world? Facebook isn’t that old. Facebook<br />
could be replaced by something else. There just has to be enough<br />
will from the public that they need an alternative. n<br />
Preview<br />
Enter the Hexadome<br />
This month, Berliner Festspiele continues its foray into<br />
the world of immersive art with the ISM Hexadome,<br />
a six-screen, 360-degree multi-channel audiovisual<br />
system created by Berlin’s Institute of Sound and Music for<br />
artists to use as a multimedia playground. With Brian Eno,<br />
Thom Yorke, Australian producer Ben Frost and Berlin’s<br />
own Holly Herndon spearheading the lineup, the Hexadome<br />
seems like a music geek’s dream come true. Just be aware<br />
that not everyone billed will be showing up in person! After<br />
his artist talk (Mar 31, 19:00), Eno can only be experienced<br />
through his artwork (Apr 2-5, 18:00). The same goes for<br />
Radiohead’s frontman, who collaborated with Dutch AV<br />
wizard Tarik Barri on his contribution (Apr 7-8, 10:00; or wait<br />
until June 1 to see the pair live at Tempodrom). Fans of Holly<br />
Herndon will, however, get the chance to see her live twice<br />
(Apr 6, 20:00 and 22:00) with a subsequent installation two<br />
weeks after that (Apr 21-22, 10:00). Participating in the latter<br />
will be Frost and visual artist MFO, who will also show up for<br />
a live set (Apr 18, 20:00 and 21:00). Also in the mix: Berlin<br />
electronic scene vets Frank Bretschneider and Rene Löwe;<br />
international experimental sound artists like CAO and Lara<br />
Sarkissian, and many more. — MH<br />
ISM Hexadome Mar 29-Apr 22, Martin-Gropius-Bau,<br />
Kreuzberg, more info at berlinerfestspiele.de<br />
ALTERNATIVE MUSIC AND ART AFTER 1968<br />
15.3.–6. 5.<strong>2018</strong><br />
www.adk.de/underground-improvisation<br />
Funded by<br />
ISM Berlin<br />
In cooperation with<br />
MARCH <strong>2018</strong><br />
Funded by<br />
Media Partners