EXBERLINER Issue 170, April 2018
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WHAT’S ON — Music<br />
“<br />
Preview<br />
Fight like hell<br />
Julien Bracht of ambitious Berlin postpunk<br />
duo Lea Porcelain tells us how<br />
to make it big in the post-digital age.<br />
From the get-go, we were anxious to find the right tastemakers<br />
and radio DJs to feature us. It’s a little outdated to<br />
think within borders rather than considering all the options<br />
provided by online media. Particularly since we make music in<br />
English, we wanted to make it available to the entire planet, not to<br />
start small in Germany and work our way up. I just started watching<br />
the 30 Seconds to Mars documentary, which depicts very well<br />
why you also shouldn’t sign to a major record label. If you have<br />
your own label, you’re your own boss, and what labels do is not<br />
rocket science. So, even if our first album doesn’t put a Maserati<br />
in our driveway, we won’t be dropped because we didn’t reach the<br />
expected sales figures.<br />
Our goal is to become one of the top bands worldwide, and we<br />
said we wouldn’t stop until it’s happening. Plenty of bands give up<br />
too soon not realising that it took other bands six albums to break<br />
through globally. We didn’t give ourselves a deadline because<br />
that’s the wrong way. If you write the music you want and you’re<br />
self-critical about what you release, then it’s only a matter of time<br />
if you have a good product. Right now, we’re going on a Germany<br />
tour, but we’re already working hard on our second album. We<br />
wouldn’t allow ourselves a break. A lot of people want to become<br />
rockstars. It’s possible, of course, but you have to fight like hell<br />
and be original.”<br />
Lea Porcelain w/Anika Apr 14, 20:30, Funkhaus, Schöneweide<br />
Tips<br />
Clubbing<br />
Technosphärenklänge #5<br />
For its fifth iteration, Technosphärenklänge invites Michael Guidetti,<br />
M.E.S.H., Lucrecia Dalt, Regina de Miguel and more to HKW to<br />
take electronic music to new intellectual spheres. Apr 6, 20:00<br />
La Bomba Cumbia Party<br />
Boasting a broad spectrum of Latin music genres, Faela!, Sistema<br />
Sonidero and a variety of DJs will lure you to the dance floor at<br />
Kulturbrauerei. Apr 14, 21:00<br />
Raster. Index – Tanz in den Mai<br />
Not keen on revolting in Kreuzberg? Head over to Funkhaus, where<br />
German electro label Raster will curate a night full of dance floor<br />
delights featuring Robert Lippok, Dasha Rush, Frank Bretschneider<br />
and more. Apr 30, 18:30<br />
Classical and Contemporary<br />
Edward W. Said Days<br />
This three-day festival at Pierre Boulez Saal celebrates the<br />
original postcolonial theorist with concerts and lectures. The<br />
Michelangelo String Quartet and NY author Teju Cole spearhead<br />
the lineup. Apr 6-8<br />
Aggregate<br />
Did you know that the Auenkirche in Wilmersdorf is MIDI-fied?<br />
Experimental duo Gamut Inc. and pianist John Kameel Farah will<br />
give you a little taste. Apr 27, 20:00<br />
f(t) Festival<br />
Radialsystem V hosts this clash of contemporary music and<br />
electronica by Elektro Guzzi, Kuf, Sonar Quartett Aleksi Perälä,<br />
Ensemble Modern and more. Apr 28-29<br />
ON THE<br />
ROYALE ROAD<br />
(AM KÖNIGSWEG)<br />
by Elfriede Jelinek<br />
Inspired by the presidential election in the USA, Nobel Prize<br />
laureate Elfriede Jelinek dedicates herself to the „kings“ of this<br />
world in her current play On the Royal Road: The Burgher King<br />
(Am Königsweg). „Elected is elected,“ but how could it happen?<br />
Why is capitalism and power still always synonymous with<br />
recurrent models of old-fashioned masculinity? Why is right-wing<br />
populism always linked to the blindness of its voters?<br />
Director: Stephan Kimmig<br />
Premiere: <strong>April</strong> 28, <strong>2018</strong><br />
upcoming shows with English surtitles: May 7, 13, June 3, <strong>2018</strong><br />
For tickets and more information visit deutschestheater.de/en