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Bay Harbour: April 11, 2018

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PAGE 6 Wednesday <strong>April</strong> <strong>11</strong> <strong>2018</strong><br />

BAY HARBOUR<br />

Latest Christchurch news at www.star.kiwi<br />

News<br />

Cave Rock Apartments<br />

dispute finally settled<br />

•From page 1<br />

Within the next eight weeks,<br />

the body corporate will meet to<br />

decide whether to rebuild or sell<br />

the property ‘as is, where is’.<br />

Mr White said it was more<br />

likely the owners would sell.<br />

“Judging by the responses<br />

thus far, most people just want<br />

to be rid of the whole problem<br />

and move on.”<br />

A resource consent to rebuild<br />

the main block of apartments<br />

remains in place until January<br />

next year, along with architectural<br />

plans.<br />

The consent was obtained<br />

in 2012/13, based on an understanding<br />

with IAG that<br />

reinstatement would go ahead,<br />

said Mr White.<br />

“When IAG changed their<br />

mind, that’s when we got into<br />

litigation with them.”<br />

Meanwhile, concerns were<br />

last week raised about the apartments’<br />

underground car park,<br />

accessed off Wakefield Ave.<br />

Children have been playing in<br />

the abandoned space, which has<br />

been described as “a scene from<br />

a horror movie.”<br />

A padlock on the door was<br />

broken off and the chain link<br />

damaged, allowing people access.<br />

Sumner resident Paul Strangwick<br />

raised the issue on the<br />

Sumner Community Facebook<br />

page last week, warning that<br />

children were daring each other<br />

to go into the basement. He<br />

said the power was still on with<br />

lights flickering and water continually<br />

dripping onto the floor.<br />

He and builder Andrew<br />

Spencer offered to board up<br />

the entrance after Mr White<br />

contacted him on Sunday. It has<br />

since been secured.<br />

Mr White confirmed there<br />

was power to the basement as it<br />

was a reticulated system.<br />

There were also pumps<br />

running 24/7 to control the<br />

inflow of groundwater from<br />

earthquake-damaged sumps<br />

underground.<br />

The door has been vandalised<br />

at least three times over the<br />

past year, which has been “very<br />

frustrating,” Mr White said.<br />

“We do our best to keep it as<br />

secure as we can, but whoever<br />

does it keeps breaking in again.”<br />

Local<br />

News<br />

Now<br />

Calvert family meet Parker in UK<br />

•From page 1<br />

Their love for the sport has seen<br />

them travel to a number of high<br />

profile fights around the world,<br />

including the Floyd Mayweather<br />

Jr v Manny Pacquiao fight in Las<br />

Vegas in 2015.<br />

However, the world title fight<br />

between Parker and Joshua on<br />

Easter Sunday was unlike any the<br />

family had travelled together to<br />

see before. They were made to feel<br />

like part of the Parker family in<br />

the build up to his biggest fight to<br />

date.<br />

Mr Calvert’s main connection<br />

to the Parker camp comes<br />

through Parker’s trainer Kevin<br />

Barry, who also trained Mr Calvert<br />

in the early 1990s.<br />

“We got made to feel like part of<br />

the family. His mum would come<br />

down to breakfast every morning<br />

and say hello and give us a hug<br />

and a kiss,” said Mr Calvert.<br />

“We were lucky enough to be<br />

invited on his team walk the<br />

morning of the fight. It’s something<br />

he does the morning of his<br />

fights; just goes for a 15min walk<br />

to relax.”<br />

Mr Calvert won four New<br />

Zealand titles in his career as a<br />

welterweight. He also won the<br />

Jameson Belt in 1992. The belt is<br />

awarded to the best boxer at the<br />

national championships each<br />

year. Mr Calvert’s first boxing<br />

trainer was his grandfather<br />

Ryan Mitchell. This was before<br />

Fire rages, homes at risk<br />

FAMILY: Dean Calvert, Joseph Parker, Bryce Calvert and George<br />

Calvert in the UK.<br />

he worked with Barry who was<br />

training David Tua at the same<br />

time.<br />

Mr Calvert had 70 amateur<br />

fights before going on to register a<br />

professional record of eight wins<br />

from eight fights. He took what<br />

was originally set to be a short<br />

break from fighting at 24. However,<br />

Mr Calvert never returned<br />

to training.<br />

“I do regret it sometimes, but<br />

then I’ve had a lot of other great<br />

memories since doing other<br />

things.”<br />

After boxing, Mr Calvert<br />

worked for his family cleaning<br />

business for 17 years before<br />

buying the Valley Inn Tavern in<br />

2004.<br />

“I like the social side. It’s a good<br />

place to catch up with friends and<br />

the locals.”<br />

Although Mr Calvert was lucky<br />

enough to be at Cardiff’s Millennium<br />

Stadium 10 rows back from<br />

the action, he says the Valley Inn<br />

Tavern was as good a place as any<br />

to watch the fight.<br />

“We were chock-a-block for the<br />

Parker fight. We had a couple of<br />

hundred people here, every time<br />

he’s fought it’s been like that.”<br />

As for the future of his favourite<br />

boxer, Mr Calvert believes, at just<br />

26, Parker has the determination<br />

to bounce back.<br />

“He was talking to us on the<br />

plane on the way home and<br />

he’s just determined to get<br />

back in there and get back to<br />

the top.”<br />

Frocks, Feathers & Fabrication<br />

John Emery’s latest exhibition at Little River Gallery<br />

Although born and raised in the American Midwest,<br />

John Emery has spent the past twenty-five years shuttling<br />

back and forth between Dayton, Ohio and Burkes Pass,<br />

New Zealand, where he established a second home and<br />

studio in 2000.<br />

“It is not just the object, but also its history--its<br />

veritable shadow-- that I set out to record in my work.<br />

It is the fragmented story that haunts me. Memories,<br />

symbolism, physical similarities, all play a part in creating<br />

the “fabrication”. Objects are often from a bygone era, or<br />

worn with repeated use,<br />

reflecting time’s passage.<br />

At times they are literally<br />

in pieces: the shattered<br />

porcelain, the cast-off<br />

sardine tin, a bird feather,<br />

or watching the flight of a<br />

fantail. In reclaiming them<br />

for my own tromp l’oiel<br />

still life constructions, I<br />

conjure them into a new<br />

world. Like life itself,<br />

each work resonates with<br />

both the story and history<br />

associated with some<br />

objects, and the imagined<br />

potential of others.<br />

My painting process typically begins with a solitary<br />

object, a toy bear, or a Victorian hunting dress. A visual<br />

narrative is then constructed in the same way that I<br />

fabricated stories about the neglected objects found in<br />

my grandparents’ long forgotten trunks. As with all my<br />

works, some elements become three-dimensional as I<br />

form them from paper, the most versatile material I know”<br />

John Emery.<br />

Time flies over us, but<br />

leaves its shadow behind.<br />

--Nathaniel Hawthorne<br />

Christchurch City Council<br />

Strengthening<br />

Communities Funding<br />

If your organisation needs funding to make things<br />

happen in your community applications are now<br />

open for the Strengthening Communities Fund.<br />

Applications are invited from not-for profit<br />

community groups who contribute to community well<br />

being in the areas of community, social, recreation,<br />

sports, arts, environment or heritage.<br />

Applications are accepted from Tuesday 3 <strong>April</strong> until<br />

midnight Tuesday 8 May <strong>2018</strong>.<br />

Frocks, Feathers & Fabrications<br />

John Emery<br />

7 APRIL – 9 MAY <strong>2018</strong><br />

Visit ccc.govt.nz or phone 941 8999<br />

for more information.<br />

The Invincibles<br />

Killer Look<br />

Main Rd, Little River | 03 325 1944<br />

art@littlerivergallery.com

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