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Sep 2016

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Style-Eyes<br />

Treasure hunting: vintage<br />

eyewear<br />

When I started my blog, I closely followed the<br />

other few glasses blogs in existence. One was a<br />

vintage eyewear blog from Germany. It was then<br />

that I fell in love with my first pair of vintage<br />

frames. Coral-pink and black Cazal 312 from<br />

1980, the same year I was made. I eventually<br />

found a deadstock pair on eBay and snapped<br />

them up at half the price I was expecting.<br />

Wearing vintage eyewear can help you stand<br />

out from the masses in this era where so many<br />

frames look so similar. It’s a great way to find<br />

shapes, colours and styles not currently in stores.<br />

‘Deadstock’ means that the frame was<br />

never sold and is unworn, in the condition<br />

in which it would have been originally<br />

sold, but it was removed from sale<br />

due to being out of date. Sometimes<br />

great collections of frames like this get<br />

unearthed from storage somewhere and<br />

end up for sale.<br />

Who’s hunting?<br />

I have found other vintage enthusiasts, even<br />

more obsessed than I am. Davon Ford runs<br />

online store In Search Of (www.insearchofshop.<br />

com). I first interviewed him several years ago<br />

as he was just starting his collection. He said, “I<br />

started collecting in college after a friend had<br />

given me a pair of vintage Porsche Design 5623<br />

frames.” This collection grew to the point of him<br />

opening In Search Of three years ago. I noticed<br />

him call some frames his ‘grail’ frames which I<br />

liked - very Indiana Jones!<br />

I caught up with him again and asked him<br />

what he was currently hunting. “My current grail<br />

is the Cazal 634 in the Grey Amber colourway,”<br />

he said. “For me a frame achieves grail [status]<br />

when I’ve hunted for it more than a year and I<br />

haven’t been able to find it… they start to feel<br />

damn near impossible to find and it makes you<br />

truly appreciate the frame once you find it.”<br />

Rose from Che Eyewear in Melbourne chooses<br />

to stock deadstock vintage eyewear alongside<br />

new eyewear from the likes of Karen Walker and<br />

Seraphin. She told me how this came about:<br />

“We had a lot of deadstock of our own and<br />

realised that current trends were reflective of<br />

our own deadstock. We went on a little hunt<br />

for more pieces and all of a sudden we had an<br />

extensive range. I love anything vintage, and<br />

therefore it was easy for vintage eyewear to<br />

become a passion.”<br />

Rose’s requirements for stocking vintage<br />

Casanova SC 8<br />

Cazal 254<br />

BY JO EATON<br />

frames are that, “Our vintage pieces must be<br />

new. I don’t deal with anything second hand.<br />

Style is important and quality, of course.”<br />

I bought the 1980s Martin Wells frames<br />

(pictured in the Style-Eyes header) from Rose<br />

two years ago and they are a firm favourite.<br />

If you make the decision to sell deadstock<br />

vintage eyewear alongside the new frames in your<br />

collection, check out eBay and Etsy. They make it<br />

so much easier to find good quality frames.<br />

Current trends<br />

1950s/60s-style Mad Men-inspired thick acetate<br />

frames are no longer the vintage style to hunt.<br />

Nor are the gigantic 1980s-style plastic frames.<br />

There is a fashion school on the same campus<br />

as Optical Dispensing at RMIT, where I study.<br />

I’ve noticed the impeccably-dressed fashion<br />

students are opting to wear 1990s-inspired wire<br />

rim frames. Gold is especially in. Davon agrees,<br />

“When I first started, the outrageous Cazal,<br />

Alpina, and other giant ‘80s frames were all the<br />

rage. Now all these years later smaller frames<br />

with detail are the rage. Like Jean Paul Gaultier,<br />

Cartier and Ralph Lauren.”<br />

I asked Davon if he’d noticed current brands<br />

borrowing from the classics. Without naming<br />

names, he said, “New brands borrow heavily<br />

from the past... I’ve seen older brands just<br />

straight up steal a frame from the past, slightly<br />

change the design and colours, and then just<br />

release it as their own.”<br />

Get inspired<br />

Instagram is a great source of inspiration for<br />

your treasure hunt. I recommend following<br />

Davon @frame_gawd for starters. Others<br />

to follow include @carettavintage, @<br />

forgotteneyewear, @oedipus.spex and @<br />

vintz_shop.<br />

If you’re interested in stocking new frames<br />

with a vintage style twist, rather than<br />

deadstock, Cazal are still making frames that<br />

look just like they always have, as are Linda<br />

Farrow and Cutler & Gross.<br />

Affordable Australian brand Bailey Nelson are<br />

just starting to open stores in New Zealand. (See<br />

story p18). They’ve got a great example of the<br />

wire rim trend in their Harrison frame.<br />

What I love about vintage eyewear is that you<br />

can be almost guaranteed to find something<br />

truly unique. Google Casanova’s Simbolismo<br />

series if you don’t believe me! ▀<br />

* Jo Eaton is an optical dispensing student at RMIT. Originally<br />

from Wellington, Jo became interested in eyewear after<br />

discovering she was myopic at the age of 14. In 2008, many<br />

years after deciding to make unusual glasses her ‘thing’,<br />

she founded eyewear fashion blog ‘Eye Heart Glasses’. When<br />

she’s not immersed in the world of spectacles, she works in<br />

digital marketing, DJs, volunteers for community radio and<br />

is a director of feminist music organisation LISTEN.<br />

Marcolin 7023<br />

Taxi St 1<br />

Photographs by Davon Ford<br />

Ogi release two new<br />

collections<br />

US-based Ogi Eyewear have released<br />

two new collections of optical frames<br />

designed “to inspire”.<br />

Firstly, under their Seraphin banner, is The<br />

Barrymore for women. A feminine, handcrafted<br />

acetate frame available in four colours.<br />

With a vintage flair, including Seraphin’s<br />

trademark fleur-de-lis temple tip emblem,<br />

this collection offers a combination of<br />

elegance and durability under the ‘neoclassical’<br />

design umbrella.<br />

The second release, under the Ogi designer<br />

label, is the 7161 Heritage Collection for men.<br />

Handcrafted from three layers of premium<br />

acetate and polished for a gloss finish, these<br />

frames feature tortoiseshell temples, fastened<br />

to the frame by robust triple-barrel hinges.<br />

There’s silver dual-pin detailing to register a<br />

Frame Fashion<br />

Week launched<br />

Eyewear is getting its own Australasian<br />

Fashion week, Frame Fashion Week,<br />

designed to inspire interest in high<br />

fashion frames. The event, which will<br />

comprise ten experiences, including an<br />

optical and a buying group conference, a<br />

retail window competition and an Eyewear<br />

through the ages expo, will run from 1 – 10<br />

July in Sydney, in the Premier Brands area of<br />

the biennial ODMA Fair.<br />

“Frame Fashion Week have chosen our<br />

event, ODMA 2017, as one of their key<br />

showcase events,” said Finola Carey, chief<br />

executive officer of ODMA.<br />

Carey said she does not feel enthusiasm is<br />

waning for industry events, and was pleased<br />

with the way the market embraced this<br />

year’s O-Show. “The key is to deliver events<br />

in response to demand from our customers.<br />

We are working to make ODMA 2017<br />

what the exhibitors and visitors want – a<br />

weekend of shopping with a bit of fun and<br />

entertainment thrown in for good measure.”<br />

Billed as Australia’s contemporary eyewear<br />

festival, Frame Fashion Week aims to<br />

celebrate the relationship between great<br />

eyewear and high fashion. “There will be<br />

a great deal for visitors from New Zealand<br />

to see and do to ensure that the trip is<br />

worthwhile from a business perspective,”<br />

said Sue Dight from event organiser Touring<br />

Enterprises.<br />

ODMA chair Robert Sparkes said, “We are<br />

thrilled at the development of Frame Fashion<br />

Week. The eyewear industry is projected<br />

to exceed US$165 billion by 2022 and we<br />

can only see this relationship with fashion<br />

growing. Frame Fashion Week is a valuable<br />

addition to the industry visiting Sydney,<br />

ensuring this period in July is a must-attend<br />

for the optical industry.” ▀<br />

The Barrymore for women by Seraphin (Ogi)<br />

The 7161 Heritage for men by Ogi<br />

certain vintage-inspired quality. Designed in a<br />

soft rectangular shape, the 7161 is available in<br />

a range of neutral colour options.<br />

Ogi is distributed by BTP International<br />

Designz in New Zealand. ▀<br />

BLACKFIN – New<br />

launch at Silmo<br />

Blackfin’s new autumn/winter <strong>2016</strong>-17<br />

collection will be previewed at Silmo Paris<br />

from 23 to 26 <strong>Sep</strong>tember.<br />

The new designs, a mix of spectacle frames and<br />

sunglasses, showcase rounded shapes and unisex<br />

designs such as the model Saint Martin, featuring<br />

a double-arched bridge with curvaceous lines in<br />

two-tone colouring. With either a natural or satin<br />

titanium finish, this model has high-tech appeal<br />

contrasting with the 1980s inspired shape.<br />

All Blackfin frames are made of titanium and<br />

beta-titanium with Swordfish temple tips, and<br />

are made following the neomadeinitaly precepts,<br />

a new all-Italian production model that cares<br />

not only for the product, but for the people who<br />

produce it.<br />

Blackfin is distributed in New Zealand by Beni<br />

Vision. ▀<br />

Blackfin Saint Martin frame, looks great with sunglasses lenses too<br />

UK optom convicted<br />

of manslaughter<br />

In the first case of<br />

its kind in the UK,<br />

locum optometrist<br />

Honey Rose, 35, has<br />

been convicted of<br />

manslaughter at<br />

Ipswich Crown Court.<br />

Rose, who qualified<br />

as an optometrist<br />

in India and took<br />

additional exams<br />

allowing her to<br />

practice in the UK<br />

in 2010, failed to<br />

identify that the optic<br />

discs at the back of<br />

eight-year-old Vincent<br />

Honey Rose, convicted of<br />

manslaughter<br />

“Vinnie” Barker’s eyes were swollen – a symptom of<br />

undiagnosed hydrocephalus. Barker collapsed and<br />

died five months later.<br />

The routine eye exam took place in 2012, and<br />

although Rose claimed to have had difficulty<br />

examining the boy due to his photophobia, a retinal<br />

photograph taken before the eye exam clearly shows<br />

the swelling, suggesting bilateral papilloedema.<br />

During the trial Jonathan Rees QC, prosecuting, said<br />

this “would have been obvious to any competent<br />

optometrist” and should have led to an urgent<br />

referral to treat “a life-threatening condition”. He<br />

referred to Rose’s conduct as “criminal”.<br />

Jurors took just over two hours to find Rose guilty<br />

of manslaughter. Sentencing was set for 25 August.<br />

Speaking to the BBC, Detective Superintendent<br />

Tonya Antonis from Suffolk Police said: “If this case<br />

makes the optometry profession reflect on their<br />

practices and review their policies to prevent it<br />

happening to anyone again, or encourages other<br />

parents to take their children to get their eyes tested<br />

with the knowledge that any serious issues would be<br />

picked up, then it will be worthwhile. ▀<br />

26 NEW ZEALAND OPTICS <strong>Sep</strong>tember <strong>2016</strong>

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