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Haywire 11 Spring 2018

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HAYWIRE Issue <strong>11</strong> <strong>Spring</strong> <strong>2018</strong><br />

Was zur Poesie?<br />

With Marie Bohl, <strong>11</strong>a<br />

HAYWIRE: What about poetry made you want to<br />

continue writing it?<br />

Marie: It was a nice feeling, because I had a lot of<br />

words that would just fit together and pop into my<br />

head when I was just zoning out thinking. Putting<br />

them to paper then always seemed so simple, almost<br />

effortless, so it made me feel good.<br />

A Jaded Girl<br />

by Marie Bohl, <strong>11</strong>a<br />

I don't need to be this tired<br />

I don't need to be this tame<br />

But a jade dragon once told me<br />

I'd have it all to blame<br />

Because<br />

Lovers burn in fires<br />

And I don't want to be insane<br />

I don't want to be a lover<br />

And I don't want to live in flames<br />

12<br />

HAYWIRE: Do you have a creative process?<br />

Marie: I have a notebook that I have all my poems<br />

in. I often look at my poems and there is a sort of<br />

distance there, because it feels like I don’t really<br />

remember writing them down or where the ideas<br />

came from. A lot of ideas come when I’m riding on<br />

my bike, because I ride everywhere with my bike.<br />

I just need a environment where I can zone out and<br />

just be in my head. Then I’ll subconsciously put<br />

words together and they’ll be perfect. When I get<br />

home I’ll just have the first few sentences stuck in<br />

my head over and over again, I’ll write them down<br />

and continue the poem, and then I’ll go over the<br />

poem a couple times for about an hour, reading it<br />

out loud, fixing things, choosing between one or<br />

two words, adding or taking away parts. I always<br />

reread my poems too. I’ll read ones I wrote about<br />

four years ago and edit them. Some of the poems in<br />

previous <strong>Haywire</strong> editions are not the most current<br />

versions of the poems.<br />

HAYWIRE: How much do the poems end up changing?<br />

Marie: I never do anything too extreme. Often just<br />

one word here or there when I’m bored. Sometimes<br />

I’ll make a new poem out of an old poem. I’ll take<br />

one line or one paragraph and make something new<br />

out of it.<br />

HAYWIRE: Which other poets inspire you?<br />

Marie: The biggest one is Pablo Neruda, who writes<br />

mostly in Spanish. I’ll read it in books with English<br />

on one side and the original text on the other. He is<br />

just honestly in my opinion the best poet who has<br />

ever lived. He writes about the most simple things,<br />

Instead you should've lied to me<br />

And left me on my own<br />

And gone and gone back home to be<br />

A dragon master's sun<br />

The pagodas rest on hills<br />

And I don't rest at all<br />

My spirit flees to mountaintops<br />

Of Mist and Clouds and Falls<br />

And I miss being angry<br />

I miss burning down the tame<br />

I miss being a dragon<br />

And I miss being insane<br />

But all these memories do<br />

is turn to mist and clouds<br />

on mountaintops<br />

waiting to be free<br />

to fall and fall<br />

back home to me<br />

Surrounded by the bronze walls of palaces<br />

With the stones all crumbling in<br />

And words carved into calluses<br />

and just into my skin<br />

'I have it all to blame'<br />

he wrote a two or three page poem about an onion<br />

and made it seem like the most interesting thing in<br />

the world. He just brings a certain life into the simple<br />

things that we don’t always think about, brings<br />

beauty into it. Seeing beauty in everything is the<br />

key to poetry. I tried to copy his style of poetry for a<br />

while, but those never turned out very good. I try to<br />

take inspiration from it, not copy it, because I cannot<br />

write in his style, it’s just different than mine.

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