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HAYWIRE Issue <strong>11</strong> <strong>Spring</strong> <strong>2018</strong><br />
Was zur Poesie?<br />
With Marie Bohl, <strong>11</strong>a<br />
HAYWIRE: What about poetry made you want to<br />
continue writing it?<br />
Marie: It was a nice feeling, because I had a lot of<br />
words that would just fit together and pop into my<br />
head when I was just zoning out thinking. Putting<br />
them to paper then always seemed so simple, almost<br />
effortless, so it made me feel good.<br />
A Jaded Girl<br />
by Marie Bohl, <strong>11</strong>a<br />
I don't need to be this tired<br />
I don't need to be this tame<br />
But a jade dragon once told me<br />
I'd have it all to blame<br />
Because<br />
Lovers burn in fires<br />
And I don't want to be insane<br />
I don't want to be a lover<br />
And I don't want to live in flames<br />
12<br />
HAYWIRE: Do you have a creative process?<br />
Marie: I have a notebook that I have all my poems<br />
in. I often look at my poems and there is a sort of<br />
distance there, because it feels like I don’t really<br />
remember writing them down or where the ideas<br />
came from. A lot of ideas come when I’m riding on<br />
my bike, because I ride everywhere with my bike.<br />
I just need a environment where I can zone out and<br />
just be in my head. Then I’ll subconsciously put<br />
words together and they’ll be perfect. When I get<br />
home I’ll just have the first few sentences stuck in<br />
my head over and over again, I’ll write them down<br />
and continue the poem, and then I’ll go over the<br />
poem a couple times for about an hour, reading it<br />
out loud, fixing things, choosing between one or<br />
two words, adding or taking away parts. I always<br />
reread my poems too. I’ll read ones I wrote about<br />
four years ago and edit them. Some of the poems in<br />
previous <strong>Haywire</strong> editions are not the most current<br />
versions of the poems.<br />
HAYWIRE: How much do the poems end up changing?<br />
Marie: I never do anything too extreme. Often just<br />
one word here or there when I’m bored. Sometimes<br />
I’ll make a new poem out of an old poem. I’ll take<br />
one line or one paragraph and make something new<br />
out of it.<br />
HAYWIRE: Which other poets inspire you?<br />
Marie: The biggest one is Pablo Neruda, who writes<br />
mostly in Spanish. I’ll read it in books with English<br />
on one side and the original text on the other. He is<br />
just honestly in my opinion the best poet who has<br />
ever lived. He writes about the most simple things,<br />
Instead you should've lied to me<br />
And left me on my own<br />
And gone and gone back home to be<br />
A dragon master's sun<br />
The pagodas rest on hills<br />
And I don't rest at all<br />
My spirit flees to mountaintops<br />
Of Mist and Clouds and Falls<br />
And I miss being angry<br />
I miss burning down the tame<br />
I miss being a dragon<br />
And I miss being insane<br />
But all these memories do<br />
is turn to mist and clouds<br />
on mountaintops<br />
waiting to be free<br />
to fall and fall<br />
back home to me<br />
Surrounded by the bronze walls of palaces<br />
With the stones all crumbling in<br />
And words carved into calluses<br />
and just into my skin<br />
'I have it all to blame'<br />
he wrote a two or three page poem about an onion<br />
and made it seem like the most interesting thing in<br />
the world. He just brings a certain life into the simple<br />
things that we don’t always think about, brings<br />
beauty into it. Seeing beauty in everything is the<br />
key to poetry. I tried to copy his style of poetry for a<br />
while, but those never turned out very good. I try to<br />
take inspiration from it, not copy it, because I cannot<br />
write in his style, it’s just different than mine.