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Computer Algebra Recipes

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5.1. CHECKING SOLUTIONS 211<br />

where μ ´ ! (r ¡ a)=c ¡ !tand c is the speed of sound in the °uid.<br />

(a) Check that the solution satis¯es the boundary condition.<br />

(b) The velocity V is related to the velocity potential © by V = ¡@©=@r.<br />

Determine the radial dependence of the velocity potential.<br />

(c) Since © depends only on the distance r from the center of the sphere, it<br />

satis¯esthewaveequationintheform<br />

@ 2 (r ©)<br />

@r 2<br />

1<br />

=<br />

c2 @2 (r ©)<br />

@t2 :<br />

Verify that © satis¯es the wave equation, thus ensuring that it is the<br />

correct solution to the pulsating sphere problem.<br />

(d) Taking the nominal values U =1,a =1,c =1,and! = 1, animate the<br />

analytic formula for V in the region outside the spherical surface.<br />

(e) How far from the surface does the velocity oscillation amplitude drop to<br />

5% of the value at the surface?<br />

5.1.2 Play It, Sam<br />

You just pick a chord, go twang, and you've got music.<br />

Syd Vicious, British rock musician (1957{1979)<br />

In a famous scene from the classic movie Casablanca, Humphrey Bogart is<br />

annoyed by the musical piece that the nightclub pianist is playing and doesn't<br />

want to hear it. But Ingrid Bergman turns to the piano player, and says \Play<br />

it, Sam." Humphrey Bogart then echoes her, by saying \If she can stand it, I<br />

can. Play it."<br />

To a certain undergraduate physics student watching this old movie, an<br />

individual who tends to look for deeper understanding rather than simply enjoying<br />

the movie and the music, the sounds that emanate are of course due to<br />

the transverse vibrations of the piano strings as each is successively struck by<br />

a piano hammer. This student is our old friend Vectoria, who is spending a<br />

lonely evening by herself, since her ¯ance Mike is out of town at a mathematics<br />

conference. Hoping that Mike will phone before it gets too late, Vectoria<br />

decides in the meantime to look at the mathematical vibrations of an elastic<br />

string ¯xed at its ends.<br />

Not yet having taken the necessary mathematics prerequisites to study the<br />

topic of vibrating strings in depth, Vectoria consults a physics text that gives<br />

no derivation but simply the formula for the transverse displacement of a light,<br />

horizontal, elastic string of length a ¯xed at both ends when struck and given a<br />

certain initial velocity pro¯le. The information that Vectoria gleans from this<br />

particular text is as follows.

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