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Film Fare

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THE HIGHER<br />

THE RISK, THE<br />

GREATER THE<br />

PROFIT. PROFIT<br />

DOESN’T MEAN<br />

COMMERCIAL<br />

GAINS. PROFIT<br />

MEANS<br />

CREDIBILITY.<br />

I LIKE TO TELL<br />

DIFFERENT<br />

STORIES.<br />

I LIKE TO<br />

WORK WITH<br />

DIFFERENT<br />

DIRECTORS<br />

AND ACTORS<br />

With Manoj Bajpayee in Satyamev Jayate<br />

Arjun Rampal called<br />

me, someone who<br />

had never called<br />

me in life. But<br />

people who were in<br />

a similar situation<br />

like mine should<br />

have come forward<br />

and filed cases,<br />

which they didn’t<br />

at that point of<br />

time. Now you will<br />

hear many more<br />

such cases coming<br />

up,” says John. He<br />

handled the whole<br />

matter with dignity,<br />

choosing not to<br />

speak about it till<br />

the court released<br />

its judgement. “The<br />

order is in now in<br />

the public domain<br />

and anyone can<br />

read it. I’ve never<br />

cheated anyone of<br />

even a rupee. No<br />

one can question<br />

John Abraham’s<br />

credibility or<br />

honesty. If you<br />

have the right<br />

ethics, people will<br />

trust you. That’s<br />

important,” he<br />

maintains.<br />

A<br />

s a<br />

producer,<br />

John has<br />

a nose for<br />

picking<br />

up the correct<br />

script. He’s always<br />

on the lookout for<br />

non-formula films<br />

and projects that<br />

aren’t easy to pull<br />

off. <strong>Film</strong>s like Vicky<br />

Donor, a funny tale<br />

of a sperm donor<br />

and Madras Café,<br />

an insurgency-based<br />

thriller centered on<br />

the assassination of<br />

late Prime Minister<br />

Rajiv Gandhi,<br />

proved his ability<br />

to tread the path<br />

less taken. “It’s<br />

said the higher the<br />

risk, the greater the<br />

profit. Profit doesn’t<br />

mean commercial<br />

gains. Profit means<br />

credibility. If I don’t<br />

attempt something<br />

different, there won’t<br />

be any credibility<br />

attached to what<br />

I create. I like to tell<br />

different stories.<br />

I like to work with<br />

different directors<br />

and actors. I enjoy<br />

that space,” he<br />

smiles.<br />

When director<br />

Abhishek Sharma<br />

narrated the idea<br />

of Parmanu to<br />

him, he couldn’t<br />

believe a film hadn’t<br />

been made on the<br />

subject yet. The<br />

team of Neerja,<br />

Saiwyn Quadras and<br />

Sanyukta Chawla<br />

Shaikh, wrote the<br />

screenplay. Parmanu<br />

went on the floors in

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