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Catharina has illustrated a book series for 9–11-year-olds about the Lundeby IK<br />
football club.<br />
“It has still not become purely a matter of routine to work for<br />
the Journalisten, a fact that I appreciate.”<br />
The widely differing commissions also boost Catharina’s creative<br />
process.<br />
“When I work on two different jobs at the same time, they will<br />
often cross-fertilize and I fi nd inspiration and solutions to one job<br />
in the other, even if the commissions widely differ.”<br />
DIFFERENT TECHNIQUES<br />
Catharina also varies her technique depending on her target audience.<br />
“For adult journals, I often use Indian ink but also other<br />
techniques. For my children’s illustrations, I almost always use<br />
watercolour.”<br />
MEDITATIVE<br />
Catharina still likes best to work with picture book manuscripts.<br />
“Then, I can work alone with the material and don’t have to<br />
adjust my work to others. I draw large illustrations, something I<br />
fi nd very meditative.”<br />
She fi nds it diffi cult to get book publishers interested in her<br />
picture book ideas. Together with author Solja Krapu she has,<br />
ÅLANDSPOSTEN FRIMÄRKEN 13<br />
“� fi nd working with<br />
picture book manuscripts<br />
very meditative”<br />
however, managed to publish two<br />
children’s books. They have ideas for<br />
more books together in the future.<br />
AN AVID READER<br />
Catharina fi nds inspiration in other<br />
books for children.<br />
“Having children, I automatically<br />
read a lot of children’s books, but I<br />
have always been interested in the<br />
subject.”<br />
She also acts on impulses from<br />
other people and from media.<br />
CONSIDERABLE AMOUNT OF RESEARCH<br />
Catharina is the artist behind this year’s<br />
exhibition cards on the theme Sights.<br />
A commission like the one for the<br />
<strong>Åland</strong> Post to create exhibition cards