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Historic Omaha

An illustrated history of Omaha and the Douglas County area, paired with the histories of companies, families and organizations that make the region great.

An illustrated history of Omaha and the Douglas County area, paired with the histories of companies, families and organizations that make the region great.

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Top, left: One of the first commercial<br />

theatrical venues in <strong>Omaha</strong> was Boyd’s<br />

Opera House on the northeast corner of<br />

Fifteenth and Farnam, which opened<br />

October 24, 1881. James E. Boyd, the<br />

theater’s proprietor, would later become<br />

governor of Nebraska.<br />

COURTESY OF THE DOUGLAS COUNTY HISTORICAL<br />

SOCIETY COLLECTIONS.<br />

Top, right: Boyd’s Theater opened in 1870<br />

at the corner of Fifteenth and Farnam.<br />

By 1903 it was being operated by a<br />

franchisee from Kansas City. Each<br />

production on the bill had a short synopsis<br />

surrounded by advertising.<br />

COURTESY OF THE DOUGLAS COUNTY HISTORICAL<br />

SOCIETY COLLECTIONS.<br />

HISTORIC OMAHA<br />

34<br />

Streets were paved, waterworks installed<br />

and new buildings, including the city’s first<br />

real post office, sprang up. Boyd’s Opera<br />

House opened in 1881 and hosted traveling<br />

theatrical troupes and musical ensembles. The<br />

famed Irish wit, Oscar Wilde, played to a<br />

sold-out audience here on March 21, 1882.<br />

Hotels like the Millard and Barker emerged,<br />

along with a number of banks—the Millard,<br />

United States, Merchant, and others. Business<br />

blocks, churches of varying denominations,<br />

and a central library gave the young city an<br />

urban look. Still, <strong>Omaha</strong> had trouble<br />

convincing easterners of its improved status.<br />

Too often the lyrics of an 1869 ditty which<br />

appeared in Harper’s Magazine characterized<br />

the city to outsiders:<br />

Hast ever been in <strong>Omaha</strong><br />

Where rolls the dark Missouri down,<br />

Where four strong horses scarce can draw<br />

An empty wagon through the town?<br />

Where sand is blown from every mound<br />

To fill your eyes and ears and throat<br />

Where all the steamboats are aground<br />

And all the houses are afloat?<br />

This critical poet, John G. Saxe, advised<br />

readers that, if <strong>Omaha</strong> ever lay in their way,<br />

“For God’s sake…go around it!”<br />

More than a little peeved at this sort of<br />

doggerel and the reputation it continued to<br />

provoke, <strong>Omaha</strong>’s business leaders took a more<br />

active role in countering such propaganda. A<br />

Commercial Club (which became the <strong>Omaha</strong><br />

Chamber of Commerce in 1918) was founded<br />

to unite and promote economic interests, and<br />

in 1895, the Knights of Ak-Sar-Ben was created<br />

to foster patriotism and civic pride.<br />

But the crowning achievement, the<br />

statement city fathers hoped would entitle<br />

<strong>Omaha</strong> to take its rightful place among<br />

the leading communities of the West, was<br />

the selection of Nebraska’s largest town as<br />

the site of the Trans-Mississippi and<br />

International Exposition.<br />

Three years earlier, at the 1895 Trans-<br />

Mississippi Congress, <strong>Omaha</strong> Bee editor<br />

and publisher Edward Rosewater successfully<br />

lobbied for the hometown locale. The Ak-<br />

Sar-Ben board and other business leaders, who<br />

were anxious to showcase their city<br />

and to match their efforts favorably against the<br />

Chicago exposition of 1893, supported his bid.<br />

Funds for this extravaganza were solicited<br />

from Congress, the State of Nebraska, <strong>Omaha</strong>

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