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In Germany to the Leipsic Disputation - James Aitken Wylie

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passions which distinguished <strong>the</strong> Medicean chiefs<br />

of <strong>the</strong> Florentine republic. He was refined in<br />

manners, but sensual and voluptuous in heart, he<br />

patronized <strong>the</strong> fine arts, affected a taste for letters,<br />

and delighted in pomps and shows. His court was<br />

perhaps <strong>the</strong> most brilliant in Europe. No elegance,<br />

no amusement, no pleasure was forbidden<br />

admission in<strong>to</strong> it. The fact that it was an<br />

ecclesiastical court was permitted <strong>to</strong> be no restraint<br />

upon its ample freedom. It was <strong>the</strong> chosen home of<br />

art, of painting, of music, of revels, and of<br />

masquerades.<br />

The Pontiff was not in <strong>the</strong> least burdened with<br />

religious beliefs and convictions. To have such was<br />

<strong>the</strong> fashion of nei<strong>the</strong>r his house nor his age. His<br />

office as Pontiff, it is true, connected him with "a<br />

gigantic fable" which had come down from early<br />

times; but <strong>to</strong> have exploded that fable would have<br />

been <strong>to</strong> dissolve <strong>the</strong> chair in which he sat, and <strong>the</strong><br />

throne that brought him so much magnificence and<br />

power. Leo was, <strong>the</strong>refore, content <strong>to</strong> vent his<br />

skepticism in <strong>the</strong> well-known sneer, "What a<br />

profitable affair this fable of Christ has been <strong>to</strong> us!"<br />

95

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