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Viva Lewes Issue #152 May 2019

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ON THIS MONTH: MUSIC<br />

Jamie Freeman<br />

Dreams About Falling<br />

Jamie Freeman’s new album, Dreams About<br />

Falling, has a brilliant cover image – a sepia,<br />

1930s picture taken from above and behind of<br />

a trapeze artist about to leap. “It’s that moment<br />

I’m interested in,” Jamie tells me. “All the work<br />

and preparation he’s done to arrive there. His<br />

whole life has led to this moment. Will he fly or<br />

will he fall?”<br />

The album’s produced on the Union Music<br />

Label Jamie runs with his wife Stevie (who<br />

also runs Americana Music Association UK),<br />

but the making of it involved much greater<br />

collaboration. Produced by Neilson Hubbard,<br />

and recorded over a single five-day stint in<br />

Nashville, Jamie recounts how the musicians,<br />

like brilliantly prepared trapeze artists in their<br />

own right – and “with no ego – everyone you<br />

encounter in Nashville is a musician, and probably<br />

a better one than you!” – turned up and did<br />

their amazing thing each day before disappearing<br />

at 5 or 6pm – to be with their families, or do<br />

a gig or sometimes two in the evening.<br />

“Nashville feels like my second home”, says<br />

Jamie, who lives in Cooksbridge, but has been<br />

spending time in the Tennessee capital for the<br />

last fourteen years, and has made many friends<br />

and contacts there. “And my favourite phrase is<br />

‘the high tide floats all boats’ – people do things<br />

to help each other, and everyone benefits.”<br />

The songs on the album have wonderfully accessible,<br />

and emotionally honest lyrics. (‘It’s an<br />

open heart: it can take a beating’, the first song,<br />

and single, All in The Name, starts.) Eight of the<br />

ten Jamie co-wrote – with, for instance, Angaleena<br />

Presley and poet Amy Tudor. “Songwriting is<br />

my thing”, says Jamie. “And co-writing is what I<br />

most love to do.”<br />

So how does that work, I’m curious. “It’s brilliant”,<br />

he says. “You’re in a room with someone,<br />

with your notebook and a guitar, and one of you<br />

says something, and that’s the spark. So, we’d<br />

been talking, and Angaleena walked across the<br />

room, looked out of the window, and said “I<br />

miss those bars” while talking about something<br />

completely unrelated. And THAT’s where the<br />

song begins.”<br />

Words have always been central to Jamie, from<br />

a childhood spent word-playing with his four<br />

siblings, who include musician Tim and actor<br />

Martin. And it was when he was with Martin, at<br />

a Paul Weller concert, in his late 20s, that Jamie,<br />

who in the interim had been “a punk, then<br />

into hiphop”, was re-introduced to the music<br />

he grew up on. “Paul Weller played a Crosby,<br />

Stills, Nash & Young song, and reminded me of<br />

a record we’d had at home, and we didn’t have<br />

many. The album was CSNY’s Déjà Vu, and the<br />

memory sent me on a voyage of rediscovery.<br />

“Americana bats back and forth across the<br />

Atlantic”, he says, “so I feel a legitimate claim<br />

on it. You can’t sit in a café in Nashville without<br />

hearing the Beatles, Led Zeppelin, The Who,<br />

the Rolling Stones…” Charlotte Gann<br />

Dreams About Falling launches at the Con Club<br />

on 16th <strong>May</strong>, 7.30pm, tickets £10.<br />

lewesconclub.com<br />

Photo by James McCauley<br />

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