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ON THIS MONTH: MUSIC<br />
Jamie Freeman<br />
Dreams About Falling<br />
Jamie Freeman’s new album, Dreams About<br />
Falling, has a brilliant cover image – a sepia,<br />
1930s picture taken from above and behind of<br />
a trapeze artist about to leap. “It’s that moment<br />
I’m interested in,” Jamie tells me. “All the work<br />
and preparation he’s done to arrive there. His<br />
whole life has led to this moment. Will he fly or<br />
will he fall?”<br />
The album’s produced on the Union Music<br />
Label Jamie runs with his wife Stevie (who<br />
also runs Americana Music Association UK),<br />
but the making of it involved much greater<br />
collaboration. Produced by Neilson Hubbard,<br />
and recorded over a single five-day stint in<br />
Nashville, Jamie recounts how the musicians,<br />
like brilliantly prepared trapeze artists in their<br />
own right – and “with no ego – everyone you<br />
encounter in Nashville is a musician, and probably<br />
a better one than you!” – turned up and did<br />
their amazing thing each day before disappearing<br />
at 5 or 6pm – to be with their families, or do<br />
a gig or sometimes two in the evening.<br />
“Nashville feels like my second home”, says<br />
Jamie, who lives in Cooksbridge, but has been<br />
spending time in the Tennessee capital for the<br />
last fourteen years, and has made many friends<br />
and contacts there. “And my favourite phrase is<br />
‘the high tide floats all boats’ – people do things<br />
to help each other, and everyone benefits.”<br />
The songs on the album have wonderfully accessible,<br />
and emotionally honest lyrics. (‘It’s an<br />
open heart: it can take a beating’, the first song,<br />
and single, All in The Name, starts.) Eight of the<br />
ten Jamie co-wrote – with, for instance, Angaleena<br />
Presley and poet Amy Tudor. “Songwriting is<br />
my thing”, says Jamie. “And co-writing is what I<br />
most love to do.”<br />
So how does that work, I’m curious. “It’s brilliant”,<br />
he says. “You’re in a room with someone,<br />
with your notebook and a guitar, and one of you<br />
says something, and that’s the spark. So, we’d<br />
been talking, and Angaleena walked across the<br />
room, looked out of the window, and said “I<br />
miss those bars” while talking about something<br />
completely unrelated. And THAT’s where the<br />
song begins.”<br />
Words have always been central to Jamie, from<br />
a childhood spent word-playing with his four<br />
siblings, who include musician Tim and actor<br />
Martin. And it was when he was with Martin, at<br />
a Paul Weller concert, in his late 20s, that Jamie,<br />
who in the interim had been “a punk, then<br />
into hiphop”, was re-introduced to the music<br />
he grew up on. “Paul Weller played a Crosby,<br />
Stills, Nash & Young song, and reminded me of<br />
a record we’d had at home, and we didn’t have<br />
many. The album was CSNY’s Déjà Vu, and the<br />
memory sent me on a voyage of rediscovery.<br />
“Americana bats back and forth across the<br />
Atlantic”, he says, “so I feel a legitimate claim<br />
on it. You can’t sit in a café in Nashville without<br />
hearing the Beatles, Led Zeppelin, The Who,<br />
the Rolling Stones…” Charlotte Gann<br />
Dreams About Falling launches at the Con Club<br />
on 16th <strong>May</strong>, 7.30pm, tickets £10.<br />
lewesconclub.com<br />
Photo by James McCauley<br />
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