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A Century of Bollywood<br />

15<br />

to hit the Hindi film industry. Khanna follows the success of Aradhana<br />

with fifteen subsequent blockbusters in the romance and social drama<br />

genres, becoming Bollywood’s first superstar.<br />

48. 1970—The publication of the English-language magazine Stardust, by<br />

Nari Hira, featuring bold interviews and scandalous revelations about<br />

stars’ lives and activities, introduces tabloid journalism in India, elevating<br />

magazines to a previously unheard-of popularity. Its cover story on<br />

the reigning star of the day—“Was Rajesh Khanna Secretly Married?”—<br />

shocked readers. While other magazines were priced at Rs. 1, Stardust<br />

launched itself with a pricing of Rs. 2. An estimated twenty-five thousand<br />

copies were sold in the issue’s first three days of publication, necessitating<br />

multiple reprints.<br />

49. 1971—India makes 433 feature films, becoming the world’s biggest film<br />

producer.<br />

50. 1972—Black-and-white films are gradually relegated to the past as more<br />

than 90 percent of films are made in color. In a radical role-reversal,<br />

dancer-actress Helen tries to win her man through cave-woman tactics in<br />

Mere Jeevan Saathi (My Life Companion). In one torrid scene, she ties up<br />

the film’s hero, Rajesh Khanna, and threatens to rape him.<br />

51. 1973—Bobby, featuring an attractive pair of teenage leads, Rishi Kapoor<br />

and Dimple Kapadia, becomes India’s biggest romantic hit thus far, due to<br />

its realistic ode to pubescent love<br />

at a time when other stars—many<br />

now over the age of thirty—were<br />

trying desperately to carry on<br />

as romantic icons. Zanjeer (The<br />

Chain) brought to the national<br />

limelight Amitabh Bachchan, a<br />

brooding young star with thirteen<br />

box-office flops to his credit.<br />

Playing an honest police inspector,<br />

Bachchan’s bottled-up anger<br />

against a corrupt system explodes<br />

onscreen, giving birth to India’s<br />

answer to the “angry young man”<br />

genre. These action films make a<br />

bold statement, with limited, contextual<br />

usage of Bollywood’s traditional<br />

song-and-dance element.<br />

52. 1974—Shyam Benegal, Indian cinema’s<br />

second-most influential arthouse<br />

auteur since Satyajit Ray,<br />

The October 1971 cover of the inaugural issue of<br />

Stardust priced for Rs. 2.<br />

<br />

Photo courtesy of Stardust magazine.

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