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World Traveller November 2019

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entle bays<br />

where turtles<br />

swim in<br />

turquoise seas.<br />

Dancing feet<br />

on cobbled<br />

streets... The<br />

images filled my<br />

thoughts. Carnival drums and carved saints<br />

came to mind. Crimson sunsets and freshly<br />

cracked coconuts brimming over with juice.<br />

If I’d rung up a travel agent and uttered<br />

those words I know where they’d have<br />

recommended: the Caribbean for two weeks.<br />

But I knew precisely where my tropical<br />

daydreams could be brought to life — Brazil.<br />

For a while in the Noughties, I lived<br />

in Brazil’s biggest city, São Paulo. It was<br />

friends there — friends who I keep to this<br />

day — who’d opened my eyes to the allure<br />

of the northeastern state, Bahia. ‘You have<br />

to see it,’ I remember them swooning. ‘It’s<br />

just like Jamaica or Barbados, but better.’<br />

Of course I went — and not just the once.<br />

In Bahia, Africa was replanted in South<br />

America — under coconut palms and in<br />

sugarcane plantations cut from parrotfilled<br />

forests. Transported slaves were<br />

inevitably part of the story — and they held<br />

on fiercely to what traditions they could.<br />

The legacy for arrivals today? Spicy food,<br />

magical saints, street parties and irresistible<br />

music. I’ve holidayed in the Caribbean,<br />

and Bahia makes me think of what those<br />

islands might have been before the cruise<br />

ships and high-rise hotels arrived.<br />

Its state capital, Salvador — wow!<br />

Never mind Havana, this is the liveliest,<br />

most sultry colonial city in the Americas.<br />

The food’s unforgettable, the nightlife<br />

pulsating, and the white-sand beaches just<br />

a half-hour ferry-ride away on Itaparica<br />

island. It’s so good that, basically, I’ve<br />

never been able to tear myself away.<br />

So that’s where I’d be heading. But those<br />

friends again... Ringing me recently, they<br />

raved about Boipeba, a reef-fringed island<br />

south of Salvador, shrouded with forest,<br />

seemingly with more wild horses than<br />

people. ‘It puts Itaparica in the shade,’ they<br />

said. It stuck in my mind as I finalised<br />

my plans. Would Boipeba be the one to<br />

seduce me from Salvador’s embrace?<br />

Watching the sun sinking golden over<br />

Salvador from the balcony of my hotel room<br />

on my first breeze-cooled afternoon, I was<br />

already falling back under its spell. The<br />

houses of the Pelourinho, the old colonial<br />

centre, rolled down a hill below me in<br />

tumbledown terracotta and stippled steeples<br />

to a Tiffany-blue sea. Itaparica island floated<br />

on the horizon. A hummingbird flitted over<br />

a bougainvillea tree next to my window and<br />

music wafted up from the streets. As the day<br />

was ending in buttery yellow light, Salvador<br />

was waking up. It was Saturday night and<br />

soon it would be dark — time to let the<br />

sensuous, spontaneous city carry me away.<br />

Outside the hotel, Terreiro de Jesus Square<br />

was a swirl of movement. Afro-Brazilian<br />

women in huge bustle skirts and bright<br />

headscarves served steaming falafel-like<br />

acarajé snacks at lace-draped stalls. The<br />

air was sweet with the scent of chilli and<br />

shrimp, and danced with the melodious<br />

chatter of Brazilian Portuguese. I heard<br />

the rat-a-tat of a repinique samba drum<br />

echoing from one of the brightly painted<br />

houses set around the square, and in the<br />

distance, the Voodoo Chile wah-wah twang<br />

of a berimbau — the single-string guitar<br />

with a gourd for a sound board. I followed<br />

the notes along a narrow cobbled street into<br />

the thronging heart of the Pelourinho.<br />

Music was everywhere: a normal<br />

Salvador weekend entle bays where feels<br />

like Trinidad in carnival time. Brazilian<br />

reggae oozed from streetside bars, samba<br />

skipped across little praças. And somewhere<br />

I could hear that most Salvadorean of<br />

sounds — an afoxê orchestra warming<br />

up. Paul Simon called afoxê the ‘rhythm<br />

of the saints’ — a pounding, visceral<br />

beat that hits you below the waistline.<br />

It’s played by bands of drummers who<br />

parade through the streets with military<br />

precision and tribal swing. They energise<br />

the Pelourinho at weekends, calling the<br />

crowds with bass drums and clattering<br />

timbales, and pulling revellers behind<br />

them like Pied Pipers with percussion.<br />

First, a drink or two. At my favourite<br />

Salvador bar, Uauá, above a narrow street<br />

leading into the Pelourinho, I had a ringside<br />

seat. As my first Caipirinha arrived, an afoxê<br />

band came round the corner. By the second,<br />

I was jiggling in my seat, ready to dance. I<br />

could already hear the next wave coming.<br />

44 worldtravellermagazine.com

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