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AphroChic Magazine: Issue No. 1

Welcome to the Fall 2019 issue of AphroChic Magazine. Designed to celebrate the presence, innovation and accomplishments of creatives of color from all corners of the African Diaspora, we welcome the season in this issue with a focus on fashion, authentic beauty, and creating moments that bind us together. On the cover, New York fashion stylists, Courtney and Donnell Baldwin of Mr. Baldwin Style invite us to experience a fête in a historic part of Sag Harbor. We take a look inside the Brooklyn home of fashion designer and movement artist, Nana Yaa Asare-Boadu and experience her effortless aesthetic. Then, we go half way around the world on a photographic journey of Morocco, with photographer Lauren Crew. Along the way, you’ll find articles that explore the nature of the African Diaspora, the importance of the Black family home, and the books, art and accessories you’ll want to bring home this season.

Welcome to the Fall 2019 issue of AphroChic Magazine. Designed to celebrate the presence, innovation and accomplishments of creatives of color from all corners of the African Diaspora, we welcome the season in this issue with a focus on fashion, authentic beauty, and creating moments that bind us together.

On the cover, New York fashion stylists, Courtney and Donnell Baldwin of Mr. Baldwin Style invite us to experience a fête in a historic part of Sag Harbor. We take a look inside the Brooklyn home of fashion designer and movement artist, Nana Yaa Asare-Boadu and experience her effortless aesthetic. Then, we go half way around the world on a photographic journey of Morocco, with photographer Lauren Crew. Along the way, you’ll find articles that explore the nature of the African Diaspora, the importance of the Black family home, and the books, art and accessories you’ll want to bring home this season.

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Spinning By Firelight–The Boyhood of George Washington Gray, Henry Ossawa Tanner, Yale University Art Gallery<br />

In evaluating whether or not certain<br />

communities qualify as diaspora, we must<br />

consider what’s at stake for them in this<br />

categorization, and the extent to which<br />

international salesperson, for example,<br />

I may be dispersed from my homeland,<br />

I may dream of a day of return, I may<br />

even have a tense relationship with the<br />

hostland. But do I have a sense of recognition<br />

with other professionals so<br />

dispersed, even from my own homeland,<br />

to other host lands? Do we recognize in<br />

each other a common struggle or shared<br />

diaspora groups. However it is a very<br />

different conversation for Armenian<br />

or Jewish communities, than it would<br />

be for trans-national executives or<br />

they function as communities. If I’m an<br />

yearnings? Is my dream of return for all of<br />

domestic service workers.<br />

However,<br />

us, or just for myself?<br />

At the same time, reevaluating the<br />

sense of dejection associated with the<br />

loss of the homeland in light of later<br />

prosperity is a common theme for<br />

current frameworks of diaspora make<br />

it difficult to distinguish between them.<br />

The Question of Definitions<br />

Why does diaspora have to have a<br />

issue one

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