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AphroChic Magazine: Issue No. 1

Welcome to the Fall 2019 issue of AphroChic Magazine. Designed to celebrate the presence, innovation and accomplishments of creatives of color from all corners of the African Diaspora, we welcome the season in this issue with a focus on fashion, authentic beauty, and creating moments that bind us together. On the cover, New York fashion stylists, Courtney and Donnell Baldwin of Mr. Baldwin Style invite us to experience a fête in a historic part of Sag Harbor. We take a look inside the Brooklyn home of fashion designer and movement artist, Nana Yaa Asare-Boadu and experience her effortless aesthetic. Then, we go half way around the world on a photographic journey of Morocco, with photographer Lauren Crew. Along the way, you’ll find articles that explore the nature of the African Diaspora, the importance of the Black family home, and the books, art and accessories you’ll want to bring home this season.

Welcome to the Fall 2019 issue of AphroChic Magazine. Designed to celebrate the presence, innovation and accomplishments of creatives of color from all corners of the African Diaspora, we welcome the season in this issue with a focus on fashion, authentic beauty, and creating moments that bind us together.

On the cover, New York fashion stylists, Courtney and Donnell Baldwin of Mr. Baldwin Style invite us to experience a fête in a historic part of Sag Harbor. We take a look inside the Brooklyn home of fashion designer and movement artist, Nana Yaa Asare-Boadu and experience her effortless aesthetic. Then, we go half way around the world on a photographic journey of Morocco, with photographer Lauren Crew. Along the way, you’ll find articles that explore the nature of the African Diaspora, the importance of the Black family home, and the books, art and accessories you’ll want to bring home this season.

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HOT TOPIC<br />

Don’t Touch My Hair<br />

It’s 1984 and I’m six years old, one of the few Black kids in my mostly white suburb, and<br />

it’s the night before school picture day. My mother is straightening my hair. The hot<br />

comb sizzles at my edges. She warns me not to move or I will get burned. She doesn’t<br />

need to remind me. My ears have been here before and we both know I’m going to get<br />

burned no matter how still I am.<br />

The battle has begun. My hair is<br />

unruly, wild, out of control; it needs<br />

to be subjugated. The comb will make<br />

sure of it. I get burned, but it’s a small<br />

price to pay for the perfect first grade<br />

photo - I’ll look just like the other<br />

girls. By the second grade, my mother<br />

is elated. <strong>No</strong> more hot comb needed.<br />

There’s a new product on the market -<br />

kiddie perms. <strong>No</strong>w I’ll look just like the<br />

girl on the box. Her hair is silky with<br />

sheen and perfect curls, it never fights<br />

back, it’s completely under control.<br />

<strong>No</strong>w all I have to do is sit still, let it set<br />

in, just a little longer, a little longer…it<br />

doesn’t even burn (well, at least not as<br />

much as the hot comb).<br />

For years my hair was a battle<br />

ground. Wars were waged with hot<br />

combs, lye, flat irons, brushes, curling<br />

irons, anything to make it “acceptable.”<br />

Acceptable meant straight.<br />

Straighter than it was when it grew out<br />

of my head. Straight like it belonged to<br />

somebody else. When it was straight, I<br />

was pretty. Pretty was something that<br />

burned, something I got out of a box.<br />

Pretty meant under control - sitting<br />

perfectly still and lifeless while heat<br />

and chemicals taught my hair to do the<br />

same. But it sent the right message,<br />

it made me acceptable, and it never<br />

lasted for more than a few weeks. When<br />

that perm started to sweat out, pretty<br />

was done and I was advised that I had<br />

better address my “kitchen.”<br />

Fast forward to 2001, the age of<br />

neo-soul, Lauryn Hill’s baby fro, and<br />

my big chop. I was sick of perms, tired<br />

of the girls on the boxes. I decided it<br />

was time to begin my journey into (or<br />

back to) my actual hair. The initial hair<br />

cut was the toughest. The result was<br />

short and stubbly, not exactly flattering,<br />

but it was mine. Thankfully my<br />

tight curls quickly grew into a wellstacked<br />

afro that I styled with colorful<br />

fabrics and wraps. By now the visual<br />

cues of conformity were all but lost.<br />

My mother feared I would never find a<br />

job, even though I already had one. But<br />

if I wasn’t going to be hired because of<br />

what naturally grew from my head, I no<br />

longer cared. It was time to be free. <strong>No</strong>w<br />

my hair is long and luxurious; dozens<br />

of tightly bound locks that cascade<br />

down my back or over my shoulders<br />

Words by Jeanine Hays. Photo opposite by Jessica Felicio<br />

<br />

aphrochic

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