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Times of the Islands Spring 2020

Presents the "soul of the Turks & Caicos Islands" with in-depth features about local people, culture, history, environment, businesses, resorts, restaurants and activities.

Presents the "soul of the Turks & Caicos Islands" with in-depth features about local people, culture, history, environment, businesses, resorts, restaurants and activities.

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The painting “Am Not I A Man and a Bro<strong>the</strong>r” dates to around 1800 and features a dominant motif detailing <strong>the</strong><br />

agonizing and insufferable treatment <strong>of</strong> slaves on a Caribbean sugar plantation during <strong>the</strong> Transatlantic Slave<br />

Trade. Based on a design commissioned by <strong>the</strong> Committee for <strong>the</strong> Abolition <strong>of</strong> <strong>the</strong> Slave Trade on July 5, 1787,<br />

<strong>the</strong> painting is considered to be one <strong>of</strong> <strong>the</strong> first instances <strong>of</strong> a logo designed for a political cause. It was famously<br />

used by <strong>the</strong> potter Josiah Wedgwood for his persuasive anti-slavery ceramic medallions and went on to become<br />

<strong>the</strong> dominant image <strong>of</strong> abolition campaigning in <strong>the</strong> 18th and 19th centuries.<br />

INTERNATIONAL SLAVERY MUSEUM LIVERPOOL

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