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26 STYLE | architecture<br />

The back deck has incredible views of Lyttelton Harbour.<br />

(though now, since you’re of age,<br />

you get a craft beer instead).<br />

In each area the vibe changes,<br />

explains Michael.<br />

“So there are dark dingy corners<br />

where you can go and talk about<br />

solving the world’s problems<br />

downstairs with somebody,<br />

or you can be upstairs in your<br />

grandmother’s living room with<br />

your family, or out the back listening<br />

to a band and playing up,” Michael<br />

explains.<br />

This feeling is enhanced through<br />

the blending of materials on the<br />

walls. The original concrete walls of<br />

the bank, which are 300mm thick<br />

with steel and built to withstand<br />

nefarious criminal behaviour, have<br />

been left exposed, adding a certain<br />

grittiness to the downstairs engine<br />

room of beer making and buying.<br />

Where height has been added to<br />

make room for the mezzanine,<br />

vertical weatherboards saved from<br />

an inner-city building line both the<br />

additional walls and roof creating<br />

warmth and nostalgia.<br />

Huge skylights above the vats<br />

send light down, which bounces off<br />

the steel of the vats – almost like<br />

the brewing operation has been<br />

heartily approved of from above. It<br />

sends light into the right nooks and<br />

keeps dark those places for serious<br />

discussion and contemplation.<br />

Shaun leads the way to another<br />

wee hideaway, through a door and<br />

up stairs, to the outside deck, which<br />

was dug into the side of the hill. It<br />

is very quiet, just the gentle music<br />

of the cicadas, with the cranes from<br />

the port dancing. The water from<br />

the harbour twinkles and the Port<br />

Hills dips in its toes.<br />

Shaun rubs his hand on his beard<br />

and grins.<br />

“Yeah, it’s pretty good.”

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