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FILM IN ENGLAND - UK Film Council - British Film Institute

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The consultation programme comprised four related strands:<br />

■ A National seminar<br />

■ Nine Regional seminars<br />

■ Sector meetings<br />

■ A call for written evidence.<br />

The consultation programme was designed to be as inclusive as possible. It ran<br />

from 1 April to 31 August but peaked in June and July when the regional seminars took<br />

place. Those contributing to the consultation process welcomed the establishment of<br />

the <strong>FILM</strong> COUNCIL and supported its two overarching aims. In total about 500 people<br />

participated in the consultation programme, most of whom represented a wider<br />

constituency or interest group.<br />

3.1 National seminar<br />

3.1.1 A National seminar was held in London at Sadler’s Wells Theatre on 14 June. The<br />

aim of the seminar was:<br />

■ To provide general information about the <strong>FILM</strong> COUNCIL to those with an<br />

interest in film in the English regions<br />

■ To explain the purpose and the format of the England-wide strategy review<br />

■ To open up a dialogue between the <strong>FILM</strong> COUNCIL and the regions<br />

■ To alert the <strong>FILM</strong> COUNCIL to issues of real concern to the regions.<br />

3.1.2 The National seminar also aimed to set an open and transparent tone for the<br />

review and to establish a framework within which detailed discussions could take<br />

place at a later point. With over 90 delegates representing the full range of the<br />

<strong>FILM</strong> COUNCIL’s interests, the seminar was fully subscribed.<br />

3.1.3 An animated and frank discussion was prompted by presentations from <strong>FILM</strong><br />

COUNCIL Chief Executive Officer John Woodward and Board Director Parminder<br />

Vir about the <strong>FILM</strong> COUNCIL; Terry Illot about film and media futures; Alan<br />

Fountain about film in the English regions; and Jon Teckman about the bfi. It was<br />

generally agreed that for any development strategy for film in the English regions<br />

to be fully effective it was necessary to focus on the following four key headlines:<br />

Diversity<br />

The strategy would need:<br />

■ To recognise the different history, character and legitimate aspirations for film<br />

in the English regions<br />

■ To acknowledge that some of the new and overlapping administrative<br />

boundaries in the English regions do not easily foster, or reflect, a sense of<br />

regional identity<br />

<strong>Film</strong> in England<br />

17<br />

3<br />

Consultation

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