FILM IN ENGLAND - UK Film Council - British Film Institute

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B Appendices 8 54 Film in England 5. Core values 5.1 The following core values will underpin the strategy: ■ The civilising potential of film culture and film education in contemporary society ■ An entitlement for all citizens to participate in film culture and film education ■ Film as a key component of the creative industries ■ Film as a key component of the moving image industries ■ Fostering excellence and promoting access ■ Promoting equality of opportunity and tackling social inclusion ■ Celebrating cultural diversity ■ Respecting regional diversity and local distinctiveness. 6. Consultation process 6.1 A consultative seminar will be held in each English region organised with the assistance of the DCMS regional official. 6.2 Meetings will also be held with sector-specific groups, eg the UK Screen Commission Network, Skillset’s Nations and Regions Committee, Federation of Film Funders, Film Archive Forum, Comex, National Film Agencies of Scotland, Wales and Northern Ireland. 6.3 A number of one-to-one meetings or small group meetings may also be held with key trade organisations and others, eg BSAC, BECTU, CEA, FEU, Film Education, PACT, NPA, ITC, WFTN, LGA, MLAC, other Lottery distributors. 6.4 It may be desirable to liaise with other Government departments. 6.5 Issues to be addressed during the consultative programme will include: ■ Meeting the needs of end-users ■ Joined-up strategies and initiatives for culture and industry ■ Joined-up national and regional planning, cross-regional and intra-regional planning ■ Geographic equity, centres of excellence and creative clusters ■ Finance and funding: winning new resources ■ Infrastructure efficiency and resource maximisation: facilities, skills and knowledge
■ Building effective networks: intra-regional, pan-regional, Europe and beyond ■ Capacity building and sustainability: growing creative entrepreneurs and creative talent ■ Urban/rural regeneration ■ Effective partnerships between the public, private and voluntary sectors ■ The case for the cultural and economic value of film ■ The impact and effects of new media. 7. Consultation seminars 7.1 It is anticipated that, among others, the following interests/organisations will be invited to participate in the regional seminars: ■ RDA ■ RCC ■ RAB/MDA ■ Regional Production Agencies ■ Regional Training Consortia ■ Regional Screen Commissions and Film Offices ■ LAs ■ Exhibitors (eg via COMEX), Producers (eg via PACT), Educationalists, Broadcasters. 7.2 DCMS officials in each Government Office have agreed to assist with the coordination of the seminar programme. 7.3 It is anticipated that the seminars will involve up to 20-30 people. John Woodward will attend each seminar as will Carol Comley and Terri Jones. The bfi will be invited to attend each seminar. An independent facilitator will be approached to chair the discussion. An agenda and issues paper will be circulated in advance of each meeting. 7.4 Notes of each seminar will be produced and circulated to all those who attend and to key personnel listed in 4.2 as soon as practicable after each seminar. Film in England 55 8 Appendices B
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FILM IN ENGLAND A Development Strat
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