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FILM IN ENGLAND - UK Film Council - British Film Institute

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■ To clarify the <strong>FILM</strong> COUNCIL’s intended engagement with new media especially<br />

in relation to other national and regional bodies who have expertise in<br />

this area<br />

■ To consider what new forms of partnership may be possible between the <strong>FILM</strong><br />

COUNCIL and the ACE particularly around emerging policies for new media<br />

and broadcasting<br />

■ To recognise the contribution of other art forms to the vitality of film (eg the<br />

contribution that new writing for the stage makes to the screen industries).<br />

Accountability<br />

The strategy would need:<br />

■ To be clear that when the <strong>FILM</strong> COUNCIL refers to ‘film’ it is using ‘film’ as a<br />

shorthand for all moving image media<br />

■ To be clear about the overall scope of the <strong>FILM</strong> COUNCIL’s interests and the<br />

relative prioritisation of specific film sectors<br />

■ To ensure the <strong>FILM</strong> COUNCIL’s Board of Directors has the expertise to represent<br />

the full range of film activities supported<br />

■ To make transparent the <strong>FILM</strong> COUNCIL’s own measures of success.<br />

3.1.4 This summary is not intended to be an exhaustive record of points made, rather<br />

a note of those issues that gained broad consensus. Many of these issues were<br />

raised again during the regional seminars.<br />

3.2 Regional seminars<br />

3.2.1 Approximately 300 people participated in nine regional seminars. They included<br />

individuals from screen commissions; training consortia and training providers;<br />

cinemas, film festivals and film societies; HE, FE and schools; production funds,<br />

production companies and production workshops; MDAs, RABs, RDAs, RCCs and<br />

LAs. The DCMS representative in each region also participated. A full list of<br />

delegates is given as Appendix K.<br />

3.2.2 Inevitably each regional seminar highlighted issues specific to each region, for<br />

example the unique needs of:<br />

■ London as the capital city, the centre of the <strong>UK</strong> film industry and a region of<br />

seven million people<br />

■ The East of England as a region with a growing population needing to<br />

capitalise on the strengths and scale of its creative industries<br />

■ The substantial South Asian populations in Leicester and other urban centres<br />

in the East Midlands<br />

<strong>Film</strong> in England<br />

19<br />

3<br />

Consultation

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