21.12.2012 Views

FILM IN ENGLAND - UK Film Council - British Film Institute

FILM IN ENGLAND - UK Film Council - British Film Institute

FILM IN ENGLAND - UK Film Council - British Film Institute

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Consultation 3<br />

30<br />

<strong>Film</strong> in England<br />

<strong>FILM</strong> COUNCIL funding would enhance the commissions’ ability to deliver and would<br />

enable an effective partnership with the BFC. The <strong>FILM</strong> COUNCIL therefore wants to<br />

make new investment available to screen commissions to assist individual commissions<br />

achieve organisational stability, aid sector development and participate in an integrated<br />

regional planning process.<br />

3.4.7 Training and Vocational Education in the English Regions<br />

Skillset, the NTO for Broadcast, <strong>Film</strong>, Video and Multimedia, has been extremely<br />

active over the last few years in establishing employer-led regional training<br />

consortia in the English regions. In recognition that FE and HE courses (whether<br />

purely academic or purely practical) have a key role in preparing people for work<br />

in the industry, and in supporting continuous development, Skillset also has a<br />

clear remit for vocational education.<br />

The following points summarise key issues relating to regional training consortia:<br />

■ Regional training consortia mirror Skillset’s remit for broadcast, film, video and<br />

multimedia. Their remit therefore is broader than that of the <strong>FILM</strong> COUNCIL’s<br />

and geared to industry needs which extend to television and radio<br />

■ Training consortia need to go through a process of “kite-marking” with Skillset<br />

to ensure national training standards and priorities are met<br />

■ Based on their knowledge of each region’s skills shortages, training needs and<br />

skills development requirements, the training consortia ensure these needs are<br />

met through a variety of training measures for craft and technical personnel.<br />

This, in turn, enhances the region’s skills base, meets local business<br />

requirements and improves the competitive position of the region<br />

■ Within each region, there is the obvious potential for a positive working<br />

relationship between training consortia, screen commissions and production<br />

funds<br />

■ Relationships between RABs and training consortia are not always harmonious<br />

even though many RABs have worked hard to see a consortium established in<br />

their region. This tends to result from tensions between industrial or employer-led<br />

needs promoted by the consortia and culturally-led needs promoted by the RABs<br />

■ Typically, regional training consortia are dependent upon a patchwork of funders<br />

which include local authorities, broadcasters, ESF and ERDF structural funds.<br />

Funding is inevitably short term and thus unstable. The result is continuous<br />

fundraising initiatives which divert the consortia from doing their job<br />

■ For a variety of reasons, but principally the absence of core revenue funding, a<br />

number of training consortia have found it difficult to sustain their<br />

organisations and two have ceased to operate in their original form. This is<br />

currently the case in the North West and the North East. Skillset is working<br />

actively to put alternative arrangements in place but the lack of core funding<br />

remains a key problem.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!