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AphroChic Magazine: Issue No. 4

In this issue, we sit down with artist, Malik Roberts, who relates the experience of creating one of the few African American artworks to sit permanently in the Vatican collection. Fashion designer, Prajjé Oscar John-Baptiste introduces his latest collection — an ode to Haiti, and its goddesses. We head to South Carolina to experience the Gullah-inspired music of Ranky Tanky. And in New York, we watch a new world being born with photographer and journalist, Naeem Douglass, who takes us inside the city’s Black Lives Matter protests, and economist Janelle Jones, who reminds us in these times that we are the economy. We are thrilled to share our cover with chef and musician, Lazarus Lynch. Inside, we talk with him about his cookbook, Son of a Southern Chef and his new album, I’m Gay.  From a house tour in Brooklyn to a travel piece in Tobago, this issue takes you all over the Diaspora. And we see how of the concept of Diaspora was first introduced in a look back at how Pan-Africanism led the way to how we think of international Blackness today. It is a showcase of our culture, our creativity, our resilience, and our diversity, our demands for the present and our hopes for the future. Welcome to our summer issue.

In this issue, we sit down with artist, Malik Roberts, who relates the experience of creating one of the few African American artworks to sit permanently in the Vatican collection. Fashion designer, Prajjé Oscar John-Baptiste introduces his latest collection — an ode to Haiti, and its goddesses. We head to South Carolina to experience the Gullah-inspired music of Ranky Tanky. And in New York, we watch a new world being born with photographer and journalist, Naeem Douglass, who takes us inside the city’s Black Lives Matter protests, and economist Janelle Jones, who reminds us in these times that we are the economy.

We are thrilled to share our cover with chef and musician, Lazarus Lynch. Inside, we talk with him about his cookbook, Son of a Southern Chef and his new album, I’m Gay. 

From a house tour in Brooklyn to a travel piece in Tobago, this issue takes you all over the Diaspora. And we see how of the concept of Diaspora was first introduced in a look back at how Pan-Africanism led the way to how we think of international Blackness today. It is a showcase of our culture, our creativity, our resilience, and our diversity, our demands for the present and our hopes for the future. Welcome to our summer issue.

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IT’S A FAMILY AFFAIR<br />

A Refuge<br />

One of the more interesting functions that my family house has served over the years has been that of a<br />

refuge for members of my family as they made the transition from one stage of life to another. My Uncle<br />

Allen — my grandmother’s brother — lived there for several months after leaving the Air Force. My<br />

uncle Rodney did, too, having served in the Air Force as well. Other family members came and went for a<br />

multitude of reasons. More than once the change in circumstances came after a fire had claimed another<br />

home. For me, the house was my first home. I lived there for a year before my parents moved first into an<br />

apartment, then into the house that I grew up in.<br />

<strong>No</strong> matter where home was for me,<br />

“The House,” remained a constant, though<br />

it was much emptier by the time I arrived.<br />

In fact, for all of my life before 2005, the<br />

family home was just “Mom-Mom’s house,”<br />

to me. My grandmother lived in the home<br />

alone when I was a kid, and as the youngest<br />

grandchild I had no grasp of how long it<br />

had been in the family, how many of us had<br />

lived there, or what it had meant.<br />

It never occurred to me to wonder<br />

what it was like for her to live alone in a<br />

place that had once been full of so many<br />

people she loved. Whether it felt a little<br />

lonely or if she was grateful for the quiet<br />

wasn’t something she ever expressed to<br />

me. Had I thought to ask, I suspect her<br />

answer might’ve included a little of both.<br />

But whatever her answer might have been,<br />

it wasn’t a question I considered when my<br />

turn came to have the house (mostly) to<br />

myself.<br />

I moved into the house after college<br />

along with my brother Andre. By the time<br />

we took up residence, Mom-Mom, whose<br />

health was dwindling, had moved to live<br />

in my parent’s home. After years of dorm<br />

rooms and tiny apartments, it was good<br />

to have an entire house with what felt like<br />

massive spaces, more bedrooms than<br />

we needed, and one of the tiniest, most<br />

weirdly designed bathrooms either of us<br />

had ever seen.<br />

There’s a reason why real estate<br />

agents say that bathrooms and kitchens<br />

sell houses — it’s because in both cases,<br />

bad ones will seriously impact the experience<br />

of living there. This bathroom<br />

had survived the coming and going of<br />

many family members, but along the way<br />

it had developed both structural and<br />

aesthetic issues. The bathtub and shower<br />

were separate, the latter consisting of<br />

little more than a closet with an ill-fitting<br />

curtain that kept all of the light out<br />

but none of the water in. The sink was too<br />

small, and the toilet was crowded in by the<br />

massive radiator (painted an oppressive<br />

dark green) that actually dominated the<br />

space.<br />

On the aesthetic side, the bathroom<br />

had received a beautiful facelift about<br />

15 years before we moved in. Time had<br />

done its work on the very 1990s look,<br />

It‘s a Family Affair is an ongoing series<br />

focusing on the history of the Black family<br />

home, stories from the Harper family,<br />

and the renovations and restorations of a<br />

house that bonds this family.<br />

Photos by Chinasa Cooper<br />

and from Harper Family Archive<br />

Words by Bryan Mason<br />

Bryan Mason’s grandmother, “Mom-Mom,” Alice Harper<br />

16 aphrochic issue four 17

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