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Visions & Revisions: An anthology of new writing by Junior Cycle Teachers [selected extracts]

Foreword by Sheila O'Flanagan "This unique collection of work by new writers is a testament to the power of words, taking chances and using our imaginations. Now, more than ever, we need to find our creativity, raise our voices to each other and share our experience. This collection couldn’t be more timely." POW! Portfolio of Writing Project 2019–2020 for teachers is a partnership between JCT Arts in Junior Cycle and Fighting Words. Twenty Junior Cycle teachers attended a series of workshops at Fighting Words to draft, redraft, edit and publish this collection of work. This creative writing programme offers teachers the time and space to explore and consider possibilities around the creation of portfolios across all subjects at Junior Cycle. Fighting Words is a creative writing organisation established by Roddy Doyle and Seán Love. First opened in Dublin in 2009, and now with locations across the island of Ireland, Fighting Words aims to help students of all ages to develop their writing skills and explore their love of writing. www.fightingwords.ie Junior Cycle for Teachers (JCT) is a dedicated continuing professional development (CPD) support service of the Department of Education and Skills. JCT aims to to support schools in their implementation of the new Framework for Junior Cycle (2015) through the provision of appropriate high quality CPD for school leaders and teachers, and the provision of effective teaching and learning resources. www.jct.ie

Foreword by Sheila O'Flanagan

"This unique collection of work by new writers is a testament to the power of words, taking chances and using our imaginations. Now, more than ever, we need to find our creativity, raise our voices to each other and share our experience. This collection couldn’t be more timely."

POW! Portfolio of Writing Project 2019–2020 for teachers is a partnership between JCT Arts in Junior Cycle and Fighting Words. Twenty Junior Cycle teachers attended a series of workshops at Fighting Words to draft, redraft, edit and publish this collection of work. This creative writing programme offers teachers the time and space to explore and consider possibilities around the creation of portfolios across all subjects at Junior Cycle.


Fighting Words is a creative writing organisation established by Roddy Doyle and Seán Love. First opened in Dublin in 2009, and now with locations across the island of Ireland, Fighting Words aims to help students of all ages to develop their writing skills and explore their love of writing. www.fightingwords.ie


Junior Cycle for Teachers (JCT) is a dedicated continuing professional development (CPD) support service of the Department of Education and Skills. JCT aims to to support schools in their implementation of the new Framework for Junior Cycle (2015) through the provision of appropriate high quality CPD for school leaders and teachers, and the provision of effective teaching and learning resources. www.jct.ie

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Mary-Elaine Tynan<br />

me. That may be a stretch for you since women like me aren’t<br />

trusted <strong>by</strong> society. But I am nothing if not honest. Which is what<br />

led me to where I ended up. Believe me.<br />

1949<br />

I will never forget. Years later I would be transported back here<br />

with little more than the hint <strong>of</strong> antiseptic, there it is … the smell<br />

<strong>of</strong> burning, searing pain…<br />

I am looking at the man who has just torn my pelvis asunder<br />

with the precision <strong>of</strong> one who has done this procedure many<br />

times before. <strong>An</strong>d he is taking time out from his labour to wonder<br />

aloud – with a shake <strong>of</strong> his sweaty brow – why such a small<br />

girl would have married such a large man. He’ll be sending me<br />

home in just days, cradling a red-faced nine pound ba<strong>by</strong>, without<br />

as much as an ounce <strong>of</strong> compassion, never mind a painkiller.<br />

Telling me I’ll be grand. That I should be thanking him. Because<br />

if he’d given me the caesarean I’d begged for, I’d only be able<br />

to have three children at most. This way, after sawing my<br />

pelvis open – after splitting me in two – I can go on to have ten<br />

<strong>of</strong> them.<br />

Ten? What woman wants ten children, I wonder as the salty,<br />

silent tears sidle down my cheeks to meet my parted lips, before<br />

dropping – plopping – into the dry, fleshy hollow <strong>of</strong> my mouth.<br />

Mammy, are you there? Can you see me? Oh, Sacred Heart<br />

<strong>of</strong> Jesus…<br />

<strong>An</strong>d when I think he’s finished, he leans in – his middle-aged<br />

paunch jiggling against the hospital bed – and stares at me for<br />

a moment. After glancing over his shoulder, he lifts his surgical<br />

mask up. Just a little. High enough for me to see him lick his<br />

thick, wet lips. With his mouth still closed, he exhales heavily<br />

through his nose. Like a sick horse. <strong>An</strong>d his breath, as it wades<br />

through his dense nostril hair and mingles with my own, is warm<br />

and stale.<br />

‘Stop that crying child, for the love <strong>of</strong> God! What do you<br />

have to upset about? Haven’t you a fine healthy child?’<br />

I’m gasping now. The pain … Oh Jesus, the pain in my hips.<br />

UNDONE<br />

‘Please Doctor … It’s awful. I can’t bear it…’<br />

<strong>An</strong>d he’s sighing heavily, his eyes cold and unblinking.<br />

Having to even respond to my pithy complaint is a waste <strong>of</strong> his<br />

precious time.<br />

‘Stop those dramatics, child. It’s just a few stitches. You’ll<br />

be right as rain soon enough and back in the saddle before you<br />

know it.’<br />

He’s turning away now. Hold it, Kitty, hold it. Just ‘til he’s<br />

gone. You can fall apart when he leaves. Don’t let him see you<br />

weep anymore. But now he’s glancing back again, as if he has<br />

some final piece <strong>of</strong> wisdom to impart. <strong>An</strong>d I’m actually thinking<br />

it might be an apology or word <strong>of</strong> consolation on fat, wet lips<br />

when he returns to me, humbled <strong>by</strong> my pain.<br />

He’s closer this time, so close I can clearly see his damp,<br />

clogged pores. <strong>An</strong>d I’m thinking, in my delirium, that he would<br />

benefit from a hot, steamy bowl <strong>of</strong> water and a towel over his<br />

head. As I contemplate the foulness <strong>of</strong> his blackheads and his<br />

nicotine-stained teeth mingling with the disinfectant, he stops for<br />

a moment – appraising me – and then smirks. He bends down<br />

and pr<strong>of</strong>fers his parting words in a low voice. As if we’re in<br />

cahoots. A shared secret.<br />

‘I’d give you a couple <strong>of</strong> weeks – maybe a month – and<br />

you’ll be pawing at him in the bed. You’ll be back into me within<br />

the year – pushing another one out into the world. I’d put money<br />

on it.’<br />

His voice is barely above a whisper and I’m so delirious<br />

with pain that I’ll later wonder if I imagined it.<br />

My eyes are unblinking now as I stare into his cool<br />

unblinking eyes. They’re actually quite nice eyes, I note. Bovinelike.<br />

It’s funny the things you think about, even in moments<br />

<strong>of</strong> shock and trauma. Even the tears have stopped and frozen<br />

on my wan cheeks, my head lolling back in exhaustion. <strong>An</strong>d I<br />

want to stop him. I watch one <strong>of</strong> his incongruently tiny hands<br />

float toward me, arriving finally on my tear-stained face, but I’m<br />

frozen. All I can do is witness his index finger as it takes flight,<br />

powered <strong>by</strong> his thumb before flicking my cheek. As I register the<br />

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