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Visions & Revisions: An anthology of new writing by Junior Cycle Teachers [selected extracts]

Foreword by Sheila O'Flanagan "This unique collection of work by new writers is a testament to the power of words, taking chances and using our imaginations. Now, more than ever, we need to find our creativity, raise our voices to each other and share our experience. This collection couldn’t be more timely." POW! Portfolio of Writing Project 2019–2020 for teachers is a partnership between JCT Arts in Junior Cycle and Fighting Words. Twenty Junior Cycle teachers attended a series of workshops at Fighting Words to draft, redraft, edit and publish this collection of work. This creative writing programme offers teachers the time and space to explore and consider possibilities around the creation of portfolios across all subjects at Junior Cycle. Fighting Words is a creative writing organisation established by Roddy Doyle and Seán Love. First opened in Dublin in 2009, and now with locations across the island of Ireland, Fighting Words aims to help students of all ages to develop their writing skills and explore their love of writing. www.fightingwords.ie Junior Cycle for Teachers (JCT) is a dedicated continuing professional development (CPD) support service of the Department of Education and Skills. JCT aims to to support schools in their implementation of the new Framework for Junior Cycle (2015) through the provision of appropriate high quality CPD for school leaders and teachers, and the provision of effective teaching and learning resources. www.jct.ie

Foreword by Sheila O'Flanagan

"This unique collection of work by new writers is a testament to the power of words, taking chances and using our imaginations. Now, more than ever, we need to find our creativity, raise our voices to each other and share our experience. This collection couldn’t be more timely."

POW! Portfolio of Writing Project 2019–2020 for teachers is a partnership between JCT Arts in Junior Cycle and Fighting Words. Twenty Junior Cycle teachers attended a series of workshops at Fighting Words to draft, redraft, edit and publish this collection of work. This creative writing programme offers teachers the time and space to explore and consider possibilities around the creation of portfolios across all subjects at Junior Cycle.


Fighting Words is a creative writing organisation established by Roddy Doyle and Seán Love. First opened in Dublin in 2009, and now with locations across the island of Ireland, Fighting Words aims to help students of all ages to develop their writing skills and explore their love of writing. www.fightingwords.ie


Junior Cycle for Teachers (JCT) is a dedicated continuing professional development (CPD) support service of the Department of Education and Skills. JCT aims to to support schools in their implementation of the new Framework for Junior Cycle (2015) through the provision of appropriate high quality CPD for school leaders and teachers, and the provision of effective teaching and learning resources. www.jct.ie

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Yvonne Corscadden<br />

THE UNWELCOME MAT [EXTRACT]<br />

April 2019<br />

‘That!’ Oscar remarked holding up the manuscript, a little<br />

uncomfortably, even though he was normally quite at home in<br />

his own <strong>of</strong>fice. ‘Well darling … How can I put this nicely?’<br />

He paused nervously as he sat down in his big plush<br />

<strong>of</strong>fice chair. He looked his best friend in the eye and continued,<br />

‘That… Well… It’s just not good!’ he exclaimed. He continued<br />

quickly, ‘Look Jane, you know I love you and I know that you’ve<br />

been through a hell <strong>of</strong> a hard time, but the raw emotion and<br />

utter heartbreak that you captured in The Unwelcome Mat just<br />

isn’t here.’<br />

He moved from behind his desk, and sat down in the chair<br />

beside Jane and picked up her hand in his to comfort her.<br />

‘Look at it this way,’ he began, slowly and deliberately.<br />

‘When Aoife passed, I had never seen anyone in such a state.’ He<br />

paused and tried to reach her eyes with his. ‘You are a young<br />

woman, you should have been in the prime <strong>of</strong> your life but you<br />

couldn’t eat, sleep, dress yourself. AND let’s be honest. You stank,<br />

and I mean, you literally stank. That apartment that you shared<br />

with Aoife was an actual pigsty. I realise I should have been more<br />

worried about you. As soon as I k<strong>new</strong> you were <strong>writing</strong>, I k<strong>new</strong><br />

that you’d be okay.’<br />

Jane could easily have taken <strong>of</strong>fence, and maybe she would<br />

have, if it had been anyone but Oscar, but she k<strong>new</strong> that he was<br />

right.<br />

‘I did stink,’ she agreed. ‘But if it hadn’t been for the <strong>writing</strong>,<br />

I don’t know how I could have coped,’ Jane interjected, with a<br />

tear beginning to gather in the corner <strong>of</strong> her eye. ‘Sorry Osk,’<br />

THE UNWELCOME MAT<br />

she continued as she wiped the tear away. ‘I thought I had this<br />

random crying thing under control. But that novel flew out <strong>of</strong><br />

me. It was like I needed to get the words out <strong>of</strong> me so that I<br />

could get rid <strong>of</strong> some <strong>of</strong> the hurt and the pain that was tearing<br />

me apart.’<br />

Her voice cracked and she sat back in her seat, throwing<br />

her head back and inhaling deeply, trying to keep a second tear<br />

at bay.<br />

‘I know my love, I know.’ His tone was comforting and<br />

he reached out and gave her hand a reassuring squeeze. ‘It was<br />

your saving grace… <strong>An</strong>d let’s be honest, and I’m not trying to be<br />

flippant here… but you got a nice few Euro out <strong>of</strong> it too, not to<br />

mention global recognition and a film deal. So it wasn’t exactly<br />

all bad.’ He looked at her with a little glint in his eye, ‘AND best<br />

<strong>of</strong> all. It placated your father!’<br />

Jane looked at him, raised her eyebrows and smiled, ‘<strong>An</strong>d<br />

you didn’t do too badly out <strong>of</strong> it either!’<br />

Oscar put his hands up in surrender and continued, ‘Hey,<br />

look! I’ve been in the publishing game for three decades and you<br />

are my only Pulitzer Prize winner, so I’m not complaining. But I<br />

wouldn’t be doing any <strong>of</strong> us any favours if I publish this!’<br />

Once again, he waved the manuscript at her. ‘It’s… Terrible,<br />

awful, dreadful, unpleasant… How many other synonyms can I<br />

use… Go on… You tell me, you’re the writer?!!?’<br />

Finally Jane broke down laughing. That type <strong>of</strong> laugh that<br />

clears a lot <strong>of</strong> pent up energy. ‘You’re right!’ she announced. ‘It’s<br />

shit.’ She paused. ‘It IS shit, it’s shit, it’s shit!’ she yelled, with<br />

each iteration <strong>of</strong> the phrase getting louder and louder until they<br />

both collapsed and laughed as only old friends can. ‘I’m so lucky<br />

that you took me under your wing when you did. I’m so lucky<br />

to have you in my life, Osk. No one else could deliver such bad<br />

<strong>new</strong>s with such brutal honesty and still have me laughing at the<br />

end.’<br />

He smiled and she could see that he was a little relieved to<br />

have delivered the brutal truth to her about her manuscript.<br />

‘It’s why I’m such a fantastic editor. <strong>An</strong>d also why I’m so<br />

10 11

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