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A Decade of MA Solo Dance Authorship

In the frame of the 10th anniversary of MA SODA in 2017, the independent writer, editor and consultant and former guest professor Richard Allsopp edited the publication “SODA – A DECADE OF MA SOLO DANCE AUTHORSHIP”. “The aim of this book on a decade of SODA at the HZT Berlin is to provide a retrospective insight into the imaginative, discursive and educational spaces that the SODA programme has opened-up since its beginning in 2007. [...]" Ric Allsopp, November 2017

In the frame of the 10th anniversary of MA SODA in 2017, the independent writer, editor and consultant and former guest professor Richard Allsopp edited the publication “SODA – A DECADE OF MA SOLO DANCE AUTHORSHIP”.

“The aim of this book on a decade of SODA at the HZT Berlin is to provide a retrospective insight into the imaginative, discursive and educational spaces that the SODA programme has opened-up since its beginning in 2007. [...]" Ric Allsopp, November 2017

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Sonja Pregrad (2011) Wall Writings in Studio 8 Photo © Ric Allsopp<br />

• Theory: The approach to theory is designed to ensure that the<br />

theoretical issues emerging within an individual student’s practice<br />

can be located in relation to current arts discourses. It is<br />

concerned both with the methodological implications <strong>of</strong> theoretical<br />

enquiry by practitioners as well as with specific bodies <strong>of</strong><br />

theory. It addresses the possibilities and limitations <strong>of</strong> shared<br />

theoretical discourse across subject fields. Linked to this it poses<br />

questions about the relation <strong>of</strong> subject-specific fields <strong>of</strong> enquiry<br />

to contemporary meta-discourses.<br />

• Practices / Making New Work: <strong>MA</strong> SODA guides and enables the<br />

student to work towards the thinking and making <strong>of</strong> a substantial<br />

practical work (or set <strong>of</strong> works) <strong>of</strong> their own devising, designed<br />

to define their own position within their field <strong>of</strong> practice by the<br />

end <strong>of</strong> the study course. This is achieved through a series <strong>of</strong><br />

shorter formal, informal and / or intensive engagements with the<br />

methods, processes and contexts <strong>of</strong> making and thinking about<br />

work. Small performance ‘studies’ are planned, encouraging the<br />

student to test ideas, for an audience <strong>of</strong> peers, during their<br />

development, as part <strong>of</strong> the process towards a resolved work.<br />

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