20.07.2020 Views

A Decade of MA Solo Dance Authorship

In the frame of the 10th anniversary of MA SODA in 2017, the independent writer, editor and consultant and former guest professor Richard Allsopp edited the publication “SODA – A DECADE OF MA SOLO DANCE AUTHORSHIP”. “The aim of this book on a decade of SODA at the HZT Berlin is to provide a retrospective insight into the imaginative, discursive and educational spaces that the SODA programme has opened-up since its beginning in 2007. [...]" Ric Allsopp, November 2017

In the frame of the 10th anniversary of MA SODA in 2017, the independent writer, editor and consultant and former guest professor Richard Allsopp edited the publication “SODA – A DECADE OF MA SOLO DANCE AUTHORSHIP”.

“The aim of this book on a decade of SODA at the HZT Berlin is to provide a retrospective insight into the imaginative, discursive and educational spaces that the SODA programme has opened-up since its beginning in 2007. [...]" Ric Allsopp, November 2017

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

COURSE STRUCTURE<br />

The <strong>MA</strong> uses both formal and informal structures as the basis for<br />

its enquiry. As well as a modular format, these include participation<br />

in local and international networks enabling exchange research<br />

and dialogue; opportunities for students to curate single<br />

workshops, seminars, and lectures with invited artists, and visiting<br />

exhibitions, performances and other relevant cultural and<br />

educational activities in Berlin and elsewhere.<br />

Semester 1: Questions <strong>of</strong> Practice 1: Diagnostics /<br />

Writing Practices / Making New Work<br />

takes three key approaches to making and thinking practice:<br />

diagnostics – the ability to share processes <strong>of</strong> making work;<br />

writing & research for artists – the ability to place practice in relation<br />

to language and identify and utilize appropriate research<br />

methods with which to develop practice; making new work - the<br />

ability to identify and develop new approaches to making and<br />

thinking practice.<br />

Negotiating <strong>Solo</strong> / <strong>Dance</strong> / <strong>Authorship</strong>: Lecture / Seminar Series 1<br />

explores critical, contextual, and theoretical understandings <strong>of</strong><br />

key terms <strong>of</strong> the course. The first series <strong>of</strong> lecture / seminars addresses<br />

the contexts, implications and relationships <strong>of</strong> the key<br />

terms <strong>of</strong> the <strong>MA</strong> - ‘solo’, ‘dance’ and ‘authorship’ - in relation to<br />

contemporary arts practice and theory.<br />

Semester 2: Questions <strong>of</strong> Practice 2:<br />

Compositional Strategies & Tactics<br />

examines the work process <strong>of</strong> composition as research through<br />

artistic practice by exploring and testing various compositional<br />

strategies, tactics and work processes and analyzing the aesthetic<br />

and cultural contexts that make them possible and support them.<br />

Compositional Practices & Contexts: Lecture / Seminar Series 2<br />

addresses questions <strong>of</strong> thinking and making contemporary practice<br />

in relation to the histories and strategies <strong>of</strong> 20 th and 21 st century<br />

compositional practice and contexts.<br />

Semester 3: Independent & Collaborative Research<br />

following an initial independent research proposal at the end <strong>of</strong><br />

Semester 2, you embark on a sustained program <strong>of</strong> individual<br />

research designed and structured in discussion with tutors.<br />

29

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!