A Decade of MA Solo Dance Authorship
In the frame of the 10th anniversary of MA SODA in 2017, the independent writer, editor and consultant and former guest professor Richard Allsopp edited the publication “SODA – A DECADE OF MA SOLO DANCE AUTHORSHIP”. “The aim of this book on a decade of SODA at the HZT Berlin is to provide a retrospective insight into the imaginative, discursive and educational spaces that the SODA programme has opened-up since its beginning in 2007. [...]" Ric Allsopp, November 2017
In the frame of the 10th anniversary of MA SODA in 2017, the independent writer, editor and consultant and former guest professor Richard Allsopp edited the publication “SODA – A DECADE OF MA SOLO DANCE AUTHORSHIP”.
“The aim of this book on a decade of SODA at the HZT Berlin is to provide a retrospective insight into the imaginative, discursive and educational spaces that the SODA programme has opened-up since its beginning in 2007. [...]" Ric Allsopp, November 2017
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Flavio Ribeiro<br />
<strong>MA</strong> SODA 2012–2014<br />
‘How can you erase what<br />
you are doing in the process<br />
<strong>of</strong> doing it?’<br />
This question came to me as<br />
Siegmar Zacharias asked me right<br />
after a research presentation I<br />
did last semester. She asked me<br />
how I could turn the process <strong>of</strong><br />
erasure so that I could erase the<br />
work and in a way put the<br />
audience to work in this erasure.<br />
Well, Siegmar put the question in<br />
a much more elegant way, but I<br />
was a bit brain dead after having<br />
shown my research, so I am<br />
probably misquoting her here,<br />
as I <strong>of</strong>ten do.<br />
(from text for 401 Final Presentation / going through the motions / version 1 (17/7/2013)
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